13.09.2013 Views

Opera on the Move in the Nordic Countries during the Long 19th ...

Opera on the Move in the Nordic Countries during the Long 19th ...

Opera on the Move in the Nordic Countries during the Long 19th ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

12<br />

The nati<strong>on</strong>al gaze <strong>in</strong>herent <strong>in</strong> methodological nati<strong>on</strong>alism has obscured<br />

<strong>the</strong> cross-<strong>Nordic</strong> c<strong>on</strong>tacts of artists, <strong>in</strong>clud<strong>in</strong>g <strong>the</strong>ir tours and <strong>the</strong> circulati<strong>on</strong><br />

of producti<strong>on</strong> ideas with<strong>in</strong> <strong>the</strong> <strong>Nordic</strong> countries and bey<strong>on</strong>d, to capitals such<br />

as St Petersburg and Riga (a Baltic opera capital). Fennoman historiography,<br />

for <strong>in</strong>stance, has blanked out <strong>the</strong> l<strong>on</strong>g period dur<strong>in</strong>g which F<strong>in</strong>land was part<br />

of Sweden, as well as all that could rem<strong>in</strong>d us of this time (Engman 2009).<br />

As a result, <strong>in</strong> <strong>the</strong> F<strong>in</strong>nish historiography of opera <strong>the</strong> European cultural<br />

heritage that was transmitted to F<strong>in</strong>land through Sweden has not been acknowledged.<br />

In a history of opera, this has led to a distorted view that needs<br />

to be readjusted.<br />

To claim that opera took part <strong>in</strong> <strong>the</strong> cultural transfer of values and practices<br />

is merely stat<strong>in</strong>g <strong>the</strong> obvious, but what this anthology seeks to address<br />

with<strong>in</strong> <strong>the</strong> select perspective offered by <strong>in</strong>dividual articles is how this<br />

was d<strong>on</strong>e <strong>in</strong> practice <strong>in</strong> different <strong>Nordic</strong> countries, where c<strong>on</strong>diti<strong>on</strong>s for perform<strong>in</strong>g<br />

opera varied.<br />

***<br />

This collecti<strong>on</strong> of articles is an outcome of a NOS-HS funded Exploratory<br />

Workshop “<str<strong>on</strong>g>Opera</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Move</strong> <strong>in</strong> <strong>the</strong> <strong>Nordic</strong> <strong>Countries</strong>: Tour<strong>in</strong>g Artists<br />

and <strong>the</strong> C<strong>on</strong>structi<strong>on</strong> of Nati<strong>on</strong>al Identities <strong>in</strong> <strong>the</strong> L<strong>on</strong>g <strong>19th</strong> Century”<br />

(2011–2012). The opera research network enhanced by this workshop has<br />

worked <strong>in</strong> tandem with <strong>the</strong> research project “The F<strong>in</strong>nish <str<strong>on</strong>g>Opera</str<strong>on</strong>g> Company<br />

(1873–1879) from a Microhistorical Perspective: Performance Practices,<br />

Multiple Narrati<strong>on</strong>s and a Polyph<strong>on</strong>y of Voices” funded by <strong>the</strong> Academy<br />

of F<strong>in</strong>land (2010–2013). The two projects found <strong>the</strong>ir academic home <strong>in</strong><br />

<strong>the</strong> DocMus Doctoral School at <strong>the</strong> Sibelius Academy (Hels<strong>in</strong>ki), and it is<br />

with<strong>in</strong> its Research Publicati<strong>on</strong>s Series that this anthology is published.<br />

Am<strong>on</strong>g so many who have helped <strong>in</strong> shap<strong>in</strong>g this volume we would like to<br />

thank <strong>the</strong> peer reviewers for <strong>the</strong>ir c<strong>on</strong>tributi<strong>on</strong> <strong>in</strong> improv<strong>in</strong>g <strong>the</strong> articles<br />

and especially Glenda Goss and Joan Nordlund for <strong>the</strong>ir help <strong>in</strong> revis<strong>in</strong>g <strong>the</strong><br />

language of <strong>the</strong> articles.<br />

Bibliography<br />

Aspel<strong>in</strong>-Haapkylä, Eliel 1906–1910: Suomalaisen teatter<strong>in</strong> historia I–IV.<br />

Hels<strong>in</strong>ki: SKS<br />

Berger, Stefan & Lorenz, Chris (eds.) 2010: Nati<strong>on</strong>aliz<strong>in</strong>g <strong>the</strong> Past. Historians<br />

as Nati<strong>on</strong> Builders <strong>in</strong> Modern Europe. New York: Palgrave Macmillan.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!