2012 programme - Stoff
2012 programme - Stoff
2012 programme - Stoff
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Installation and Visual Arts Installation and Visual Arts<br />
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A tale of Backtracking<br />
and Looping<br />
Katarzyna Perlak<br />
Photography / Poland, United Kingdom<br />
‘A tale of Backtracking and Looping’ utforskar kvinnors<br />
förkroppsligade identitet, kroppsförnimmelse och minnen som<br />
de har, eller upplevelser i skärningspunkten mellan individens<br />
förflutna, identitet och kulturella normer. Katarzyna Perlaks<br />
fotografier granskar hur kvinnor väljer att handla, posera och<br />
gestikulera i främmande omgivningar. Att dölja ansiktet suddar<br />
ut de gemensamma dragen av subjektivitet, samtidigt som<br />
kroppen hamnar i fokus.<br />
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‘A tale of Backtracking and Looping’ explores women’s<br />
embodied identity, bodily sense and memories that they have,<br />
or experience through the living intersection of personal<br />
history, identity, and wider cultural norms. Katarzyna Perlak’s<br />
photographs look into how women choose to handle, pose and<br />
gesture their bodies within the anonymous settings. Covering<br />
the face blurs the common features of subjectivity while<br />
bringing the body itself into focus.<br />
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22/08/12: 17:00 - 22:00<br />
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23–25/08/12: 12:00 - 22:00<br />
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Längd/Duration: Pågående/Durational<br />
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Spelplats/Venue: Foajé 3<br />
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Biljetter/Tickets: Fritt inträde/Free<br />
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Varning/Warning<br />
Nakenhet/Nudity<br />
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www.katarzynaperlak.com<br />
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16 | <strong>Stoff</strong> <strong>2012</strong><br />
© Katarzyna Perlak<br />
action:<br />
Elin Assarsson-Lod<br />
Film, music / Sweden<br />
“action:” är fragment, bilder som sedan blev filmer. Filmer som<br />
för mig varit terapeutiska men även ett sätt att acceptera livet<br />
såsom livet är. Jag har spelat in i princip allt på min Iphone,<br />
även musiken är inspelad på samma vis, av vänner (framförallt<br />
Sebastian Pommer). Jag har alltid varit desperat beslutsam<br />
att spela in allt jag kan, för att minnas. En del tagningar är<br />
äldre, flera år. En promenad med en pojkvän, min mammas<br />
begravning. Sedan delar från livet efter.<br />
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“action:” is small pieces or fragments from my life. In many ways<br />
a therapeutic way to accept life as life is. I recorded everything,<br />
the music as well, on my Iphone. Some takes are older and<br />
shows, in some way or another, how I desperately, always tries to<br />
get everything on film. To remember. Or maybe to let go. Pieces<br />
from a walk with a boyfriend, years ago, pieces from the funeral<br />
of my mother. Pieces from the life after.<br />
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22/08/12: 17:00 - 22:00<br />
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23–25/08/12: 12:00 - 22:00<br />
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Längd/Duration: 20 min<br />
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Spelplats/Venue: Foajé 3<br />
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Biljetter/Tickets: Fritt inträde/Free<br />
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Varning/Warning<br />
Högt ljud/Loud noice<br />
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www.youtube.com/user/elinkattenlo<br />
© Elin Assarsson-Lod<br />
Berzeliussviten/<br />
The Berzelius suite<br />
Åse Frid<br />
Visual art, sound, poetry / Sweden<br />
Var befinner sig/existerar dikten under en läsning av ett bildoch<br />
textbaserat konstverk? Hur påverkar kroppen konstverkets<br />
tillblivelse vid läsningar? I Berzeliussviten försöker Åse Frid<br />
undersöka nervositeten som ett material, och hur detta formar<br />
det poetiska erfarandet. Projektet är delvis påverkat av hennes<br />
deltidsjobb som arkivarie vid Vetenskapsakademien, där hon<br />
tagit vara på utgallrade exemplar av en bok om kemisten<br />
Berzelius, och använt dem till sina teckningar och dikter.<br />
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Where is the poem located, or where does it exist, at a reading of<br />
an image- and text-based artwork? How does the body influence<br />
the artwork at readings? In the Berzelius suite, Åse Frid tries to<br />
explore nervousness as a material, and how this forms the poetical<br />
experience. The project is influenced by her part-time-job as<br />
an archivist at the Royal Swedish Academy of sciences, where<br />
documents from the archives penetrates her mind in various ways<br />
and by chance. This also led to her using of old paper-material<br />
from left-over books about Swedish chemist J.J Berzelius.<br />
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23/08/12: 14:45<br />
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24/08/12: 13:45<br />
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Längd/Duration: 10–15 min<br />
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Spelplats/Venue: Foajé 3<br />
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Biljetter/Tickets: Fritt inträde/Free<br />
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www.asefrid.se<br />
CANCELLED<br />
© Unkown<br />
Blue Screen Loading Docks<br />
Caspar Forsberg<br />
Distributable sculpture installation / Sweden<br />
Nystartade Realruns är troligtvis den första av sitt<br />
slag, en webbaserad distributionssajt för 3d-scannad<br />
skulptur och installation. Konst som historiskt sett saknat<br />
distributionsmöjligheter kan nu spelas in, distribueras och visas<br />
var och när som helst. Som första utgivning ser vi Blue Screen<br />
Loading Docks, en storskalig skulpturinstallation av Caspar<br />
Forsberg. På Stockholm Fringe Fest presenteras verket i en<br />
visningsautomat där besökare får en glimt av den rumsbaserade<br />
konstens framtid.<br />
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Newly started Realruns is probably the first of its kind, an online<br />
distribution channel for 3d-scanned sculpture and installation.<br />
Art with a historical lack of means of distribution can now be<br />
recorded, distributed and displayed at any time and place. As<br />
a first release we see Blue Screen Loading Docks, a large scale<br />
sculpture installation by Caspar Forsberg. Stockholm Fringe<br />
Fest features the piece in an arcade style viewing cabinet for a<br />
glimpse of the future in spatial arts.<br />
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22/08/12: 20:00<br />
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23/08/12: 12:00<br />
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Längd/Duration: 9 min<br />
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Spelplats/Venue: Foajé 3<br />
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Biljetter/Tickets: Fritt inträde/Free<br />
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www.realruns.net<br />
www.casparforsberg.com<br />
<strong>Stoff</strong> <strong>2012</strong> | 17<br />
© Caspar Forsberg