2012 programme - Stoff
2012 programme - Stoff
2012 programme - Stoff
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Performance Art Performance Art<br />
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The Mask<br />
Maja Spasova<br />
Interactive video project in progress / USA, Spain, Sweden<br />
THE MASK handskas med besvärande frågor gällande<br />
vaksamhet, kontroll och förlusten av personlig integritet.<br />
Projektet väcker frågor kring personlighet, persona, identitet,<br />
parallella liv, och psykets djup. Publiken får realistiska masker<br />
med en ansiktshalva som representerar konstnärens ansikte,<br />
och de blir inbjudna till en improvisatorisk föreställning som<br />
filmas. Maskerna frigör de begränsningar som normalt reglerar<br />
publikens beteende. Deltagarna går in, men endast en kort<br />
stund, i en annan värld som är separerad från vardagen.<br />
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THE MASK deals with the troublesome issues of vigilance,<br />
control and lost of privacy. The project raises questions about<br />
personality, persona, identity, parallel lives, and multilayering<br />
in the psyche. The audience is given realistic half-face masks<br />
representing the face of the artist and the participants are<br />
invited to perform in an improvised manner in front of the<br />
film camera. The mask releases the inhibitions which normally<br />
restrain public behavior. The participants will enter, however<br />
briefly, a world apart from the mundane reality of life.<br />
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23/08/12: 20:00<br />
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24/08/12: 12:00<br />
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25/08/12: 15:30<br />
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Längd/Duration: Varierande/Variable<br />
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Spelplats/Venue: Sergels torg<br />
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Biljetter/Tickets: Fritt inträde/Free<br />
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The screening of The Mask will also be shown at the<br />
Lava projector site, Porten, daily at 17:00<br />
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www.facebook.com/Art.MajaSpasova<br />
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38 | <strong>Stoff</strong> <strong>2012</strong><br />
© Maja Spasova<br />
The Penal Labour /<br />
Straffarbetet<br />
Ingentinget<br />
Performance installation / Sweden<br />
Inåtvänd och omsvept av den utåtriktade tillvaron stirrar jag<br />
mig blind på detaljer och undrar – till vad vi ägnar alla dessa<br />
timmar framför spegeln? Jag har murat in min näsa och<br />
det kanske är lika bra, det luktar ändå bara piss vid Slussen<br />
klockan 01:00. Straffarbetet är en performance installation av<br />
Ingentinget som utspelar sig under tre timmar. Du är hjärtligt<br />
välkommen att komma och gå medan sten för sten, minut för<br />
minut, en grå mur av grus växer fram över kroppen.<br />
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Introverted and wrapped by the extroverted existence I gaze,<br />
blinded by details and wonder, to what use do we spend all those<br />
hours in front of the mirror? I have bricked up my nose and<br />
perhaps it is just as well, it still just smells like piss at Slussen at<br />
01:00 am. The Penal Labour is a performance art installation by<br />
Ingentinget that takes place during three hours. You are most<br />
welcome to come and go as stone by stone, minute by minute, a<br />
gray wall of garvel is emerging over the body.<br />
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22/08/12: 17:00<br />
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Längd/Duration: 3 tim/hrs<br />
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Spelplats/Venue: Foajé 3<br />
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Biljetter/Tickets: Fritt inträde/Free<br />
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www.ingentinget.brunnsvikkonst.org<br />
© Ingentinget<br />
Trilogy of Etudes –<br />
red, black, white<br />
WOL performanceduo<br />
Performance art with sound art qualities / Sweden<br />
Performanceduon WOL tar sig an finkulturella företeelser och<br />
bryter upp deras låsta regelverk i en expressiv befrielseakt.<br />
Med brutal inlevelse, skönhet och humor spelar WOL noise på<br />
ventilationsrörs-cello, utför actionpainting med skurmopp och<br />
ger röst åt den mängd undertryckt energi som skapats under en<br />
sexrätters middag. WOLs strävan är att rucka på normalitetens<br />
gränser och med hjälp av mångtydiga bilder sätta betraktarens<br />
egen fantasi och tolkningsiver i rörelse.<br />
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The WOL performance duo is playing with fine culture, breaking<br />
up the closed system of rules in an expressive act of liberation.<br />
With brutal empathy, beauty and humour, WOL plays noise<br />
music on ventilation-pipe-cellos, actionpaint with mops, and<br />
give voice to the amount of suppressed energy being created<br />
during a formal six course dinner. The aim of WOL is to create<br />
living images with multiple meanings, inviting the audience to<br />
contribute with their own interpretation.<br />
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22/08/12 (black): 17:40 Spelplats/Venue: KulturhusTaket<br />
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22/08/12 (white): 20:20 Spelplats/Venue: KulturhusTaket<br />
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25/08/12 (red): 14:40 Spelplats/Venue: Sergels torg<br />
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25/08/12 (black): 18:40 Spelplats/Venue: Sergels torg<br />
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25/08/12 (white): 21:30 Spelplats/Venue: KulturhusTaket<br />
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Längd/Duration: 10 min<br />
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Biljetter/Tickets: Fritt inträde/Free<br />
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Varning/Warning:<br />
The first part of the Trilogy, Etude in red, contains loud noise music.<br />
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www.wolart.se<br />
© Silvana Torrinha<br />
Undo Ritual<br />
Nastja Rönkkö<br />
Performance art / Finland, United Kingdom<br />
Undo Ritual är en varaktig performance-installation av den<br />
finska konstnären Nastja Rönkkö. Konstnären sitter på ett berg<br />
av kläder, använda vid sociala ritualer och för privata funktioner.<br />
Sömmarna, dekorationen och knapparna är omsorgsfullt<br />
borttagna med en sprättare och sax. Kläderna är donerade av<br />
personer som vill göra sig av med oönskade minnen, som vill<br />
göra en social eller personlig ritual ogjord.<br />
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Undo Ritual is a durational performance-installation by<br />
Finnish born artist, Nastja Rönkkö. The artist sits on top<br />
of a massive mountain of clothes used in social rituals and<br />
private functions. The seams, decorations and buttons are<br />
painstakingly unstitched with a seams-ripper and scissors. The<br />
clothes are donations from people who want to rid themselves<br />
from unwanted memories of a past event, to ‘undo’ a social or<br />
personal ritual.<br />
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24/08/12: 20:30 Spelplats/Venue: Foajé 3<br />
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25/08/12: 14:30 Spelplats/Venue: Studio 3<br />
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Längd/Duration: 120 min<br />
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Biljetter/Tickets: Fritt inträde/Free<br />
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Varning/Warning:<br />
Nakenhet/Nudity<br />
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www.nastjar.com<br />
<strong>Stoff</strong> <strong>2012</strong> | 39<br />
© J.Juhász