Opera on the Move in the Nordic Countries during the Long 19th ...

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218 Joakim Tillman *** Abbreviations AB Aftonbladet DN Dagens Nyheter GHT Göteborgs Handels- och Sjöfartstidning GP Göteborgs-posten NDA Nya Dagligt Allehanda PIT Post- och Inrikes Tidningar SDS Sydsvenska Dagbladet Snällposten StD Stockholms Dagblad SvD Svenska Dagbladet VL Vårt Land Sources Die Meistersinger AB 4.4.87, A 9.4.87 DN B 2.4.87, 4.4.87, B 7.4.87, B 9.4.87 GHT B 6.4.87, B 16.4.87 NDA B 12.4.87 PIT 31.3.87, A 5.4.87 StD 31.3.87, E 3.4.87, 6.4.87 SvD 4.4.87, 9.4.87, 13.4.87 SDS M 29.3.87 VL 1.4.87, 2.4.87, 6.4.87 Die Walküre AB 8.11.87, 9.11.87, 13.11.95 DN 7.11.87, 9.11.87 GP 8.11.95 NDA 7.11.95, 8.11.95 PIT 8.11.95, 9.11.95, A 13.11.95, A 21.11.95 StD 8.11.95, 13.11.95 StT A 11.11.95 SvD A 11.11.95, 22.11.95 SDS K 11.11.95 VL 7.11.95, 8.11.95 Bibliography Breckbill, David 1992. “Wagner in Performance. Singing.” In The Wagner Compendium. A Guide to Wagner’s Life and Music, edited by Barry Millington. London: Thames and Hudson. Dahlhaus, Carl 1971: Wagners Konzeption des musikalischen Dramas. Regensburg: Bosse.
The introduction of Richard Wagner’s music dramas in Stockholm Deathridge, John and Carl Dahlhaus 1984: The New Grove Wagner. London: Macmillan. Gademan, Göran 1996: Realismen på <strong>Opera</strong>n. Regi, spelstil och iscensättningsprinciper på Kungliga teatern 1860-82. Stockholm: Stift. för utgivning av teatervetenskapliga studier. Diss. Stockholm : Univ. Grey, Thomas S. 1995: Wagner’s musical prose : texts and contexts. Cambridge: Cambridge Univ. Press. Johansson, Stefan 2002: ”Wagner on Swedish records – a musical archaeology.” Liner notes to Wagner in Stockholm. Recordings 1899-1970, Bluebell Compact Disc ABCD 091. Josephson, Magnus 1899: ”Andreas Halléns opera Valdemarsskatten.” Ord och Bild. Hedberg, Frans 1885: Svenska operasångare. Karakteristiker och porträtter. Stockholm: Fritz Hoffsten, Sune (1977-79): ”Leonard Labatt”. Svenskt biografiskt lexikon, bd. 22. Stockholm: Svenskt biografiskt lexikon. Knust, Martin 2011: ”’Klappern und wieder klappern! Die Leute glauben nur was gedruckt steht.’: Andréas Hallén’s letters to Hans Herrig : a contribution to the Swedish-German cultural contacts in the late nineteenth century.” Svensk tidskrift för musikforskning, vol. 93 Lindgren, Adolf 1881: Om Wagnerismen. Stockholm: Z. Hæggströms förlagsexp. Percy, Gösta 1936: Grunddragen av wagnerrörelsen i Sverige 1857-1884. Not published (copies available at Kungl. Biblioteket and Musik- och teaterbiblioteket). Peterson-Berger, Wilhelm 1943: Minnen. Uppsala. Salmi, Hannu 2005: Wagner and Wagnerism in nineteenth-century Sweden, Finland, and the Baltic provinces. Reception, enthusiasm, cult. Rochester, N.Y.: University of Rochester Press. Svenskt pressregister: förteckning över recensioner (konst, litteratur, musik, teater), skönlitterära bidrag, signerade artiklar. 2, 1886-1890. Lund: Avd. för pressforskning, Litteraturvetenskapliga institutionen, Univ.: 1969. Svenskt pressregister: förteckning över recensioner (konst, litteratur, musik, teater), skönlitterära bidrag, signerade artiklar. 4, 1895-1897. Lund: Avd. för pressforskning, Litteraturvetenskapliga institutionen, Univ.: 1985 Tegen, Martin 1961: “Tre svenska vikingaoperor.” Svensk tidskrift för musikforskning, vol. 43. Wagner, Richard 1903: Gesammelte Schriften und Dichtungen I-X. Leipzig: Siegel, 3. Aufl. Summary 219 There were several phases in the Swedish reception of Richard Wagner’s works. The first period was roughly between 1857 and 1884. It began with
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Anne Sivuoja, Owe Ander, Ulla Britt
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Contents Anne Sivuoja with Owe Ande
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Introduction Anne Sivuoja with Owe
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Introduction ity of vocal resources
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*** Introduction Methodological tra
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Introduction Broman-Kananen, Ulla-B
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Voices
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18 Juvas Marianne Liljas such young
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20 Juvas Marianne Liljas it a usefu
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22 Juvas Marianne Liljas portant in
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24 Juvas Marianne Liljas pany, New
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26 Juvas Marianne Liljas given free
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28 Juvas Marianne Liljas the histor
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30 Juvas Marianne Liljas Consequent
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32 Juvas Marianne Liljas Illustrati
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34 Juvas Marianne Liljas tive the B
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38 Juvas Marianne Liljas but during
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40 Juvas Marianne Liljas pedagogue
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44 Juvas Marianne Liljas institutio
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46 Juvas Marianne Liljas Jussi Bjö
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48 Juvas Marianne Liljas ämnesdida
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50 Formed to Perform Educating Stud
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52 Marianne Tråvén most of them w
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54 Marianne Tråvén Piccini left v
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56 Marianne Tråvén of Monvel. The
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58 Marianne Tråvén 1816 the singi
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60 Marianne Tråvén holm 1851), M
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62 Marianne Tråvén Georg Joseph V
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64 Marianne Tråvén on him transfe
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66 Marianne Tråvén techniques of
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68 Marianne Tråvén approach using
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70 Marianne Tråvén Solfeggi Stiel
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72 Marianne Tråvén whereas in fal
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74 Marianne Tråvén the singer onl
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76 Marianne Tråvén From this we c
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78 Marianne Tråvén Conclusion The
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80 Marianne Tråvén Apel, Willi (e
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82 Marianne Tråvén Traini, Carlo
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84 Ingela Tägil tria and England d
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86 Ingela Tägil play through her l
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88 Ingela Tägil Another strange is
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90 Ingela Tägil in boarding houses
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92 Ingela Tägil Published referenc
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Music at the Royal Swedish
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A Nordic outlook Music at the Royal
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Two Operas or One
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Two Operas or One
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Staging a national language <strong
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Staging a national language 157 is
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Staging a national language Vernacu
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Staging a national language 163 In
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Staging a national language 165 tia
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Performative elements and sources P
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Example 1. Helena Munktell, In Flor
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Nya Dagligt Allehanda (Stockholm) N
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