Opera on the Move in the Nordic Countries during the Long 19th ...

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12 The national gaze inherent in methodological nationalism has obscured the cross-Nordic contacts of artists, including their tours and the circulation of production ideas within the Nordic countries and beyond, to capitals such as St Petersburg and Riga (a Baltic opera capital). Fennoman historiography, for instance, has blanked out the long period during which Finland was part of Sweden, as well as all that could remind us of this time (Engman 2009). As a result, in the Finnish historiography of opera the European cultural heritage that was transmitted to Finland through Sweden has not been acknowledged. In a history of opera, this has led to a distorted view that needs to be readjusted. To claim that opera took part in the cultural transfer of values and practices is merely stating the obvious, but what this anthology seeks to address within the select perspective offered by individual articles is how this was done in practice in different Nordic countries, where conditions for performing opera varied. *** This collection of articles is an outcome of a NOS-HS funded Exploratory Workshop “<strong>Opera</strong> on the Move in the Nordic Countries: Touring Artists and the Construction of National Identities in the Long 19th Century” (2011–2012). The opera research network enhanced by this workshop has worked in tandem with the research project “The Finnish <strong>Opera</strong> Company (1873–1879) from a Microhistorical Perspective: Performance Practices, Multiple Narrations and a Polyphony of Voices” funded by the Academy of Finland (2010–2013). The two projects found their academic home in the DocMus Doctoral School at the Sibelius Academy (Helsinki), and it is within its Research Publications Series that this anthology is published. Among so many who have helped in shaping this volume we would like to thank the peer reviewers for their contribution in improving the articles and especially Glenda Goss and Joan Nordlund for their help in revising the language of the articles. Bibliography Aspelin-Haapkylä, Eliel 1906–1910: Suomalaisen teatterin historia I–IV. Helsinki: SKS Berger, Stefan & Lorenz, Chris (eds.) 2010: Nationalizing the Past. Historians as Nation Builders in Modern Europe. New York: Palgrave Macmillan.
Introduction Broman-Kananen, Ulla-Britta 2011: “Lucia och Lucie: Lucia di Lammermoor på Finska Teatern och Kungliga Teatern i början av 1870-talet“[Lucia and Lucie: Lucia di Lammermoor at the Finnish <strong>Opera</strong> Company and the Royal Swedish <strong>Opera</strong> in the early 1870s] in: Swedish Musicological Society’s Internet Publication STM-Online. Clavin, Patricia.2005: “Defining Transnationalism” in: Contemporary European History, Vol.14, pp. 421–439. Cohen, Deborah & O’Connor, Maura (eds.) 2004: Comparison and History. Europe in Cross-National Perspective. New York: Routledge. Cowgill, Rachel & Poriss, Hilary 2012 (eds.): The Arts of the Prima Donna in the Long Ninetheenth Century. Oxford: Oxford University Press. Engman, Max 2009: Ett långt farväl. Finland mellan Sverige och Ryssland efter 1809. Stockholm: Atlantis. Everist, Mark 2002: Music drama at the Paris Odéon (1824–1828). Berkeley: University of California Press. Fauser, Annegret & Everist, Mark (eds.) 2009: Music Theater, and Cultural Transfer. Chicago: The University of Chicago Press. Hallman, Diane R. 2002: <strong>Opera</strong>, liberalism, and anti-Semitism in 19th-century France: The politics of Halévy’s La Juive. Cambridge : Cambridge University Press. Kettunen, Pauli 2008: Globalisaatio ja kansallinen me: kansallisen katseen historiallinen kritiikki. Tampere: Vastapaino. Kramer, Lawrence 2007: <strong>Opera</strong> and Modern Culture: Wagner and Strauss. Berkeley: University of California Press. Lampila, Hannu I. 1997: Suomalainen ooppera. Porvoo: WSOY. Marvin, Roberta Montemorra 2010: “Verdian <strong>Opera</strong> in the Victorian parlor” in: Fashions and Legacies of Nineteenth-Century Italian <strong>Opera</strong>. Eds: Roberta Marvin Montemorra & Hilary Poriss, Cambridge: Cambridge University Press, pp. 53–75. Marvin, Roberta Montemorra & Poriss, Hilary (eds.) 2010: Fashions and Legacies of Nineteenth-Century Italian <strong>Opera</strong>. Cambridge: Cambridge University Press. Marvin, Roberta Montemorra & Thomas, Downing A. (eds.) 2005: <strong>Opera</strong>tic Migrations. Transforming Works and Crossing Boundaries. Aldershot. Burlington VT: Ashgate. Pikkanen, Ilona (2012): Casting the Ideal Past. A Narratological Close Reading of Eliel Aspelin-Haapkylä’s History of the Finnish Theatre Company (1906–1910). Acta Universitatis Tamperensis 1787. Tampere: Tampere University Press. Poriss, Hilary 2009: Changing the score: Arias, prima donnas, and the authority of performance. New York: Oxford University Press. Preston, Katherine K. 2001: <strong>Opera</strong> on the Road. Traveling <strong>Opera</strong> Troupes in the United States, 1825–60. Urbana: University of Illinois Press. Rutherford, Susan 2009: The Prima Donna and <strong>Opera</strong> 1815–1930. Cambridge: Cambridge University Press. 13
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