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nomination by the Government of Australia - Sydney Opera House

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3.34 3.35<br />

The setting <strong>of</strong> Bennelong Point and <strong>Sydney</strong> Harbour<br />

forms an intrinsic part <strong>of</strong> <strong>the</strong> outstanding universal<br />

value <strong>of</strong> <strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong>. Utzon’s design<br />

is a sensitive and brilliant response to <strong>the</strong> landscape<br />

creating a grand urban sculpture with its platform and<br />

cave-like shells that invite inhabitation. Utzon used<br />

architecture to create a unique landscape form. <strong>Sydney</strong><br />

Harbour is one <strong>of</strong> <strong>the</strong> world’s most magnifi cent harbours<br />

and <strong>the</strong> design produces wonderful vistas that are<br />

experienced both from inside and outside <strong>the</strong> building.<br />

The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> is <strong>of</strong> outstanding universal<br />

value for its achievements in structural engineering<br />

and building technology. Utzon’s genius is evident<br />

in his experimental methodology and work style<br />

which were inextricably linked to his radical design.<br />

His approach helped to inspire engineering solutions<br />

and technological innovations that were necessary<br />

to transform <strong>the</strong> initial design into a reality. The<br />

construction <strong>of</strong> <strong>the</strong> gigantic podium and <strong>the</strong><br />

unprecedented and complex shell structure with<br />

ceramic tile cladding and hanging glass walls were all<br />

exceptional technological triumphs. They were made<br />

possible <strong>by</strong> <strong>the</strong> pioneering <strong>of</strong> new building methods and<br />

machinery and innovative structural engineering analysis<br />

and testing using new computerised technology and<br />

processes. These feats enabled Utzon’s radical design<br />

concept to become a reality. The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong><br />

represents one <strong>of</strong> <strong>the</strong> most demanding and innovative<br />

structures in modern architecture.<br />

Figure 3.34 The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> is a signifi cant work<br />

<strong>of</strong> structural engineering and technology.<br />

The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> is an exceptional<br />

representative <strong>of</strong> late Modernism that was evolving at<br />

<strong>the</strong> time. It endures as one <strong>of</strong> <strong>the</strong> world’s most highly<br />

acclaimed buildings <strong>of</strong> that architectural trend. Utzon’s<br />

design was a most signifi cant step in <strong>the</strong> history <strong>of</strong><br />

modern architecture. The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> exudes<br />

creativity, emotion and feeling along with its spectacular<br />

sculptural, functional and powerful geometric forms.<br />

The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> is an outstanding example<br />

<strong>of</strong> 20th century cultural heritage. Its power to fascinate<br />

and excite is universal and it belongs to <strong>the</strong> world<br />

as a great artistic monument and an iconic building.<br />

The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> has become a building<br />

that inspires and delights people around <strong>the</strong> world<br />

and attracts people to explore its many remarkable<br />

features. It could be seen as making a contribution to<br />

architecture as an expression <strong>of</strong> universal culture. Like<br />

<strong>the</strong> Finnish master Alvar Aalto, Utzon created a building<br />

that is accessible to society at large. The <strong>Sydney</strong> <strong>Opera</strong><br />

<strong>House</strong> has been infl uential in architecture with o<strong>the</strong>rs<br />

striving to replicate its success.<br />

Figure 3.35 The powerful geometric forms <strong>of</strong> <strong>the</strong> <strong>Sydney</strong><br />

<strong>Opera</strong> <strong>House</strong><br />

45

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