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"Surely You're Joking, Mr. Feynman!" - unam.

"Surely You're Joking, Mr. Feynman!" - unam.

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astronomy.<br />

*When I was a young professor at Cornell, Professor Neugebauer had come one year to<br />

give a sequence of lectures, called the Messenger Lectures, on Babylonian mathematics. They<br />

were wonderful. Oppenheimer lectured the next year. I remember thinking to myself, "Wouldn't it<br />

be nice to come, someday, and be able to give lectures like that!" Some years later, when I was<br />

refusing invitations to lecture at various places, I was invited to give the Messenger Lectures at<br />

Cornell. Of course I couldn't refuse, because I had put that in my mind so I accepted an invitation<br />

to go over to Bob Wilson's house for a weekend and we discussed various ideas. The result was<br />

a series of lectures called "The Character of Physical Law."<br />

"Yes," he said. "I do. He's not a professional anthropologist or a historian; he's an<br />

amateur. But he certainly knows a lot about it. His name is Richard <strong>Feynman</strong>."<br />

She nearly died! She's trying to bring some culture to the physicists, and the only<br />

way to do it is to get a physicist!<br />

The only reason I knew anything about Mayan mathematics was that I was getting<br />

exhausted on my honeymoon in Mexico with my second wife, Mary Lou. She was<br />

greatly interested in art history, particularly that of Mexico. So we went to Mexico for<br />

our honeymoon and we climbed up pyramids and down pyramids; she had me following<br />

her all over the place. She showed me many interesting things, such as certain<br />

relationships in the designs of various figures, but after a few days (and nights) of going<br />

up and down in hot and steamy jungles, I was exhausted.<br />

In some little Guatemalan town in the middle of nowhere we went into a museum<br />

that had a case displaying a manuscript full of strange symbols, pictures, and bars and<br />

dots. It was a copy (made by a man named Villacorta) of the Dresden Codex, an original<br />

book made by the Mayans found in a museum in Dresden. I knew the bars and dots were<br />

numbers. My father had taken me to the New York World's Fair when I was a little kid,<br />

and there they had reconstructed a Mayan temple. I remembered him telling me how the<br />

Mayans had invented the zero and had done many interesting things.<br />

The museum had copies of the codex for sale, so I bought one. On each page at<br />

the left was the codex copy, and on the right a description and partial translation in<br />

Spanish.<br />

I love puzzles and codes, so when I saw the bars and dots, I thought, "I'm gonna<br />

have some fun!" I covered up the Spanish with a piece of yellow paper and began playing<br />

this game of deciphering the Mayan bars and dots, sitting in the hotel room, while my<br />

wife climbed up and down the pyramids all day.<br />

I quickly figured out that a bar was equal to five dots, what the symbol for zero<br />

was, and so on. It took me a little longer to figure out that the bars and dots always<br />

carried at twenty the first time, but they carried at eighteen the second time (making<br />

cycles of 360). I also worked out all kinds of things about various faces: they had surely<br />

meant certain days and weeks.<br />

After we got back home I continued to work on it. Altogether, it's a lot of fun to<br />

try to decipher something like that, because when you start out you don't know anything ­<br />

­ you have no clue to go by. But then you notice certain numbers that appear often, and<br />

add up to other numbers, and so on.<br />

There was one place in the codex where the number 584 was very prominent.<br />

This 584 was divided into periods of 236, 90, 250, and 8. Another prominent number was<br />

2920, or 584 x 5 (also 365 x 8). There was a table of multiples of 2920 up to 13 x 2920,

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