Opera on the Move in the Nordic Countries during the Long 19th ...

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14 Schepelern, Gerhard 1995: <strong>Opera</strong>ens historie i Danmark1634-1975, Copenhagen: Rosinante. Schiørring, Nils 1977-1978: Musikkens historie i Danmark, Vol. 1–3, Copenhagen: Politiken. Smart, Mary Ann 2000 (ed.): Siren Songs: Representations of Gender and Sexuality in <strong>Opera</strong>. Princeton: Princeton University Press. Werner, Michael & Zimmermann, Bénédicte 2006: “Beyond comparision: histoire croisée and the challenge of reflexivity” in: History and Theory, Vol. 45/1, pp. 30–50. Summary The purpose of this anthology is to foster a new understanding of opera as a cultural practice in the Nordic countries during the 19th century. Methodological transnationalism forms a strong undercurrent here, directing interest towards the European operatic tradition and how its canons were disseminated and adapted in the Nordic countries, which were culturally and geographically far removed from the great European opera houses. Re-creating the European opera tradition in the Nordic context meant numerous adaptations in performance texts and staging and was significantly conditioned by the availability of vocal resources and instrumentalists. Individual articles address how these adaptations took place in different Nordic countries, with their varying conditions for performing opera.
Voices
Page 1: Anne Sivuoja, Owe Ander, Ulla Britt
Page 5 and 6: Contents Anne Sivuoja with Owe Ande
Page 7 and 8: Introduction Anne Sivuoja with Owe
Page 9 and 10: Introduction ity of vocal resources
Page 11 and 12: *** Introduction Methodological tra
Page 13: Introduction Broman-Kananen, Ulla-B
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Page 20 and 21: 20 Juvas Marianne Liljas it a usefu
Page 22 and 23: 22 Juvas Marianne Liljas portant in
Page 24 and 25: 24 Juvas Marianne Liljas pany, New
Page 26 and 27: 26 Juvas Marianne Liljas given free
Page 28 and 29: 28 Juvas Marianne Liljas the histor
Page 30 and 31: 30 Juvas Marianne Liljas Consequent
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Page 38 and 39: 38 Juvas Marianne Liljas but during
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Page 46 and 47: 46 Juvas Marianne Liljas Jussi Bjö
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Page 54 and 55: 54 Marianne Tråvén Piccini left v
Page 56 and 57: 56 Marianne Tråvén of Monvel. The
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64 Marianne Tråvén on him transfe
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88 Ingela Tägil Another strange is
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92 Ingela Tägil Published referenc
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A Nordic outlook Music at the Royal
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Two Operas or One
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Two Operas or One
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Staging a national language <strong
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Staging a national language 157 is
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Staging a national language Vernacu
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Staging a national language 163 In
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Staging a national language 175 The
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Staging a national language 181 sur
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Staging a national language 183 new
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Staging a national language 187 Ark
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Maria Grape’s correspondence, Nr
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The introduction of Richard Wagner
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As Gundula Kreuzer remarks: Perform
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Performative elements and sources P
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Gendered agendas and the representa
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Example 1. Helena Munktell, In Flor
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Nya Dagligt Allehanda (Stockholm) N
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Opera on the Move in the Nordic Countries during the Long 19th ...

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