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Opera on the Move in the Nordic Countries during the Long 19th ...

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Stag<strong>in</strong>g a nati<strong>on</strong>al language<br />

163<br />

In order to dem<strong>on</strong>strate Röske-Lund’s transformati<strong>on</strong> from Agatha <strong>in</strong>to a<br />

good-look<strong>in</strong>g s<strong>in</strong>ger, Ahlgrenss<strong>on</strong> drew a picture of her face and her hair <strong>in</strong><br />

his letter.<br />

Röske-Lund seems to have been more flexible than Hebbe about her<br />

roles. Arlberg was enthusiastic about <strong>the</strong> prospects of hav<strong>in</strong>g L<strong>in</strong>da Röske-<br />

Lund as his counterpart, because if Röske-Lund would come, <strong>the</strong>n “any<br />

opera could be given”, 13 especially Ernani, which Arlberg also wanted <strong>in</strong><br />

<strong>the</strong> repertoire.<br />

Eventually, <strong>the</strong> opera company was complete and <strong>the</strong> opera at <strong>the</strong> Christiania<br />

Theatre officially opened <strong>in</strong> November of 1874 with D<strong>on</strong> Giovanni.<br />

L<strong>in</strong>da Röske-Lund sang D<strong>on</strong>na Anna’s role and Fritz Arlberg, D<strong>on</strong> Giovanni’s.<br />

Josephs<strong>on</strong> remembers <strong>the</strong> premiere as a success. All <strong>the</strong> s<strong>in</strong>gers did<br />

<strong>the</strong>ir best. Even Thorvald Lammers, a Norwegian bass, performed decently<br />

Figure 1. L<strong>in</strong>da<br />

Röske-Lund before<br />

and after a “brushup”.<br />

(Ahlgrenss<strong>on</strong><br />

to Josephs<strong>on</strong>, 23<br />

October 1874,<br />

NLS.)<br />

13 “Väl vore om Herrn f<strong>in</strong>ge Röske, då kunde som sagt allt<strong>in</strong>g gifvas” (Arlberg to<br />

Josephs<strong>on</strong>, 10 October 1874, KB).

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