Opera on the Move in the Nordic Countries during the Long 19th ...

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Performances
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Anne Sivuoja, Owe Ander, Ulla Britt
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Contents Anne Sivuoja with Owe Ande
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Introduction Anne Sivuoja with Owe
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Introduction ity of vocal resources
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*** Introduction Methodological tra
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Introduction Broman-Kananen, Ulla-B
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Voices
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18 Juvas Marianne Liljas such young
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20 Juvas Marianne Liljas it a usefu
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22 Juvas Marianne Liljas portant in
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24 Juvas Marianne Liljas pany, New
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26 Juvas Marianne Liljas given free
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28 Juvas Marianne Liljas the histor
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30 Juvas Marianne Liljas Consequent
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32 Juvas Marianne Liljas Illustrati
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34 Juvas Marianne Liljas tive the B
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38 Juvas Marianne Liljas but during
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40 Juvas Marianne Liljas pedagogue
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44 Juvas Marianne Liljas institutio
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46 Juvas Marianne Liljas Jussi Bjö
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48 Juvas Marianne Liljas ämnesdida
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50 Formed to Perform Educating Stud
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52 Marianne Tråvén most of them w
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54 Marianne Tråvén Piccini left v
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56 Marianne Tråvén of Monvel. The
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58 Marianne Tråvén 1816 the singi
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60 Marianne Tråvén holm 1851), M
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62 Marianne Tråvén Georg Joseph V
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64 Marianne Tråvén on him transfe
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66 Marianne Tråvén techniques of
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68 Marianne Tråvén approach using
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70 Marianne Tråvén Solfeggi Stiel
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72 Marianne Tråvén whereas in fal
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74 Marianne Tråvén the singer onl
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76 Marianne Tråvén From this we c
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78 Marianne Tråvén Conclusion The
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80 Marianne Tråvén Apel, Willi (e
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82 Marianne Tråvén Traini, Carlo
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84 Ingela Tägil tria and England d
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86 Ingela Tägil play through her l
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88 Ingela Tägil Another strange is
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90 Ingela Tägil in boarding houses
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92 Ingela Tägil Published referenc
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Music at the Royal Swedish
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A Nordic outlook Music at the Royal
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Page 155 and 156: Staging a national language <strong
Page 157 and 158: Staging a national language 157 is
Page 159 and 160: Staging a national language Vernacu
Page 161 and 162: Staging a national language 161 dou
Page 163 and 164: Staging a national language 163 In
Page 165 and 166: Staging a national language 165 tia
Page 167 and 168: Staging a national language 167 Kos
Page 169 and 170: Staging a national language 169 Emm
Page 171 and 172: Staging a national language 171 Roy
Page 173 and 174: Staging a national language 173 and
Page 175 and 176: Staging a national language 175 The
Page 181 and 182: Staging a national language 181 sur
Page 183 and 184: Staging a national language 183 new
Page 187 and 188: Staging a national language 187 Ark
Page 189 and 190: Maria Grape’s correspondence, Nr
Page 191: Staging a national language Qvarnst
Page 196 and 197: 196 Joakim Tillman introduced in 19
Page 198 and 199: 198 Joakim Tillman monotonous exact
Page 200 and 201: 200 Joakim Tillman The reaction to
Page 202 and 203: 202 Joakim Tillman tory phrases, th
Page 204 and 205: 204 Joakim Tillman The positive rev
Page 206 and 207: 206 Joakim Tillman reaction. In a r
Page 208 and 209: 208 Joakim Tillman to express. As J
Page 210 and 211: 210 Joakim Tillman because of his d
Page 212 and 213: 212 Joakim Tillman and critics duri
Page 214 and 215: 214 Joakim Tillman to hear Wagner b
Page 216 and 217: 216 Joakim Tillman The audience rea
Page 218 and 219: 218 Joakim Tillman *** Abbreviation
Page 220 and 221: 220 Joakim Tillman concert performa
Page 222 and 223: 222 Jens Hesselager While Weyse was
Page 224 and 225: 224 Jens Hesselager Methodologicall
Page 226 and 227: 226 Jens Hesselager spiration in Co
Page 228 and 229: 228 Jens Hesselager quite simply be
Page 230 and 231: 230 Jens Hesselager that they had r
Page 232 and 233: 232 Jens Hesselager so to speak. Th
Page 234 and 235: 234 Jens Hesselager Excursus II: Wh
Page 236 and 237: 236 Jens Hesselager In Andersen’s
Page 238 and 239: 238 Jens Hesselager when he perform
Page 240 and 241: 240 Jens Hesselager Rung embarked o
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242 Jens Hesselager Illustration 5.
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244 Jens Hesselager of Pauline Rung
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246 Jens Hesselager Bibliography On
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248 Jens Hesselager Rossen, Jane Mi
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250 Performative elements and sourc
Page 252 and 253:
252 Kristel Pappel The theatre syst
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254 Kristel Pappel The singers, the
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256 Kristel Pappel score, the vocal
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258 Kristel Pappel about the scener
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260 Kristel Pappel the wings report
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262 Kristel Pappel opinion because
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264 Kristel Pappel The vocal score
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266 Kristel Pappel tournaments and
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268 Kristel Pappel Andreas Roller,
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270 Kristel Pappel The sources used
Page 272 and 273:
272 Camilla Hambro academic publica
Page 274 and 275:
274 Camilla Hambro mantic affection
Page 276 and 277:
276 Camilla Hambro Daniel Fallströ
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278 Camilla Hambro comique. Oddly e
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280 Camilla Hambro fact that Stefan
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282 Camilla Hambro Example 1. Helen
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284 Camilla Hambro The Rose Time an
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286 Camilla Hambro When the time ca
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288 Camilla Hambro Avis, compared t
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290 Camilla Hambro Example 2. Tekla
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292 Camilla Hambro As far as Politi
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294 Camilla Hambro been done with t
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296 Camilla Hambro opera composer n
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298 Camilla Hambro have in common a
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