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"Surely You're Joking, Mr. Feynman!" - unam.

"Surely You're Joking, Mr. Feynman!" - unam.

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I decided there must be an "interpretation department." When you are actually<br />

looking at something ­­ a man, a lamp, or a wall ­­ you don't just see blotches of color.<br />

Something tells you what it is; it has to be interpreted. When you're dreaming, this<br />

interpretation department is still operating, but it's all slopped up. It's telling you that<br />

you're seeing a human hair in the greatest detail, when it isn't true. It's interpreting the<br />

random junk entering the brain as a clear image.<br />

One other thing about dreams. I had a friend named Deutsch, whose wife was<br />

from a family of psychoanalysts in Vienna. One evening, during a long discussion about<br />

dreams, he told me that dreams have significance: there are symbols in dreams that can<br />

be interpreted psychoanalytically. I didn't believe most of this stuff, but that night I had<br />

an interesting dream: We're playing a game on a billiard table with three balls ­­ a white<br />

ball, a green ball, and a gray ball ­­ and the name of the game is "titsies." There was<br />

something about trying to get the balls into the pocket: the white ball and the green ball<br />

are easy to sink into the pocket, but the gray one, I can't get to it.<br />

I wake up, and the dream is very easy to interpret: the name of the game gives it<br />

away, of course ­­ them's girls! The white ball was easy to figure out, because I was<br />

going out, sneakily, with a married woman who worked at the time as a cashier in a<br />

cafeteria and wore a white uniform. The green one was also easy, because I had gone out<br />

about two nights before to a drive­in movie with a girl in a green dress. But the gray one ­<br />

­ what the hell was the gray one? I knew it had to be somebody; I felt it. It's like when<br />

you're trying to remember a name, and it's on the tip of your tongue, but you can't get it.<br />

It took me half a day before I remembered that I had said goodbye to a girl I liked<br />

very much, who had gone to Italy about two or three months before. She was a very nice<br />

girl, and I had decided that when she came back I was going to see her again. I don't<br />

know if she wore a gray suit, but it was perfectly clear, as soon as I thought of her, that<br />

she was the gray one.<br />

I went back to my friend Deutsch, and I told him he must be right ­­ there is<br />

something to analyzing dreams. But when he heard about my interesting dream, he said,<br />

"No, that one was too perfect ­­ too cut and dried. Usually you have to do a bit more<br />

analysis."<br />

The Chief Research Chemist of the Metaplast Corporation<br />

After I finished at MIT I wanted to get a summer job. I had applied two or three<br />

times to the Bell Labs, and had gone out a few times to visit. Bill Shockley, who knew<br />

me from the lab at MIT, would show me around each time, and I enjoyed those visits<br />

terrifically, but I never got a job there.<br />

I had letters from some of my professors to two specific companies. One was to<br />

the Bausch and Lomb Company for tracing rays through lenses; the other was to<br />

Electrical Testing Labs in New York. At that time nobody knew what a physicist even<br />

was, and there weren't any positions in industry for physicists. Engineers, OK; but<br />

physicists ­­ nobody knew how to use them. It's interesting that very soon, after the war,<br />

it was the exact opposite: people wanted physicists everywhere. So I wasn't getting<br />

anywhere as a physicist looking for a job late in the Depression.<br />

About that time I met an old friend of mine on the beach at our home town of Far

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