CD/LP CD/LP CD/LP - Tuba Records

CD/LP CD/LP 

CD/LP 

NYHETER UKE 21 - 2013 

THE BAPTIST GENERALS 

JACKLEG DEVOTIONAL TO THE HEART 

Sub Pop 

http://www.baptistgenerals.com/ 

SPCD648 / SP648 

0098787064827 / 0098787064810 

The Baptist Generals opererer med en odd miks av lo-fi, akustisk indierock, 

og garasjerock à la Roky Erickson som er vanskelig å plassere 

i bås selv mens man lytter til platene deres. De har et snev av outsider 

music, om du vil. Texasbandet ga ut ett velmottatt album på Sub Pop i 

2003, men har altså latt det gå ti år før de nå presenterer oppfølgeren. 

Anbefalt til fans av artister som Ween, Smog, nevnte Roky Erickson, 

The Mountain Goats (som BG skal på turné med nå), og lignende. 

”…combines the directness of Jonathan Richman with the cracked soul 

of Will Oldham.” 8/10 UNCUT “Jackleg Devotional to the Heart may be 

impossible to define, but there’s something primitive and beautiful at its 

core, something we don’t need a name for, just a feeling.” POPMATTERS 

THE FALL 

RE-MIT 

Cherry Red 

CDBRED580 / BRED580 

5013929158030 / 5013929158016 

Robert E. Smith og hans The Fall er klare med Re-Mit en slags oppfølger 

til Ersatz G.B. fra 2011. The Falls historie strekker seg tilbake til midten av 

70-tallet og Smith var tidligere notorisk kjent for å bytte ut bandmedlemmer 

oftere enn det drikkes ettermiddagste i England, men Re-Mit er faktisk 

det fjerde albumet på rad med samme bandoppsetning. Soundet på platen 

er selvsagt umiskjennelig The Fall og Smith leverer som på sitt beste. 

Hør tre av låtene her: 

http://mrscottmusicblog.blogspot.no/2013/04/preview-fall-re-mit-new-lp.html 

http://www.allmusic.com/artist/the-fall-mn0000051376 

NANCY ELIZABETH 

DANCING 

The Leaf Label 

BAY84CD / BAY84V 

0843190008421 / 0843190008414 

Nancy Elizabeth er en singer/songwriter og multiinstrumentalist fra 

Manchester som har jobbet med folk som James Yorkston og Hauschka 

tidligere. På Dancing har hun gjort så å si alt selv og nevner Arthur 

Russell og Ennio Morricone som inspirasjoner, det siste er relativt 

tydelig i første single, The Last Battle: 

http://nancyelizabeth.bandcamp.com/track/the-last-battle-2 

Slippes på CD og som LP+CD. 

http://en.wikipedia.org/wiki/Nancy_Elizabeth 

Tuba Records - Karl Johansgt. 6 - 0154 Oslo - Norway 

Tlf: +47 2201 0000 Fax: +47 2201 0001 tuba@tubarec.com www.tubarec.com 

1

12” CD 

4CD+DVD 



MAGNOLIA ELECTRIC CO. 

SOJOURNER 

Secretly Canadian 

SC150 

0656605015026 

Magnolia Electric Cos briljante bokssett, Sojourner, er igjen tilgjengelig. Bokssettet 

inneholder fire CD-er og en turnédokumentar på DVD. Ingen av sporene på CDene 

var tidligere utgitt da boksen første gang kom ut i 2007. Det hele er pakket i en 

nydelig treboks som også inneholder en medaljong og en plakat. 

”Sojourner is an aptly titled monolith, one that invites fans of Magnolia Electric 

Co. with a “thank you for believing,” even as it urges them to take in more of the 

picture than ever before.” 4.5/5 ALLMUSIC 7.7 PITCHFORK 

http://www.allmusic.com/artist/magnolia-electric-co-mn0000555996 

WILLIAM BASINSKI 

NOCTURNES 

Temporary Residence 

TRRSPEC10 

0656605779928 

Avante-garde-ikonet William Basinski med Nocturnes, hans første album på 

fire år. Arbeidet med denne musikken begynte allerede i 1979, men ble ferdigstilt 

først i fjor, og består i stor grad av preparert piano loopet på tape. 

Les mer om platen og om Basinskis kjærlighet til gamle biler her: 

http://pitchfork.com/features/update/8983-william-basinski/ 

http://en.wikipedia.org/wiki/William_Basinski 

SQÜRL 

EP1 

ATP Recordings 

ATPREP04 

0885686931707 

SQÜRL består av filmregissør Jim Jarmusch, Carter Logan og Shane Stoneback 

og EP1 er den første i en serie på tre utgivelser på ATP. Nummerert picture disc 

begrenset til 500 eksemplarer. Trioen spiller på Primavera både i Barcelona 

og i Porto nå senere i mai og på ATP på Island i juni. 

http://pitchfork.com/news/50409-listen-new-track-from-director-jim-jarmuschs-band-with-vampire-weekendsleigh-bells-producer/ 

http://www.facebook.com/squrlband 

LEE PERRY 

AT WIRL RECORDS 

Kingston Sounds 

KSCD044 / KSLP044 

5060135761271 / 5060135761288 

Etter turbulente perioder hos Sir Coxsone Dodd hos Studio One og Joe Gibbs i 

Amalgamated Records fant Lee Perry seg et hjem hos WIRL Records (West Indies 

Records Limited) på slutten av 60-tallet. Det var i denne perioden geniet Perry kom 

opp med musikkstilen som fikk navnet reggae, og også da han fikk kallenavnet 

”Scratch” (etter en tidligere single kalt Chicken Scratch). Sammen med Bunny Lee 

spilte han inn og ga ut en rekke minneverdige singler på sin egen Upsetter-etikett 

i denne perioden, og det er et utvalg av disse vi får her. 

http://www.allmusic.com/artist/lee-quot-scratch-quot-perry-mn0000785380 



2

7” 

LP 





CONDOMINIUM 

CARL 

Sub Pop 

SP1051 

0098787105179 

Trespors sjuer fra Twin Cities-punkerne i Condominium. 

http://condominium-hellotomorrow.blogspot.no/ 

CURSED 

ONE 

Deathwish 

DW20LP 

0020286155997 

ZOLLE 

ZOLLE 

Supernatural Cat 

CAT015LP 

8227485621052 

Supernatural Cat-etiketten er drevet av folkene i Ufomammut og de fleste av utgivelsene på 

labelet har tidligere vært deres egne. Her gir de oss Zolle, en kompisduo som leverer kjøttfulle 

riff med et voldsomt driv hvor grunnmuren minner om southern rock. 

http://supernaturalcat.com/sc_audio/zolle.html 

CARIBOU 

UP IN FLAMES 


BAY26V 

0843190002610 


Det kanadiske hardcorebandet Cursed sin debut, One, på LP. 

Gatefoldcover og farget vinyl. 

http://www.allmusic.com/album/one-mw0000320241 

Caribous Up in Flames er det mestselgende albumet i The Leaf Labels historie og feirer i år 

tiårsjubileum. Her i reutgitt LP-utgave. 4.5/5 ALLMUSIC 

http://www.allmusic.com/artist/caribou-mn0000609590 

CARIBOU 

START BREAKING MY HEART 


BAY16V 

0843190001613 

Caribou kalte seg først Manitoba, men på grunn av en navnestrid med The Dictators-frontmann 

Handsome Dick Manitoba, byttet han navn i 2004. Her en reutgivelse av debuten fra 2001. 

http://en.wikipedia.org/wiki/Caribou_(musician) 

CARIBOU 

THE MILK OF HUMAN KINDNESS 


BAY42V 

0843190000166 

The Milk of Human Kindness var Caribous tredje album og det første etter navnebyttet. 

For fans av Stereolab, DJ Shadow, Four Tet og lignende. 

http://www.facebook.com/caribouband 



3

CD 

Tracklist: 

1. Sol austan 

2. Runar munt bu finna 

3. Solarras 

4. Haugaeldr 

5. Fedrahellir 

6. Solargudi 

7. Ganga at solu 

8. Hid 

9. Heljarmyrkr 

10. Mani vestan 

11. Solbjorg 


Tracklist: 

01. After The Afterlife 

02. Tears For Animals 

03. Child Bride 

04. Broken Chariot 

05. End Of Time 

06. Harmless Monster 

07. Gravediggress 

08. Far Away 

09. Roots Of My Hair 

10. Villian 

11. Poison 


BURZUM 

SOL AUSTAN, MANI VESTAN 

Byelobog 

BYE011CD / BYE011CDS 

0803341393653 / 0803341398313 

Limited digipack/standard jewel case 



FORHÅND 24. MAI 

Sol austan, Mani vestan is the 11th album from Burzum and a return to a purely electronic 

and instrumental expression. “Sol austan, Mani vestan” is different from all the older 

albums, and yet similar to all of them, and is in style more than anything similar to the 

oldest ambient music of Burzum, like the tracks “Tomhet”, “Han som reiste” and 

“Channelling the power of Minds into a new God”. “Sol austan, Mani vestan” is inspired by 

and made for the “ForeBears” movie by Marie Cachet and Varg Vikernes, where much of 

the Scaldic music from “Sol austan, Mani vestan” appears, only in unmastered form, 

as a soundtrack. 

Burzum says of the new album: “Sol austan, Mani vestan” will feature almost an hour of 

instrumental electronic music, that can best be described as relaxing, slow-paced, contemplative 

and very much original. And of the concept Burzum says; I have still not been able 

to leave behind the Pagan religious-spiritual concept of a descent into darkness and the 

following ascend back into the light; the Pagan initiation, the elevation of man to the divine, 

the enlightenment of the mind, the feeding of the elven light in man. 

COCOROSIE 

TALES OF A GRASSWIDOW 

City Slang 

SLANG50050 / SLANG50050LP 

4250506806514 / 4250506806583 


Tales of a Grass Widowʼ is the fifth album from the cross-disciplinary performance artists, 

now signed to City Slang for European release. Entitled “Gravediggress” the song is representative 

of the albumʼs theme: transformative ecstasy in the face of harmful neglect. It tells the story of an 

imagined conversation between an abandoned child and an outcast old woman. The young girl asks 

the Gravediggress to bury her love in the ground for safekeeping - “Gravediggress dig me a hole I 

can bury, all of my love in, all of my holy.” With a wistful pump organ introduction, Bianca imparts the 

entreating childʼs words, and Sierra, in haltering, but clear tones sings for the old woman. Their voices 

blend and overlap, suggesting the woman and child are the same person. Simple piano chords 

accompany their vocals, with chimes and a marching drum rhythm composed of beat box from 

CocoRosieʼs longtime collaborator, Tez. 

Produced in association with Valgeir Sigurðsson, ʻTales of a Grass Widowʼ features eleven 

songs and, in keeping with prior compositions, synthesizes electronic and organic music conveying a 

compelling futuristic, return-tonature sound. Further details of the album are to be announced soon. 

Now in their 10th year, the sisterʼs continue to find expression in progressively ambitious 

projects, which expand beyond writing, recording and touring their own music. In 2012, they choreographed 

“Nightshift,” a dance production and “Soul Life,” an opera both staged at the Donau Festival 

in Krems. Bianca held a solo exhibition of her artwork in NYC and the sisters performed at Londonʼs 

Meltdown Festival curated by their friend and sometime collaborator Antony Hegarty. 

This spring, along with theatre director Robert Wilson the duo unveil their work on a production 

of “Peter Pan” by the Berliner Ensemble and will be performing in Paris under the curation of 

Laurie Anderson. Later this year Bianca Casady launches ʻGirls Against Godʼ - an arts and letters 

print publication. Linked to this project, Bianca and Sierra Casady have founded the Future Feminists 

with Antony Hegarty and performance artists Kembra Pfahler and Johanna Constantine. The groupʼs 

platform is to “free society and protect the planet from the corrosive effects of patriarchal belief 

systems”. The songs in ʻTales of a Grass Widow,ʼ touch on CocoRosieʼs personal response 

to the groupʼs feminist mission. 

4


Tracklist: 

Always On 

Charm 

How the Ranks Was Won 

One Note Pillow 

Valencia 

Deeper Feelings 

Irene 

Saltwater 

Long Shot 


Tracklist: 

1.Up All Night   

2.The Hardest Part   

3.Huddle  

4.At The Pool  

5.Funny Heartbeat  

6.Air Conditioning  

7.Having Friends Over   

8.Bruins  

9.Adjust Glasses 


BRAZOS 

SALTWATER 

Dead Oceans 

DOC042 / DOC042LP 

0656605134222 / 0656605134215 

8/10 UNCUT 




1.Already an Austin fave, heightened interest has developed for this dynamic folk-pop 

project, now turning heads in Brooklyn and beyond. 

2.Brazos has opened for Grizzly Bear, Shearwater, Vampire Weekend, The National, 

Iron & Wine, Wye Oak and Bowerbirds, and toured nationally with White Denim 

KISSES 

KIDS IN L.A. 

Splendour 

SPL023CD / SPL023LP 

7090001013959 / 7090001013966 


Kisses is a Los Angeles-based pop project featuring Jesse Kivel and Zinzi Edmundson. 

The band’s sophomore release, Kids In LA, is a departure from the luminosity of their first album, 

focusing instead on the starker wintertime in Southern California. WhileThe Heart of the Nightlife took 

listeners on a neon-hued journey through Palm Springs at peak vacation season, Kids In LA inverts 

that thematic motif, opting to explore the empty and slightly-haunted off-season of the vacation world. 

The glimmering parties and easy social experiences of the first album make way for the disquieting 

stillness and vacuous silences of abandoned beach chairs, covered pools, and peeling wallpaper. 

Kids In LA was recorded over a year and a half and produced by Saint Etienne’s Pete Wiggs and Tim 

Laracombe. Driven by crisp and thudding drum machines, the record is riddled with the evocative 

rhythms of late 80s freestyle (Debbie Deb, Lisa Lisa). Paired with lightly-effected guitars and warm 

analog keyboards, the mood is distinct: cold and anxious, yet rich, inviting, and melodic. 

Lyrically, the album’s theme has not departed from the playful and frothy frivolity of the first record. 

Kids in LA consists of a loose narrative, which follows teenage friends and classmates in Bel Air, exploring 

the overblown emotions and distinct chasmic boredom of privileged high schoolers. Their lavish parties 

and a general disregard for others ultimately leaves our cast of misanthropes in a wash of insular social 

interactions and hazy banality. 

Kids in LA is due out May 24 on Splendour and Kisses will be touring this summer in support 

of the new LP. 

5

CD/2LP 

Tracklist: 

1. Avalanche 

2. Blood Drive 

3. Day’s Work 

4. Scrappy’s Trip 

5. Castlestorm 

6. Blues for Bama 

7. Earthwalk 

8. Children’s Music 

9. Hawkeye 

10. Stargazin’ 

11. The Ladder 

12. Good Enough to Eat 


Tracklist: 

01 I Don’t Want to Bother You 

02 When I Knew 

03 I’ll Never Be Happy Again 

04 Stare at the Sun 

05 Echo or Encore 

06 My Own World 

07 Tomorrow Tomorrow 

08 You’ll Never Know Me 

09 I Am the Past 

10 She’s a Mirror 

11 Other Boys 

12 Singing Time 


ASG 

BLOOD DRIVE 

Relapse 

RR7199-2 / RR7199-1 

0656605134222 / 0656605134215 




ASG emerge from the sandy shores of North Carolina to deliver their fourth full length 

and Relapse debut ‘Blood Drive’, produced by Matt Hyde (Slayer, Fu Manchu). 

Sun soaked groove heavy riffs that reference equal parts Torche and Queens of the 

Stone Age ‘Blood Drive’ is nothing short of anthemic. ASG have toured the country 

relentlessly with the likes of Corrosion of Conformity, Weedeater and Black Tusk. 

But what’s most remarkable about ‘Blood Drive’ is that any of its 12 instantly memorable 

songs could just as easily be FM radio smash hits. What sets ASG apart from their 

swampy peers is singer/guitarist Jason Shi’s voice: this is a set of songs that are truly 

SUNG by a guy who can actually SING. ‘Blood Drive’ is a kick ass blast of sun that 

elevates ASG to the level of some of their most well-regarded Relapse label-mates 

like Baroness and Mastodon. 

Deluxe double LP vinyl comes with exclusive bonus song! 

Recommended if You Like: Baroness, Fugazi, Quicksand, Fu Manchu, 

Black Tusk, Mastodon, Kyuss 

ELEANOR FRIEDBERGER 

PERSONAL RECORD 

Merge 

MRG477CD / MRG477LP 

0673855044729 / 0673855044712 

http://youtu.be/74-iyAoMa6Y 

FORHÅND 7. JUNI 

http://pitchfork.com/news/49793-eleanor-friedberger-announces-new-album-personal-record-listen-to-stare-at-the-sun/ 

At a time when most female singer-songwriters perform as alter egos, Eleanor Friedberger 

is simply, refreshingly herself. And that’s just the way her fans like it. Having spent 

the last decade fronting the indie-rock institution The Fiery Furnaces (currently on hiatus) 

with her brother Matthew, in 2011 she emerged as a formidable solo artist with Last 

Summer, a thoughtfully crafted tale of memory and place couched in the organic pop of her 

‘70s idols. Instantly, Friedberger established herself as a modern-day heir to the tradition of 

Donovan, Todd Rundgren, Ronnie Lane, and their ilk: warm, nuanced, timeless songs. 

No gimmicks necessary. 

The title of Friedberger’s sophomore album is Personal Record, and it is, in a sense. 

Personal, that is. But not personal in the way of, say, a coming-of-age record, or a diary 

about the past, which Last Summer was. Many of the songs seem to be about love, or love 

lost, but whether any of the experience is hers or someone else’s, she isn’t saying. “It’s not 

as specific a narrative this time,” she says. “There’s a universality to it.” So incisive are the 

lyrics, in fact, that Friedberger’s bassist incorrectly assumed that two of the songs were 

about him. “I loved that,” she says. “I want him to feel like the songs are about him. I want 

you to feel like the songs are about you.” 

6

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