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nomination by the Government of Australia - Sydney Opera House

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… we’re here to nudge forward <strong>the</strong> frontiers <strong>of</strong><br />

science (Utzon quoted in Murray 2004: 152).<br />

3.A CRITERIA UNDER WHICH INSCRIPTION IS PROPOSED<br />

AND JUSTIFICATION FOR INSCRIPTION<br />

The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> fulfi ls <strong>the</strong> defi nition <strong>of</strong> ‘monument’ according to Article 1 <strong>of</strong><br />

<strong>the</strong> World Heritage Convention (UNESCO 1972) as an architectural work <strong>of</strong> outstanding<br />

universal value from <strong>the</strong> point <strong>of</strong> view <strong>of</strong> both art and science. The <strong>Sydney</strong> <strong>Opera</strong><br />

<strong>House</strong> meets criterion (i) set out in paragraph 77 <strong>of</strong> <strong>the</strong> <strong>Opera</strong>tional guidelines for <strong>the</strong><br />

implementation <strong>of</strong> <strong>the</strong> World Heritage Convention.<br />

The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> is a work <strong>of</strong> human creative genius, and a masterful<br />

architectural and engineering achievement. It represents an outstanding conjunction not<br />

only <strong>of</strong> architecture and engineering but also <strong>of</strong> sculpture, landscape design and urban<br />

design. It is an ensemble that has reconfi gured <strong>the</strong> way public architecture can defi ne<br />

a city’s identity in <strong>the</strong> form <strong>of</strong> an iconic signature building (Goad 2005). It was a turning<br />

point in <strong>the</strong> late Modern Movement, a daring and visionary experiment resulting in an<br />

unparalleled building that defi ed categorisation and found an original style in which to<br />

express civic values in monumental public buildings. The infl uences that resulted in <strong>the</strong><br />

<strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong>’s unique form include organic natural forms and an eclectic range<br />

<strong>of</strong> aes<strong>the</strong>tic cultural infl uences, brilliantly unifi ed in <strong>the</strong> one sculptural building. This was<br />

made possible through engineering innovation on a grand scale. Moreover, <strong>the</strong> <strong>Sydney</strong><br />

<strong>Opera</strong> <strong>House</strong>’s signifi cance is intrinsically tied to its harbour-side site. Utzon’s design, an<br />

extraordinarily appropriate response to its site, created an enormously successful urban<br />

focus for <strong>the</strong> city <strong>of</strong> <strong>Sydney</strong> and captured <strong>the</strong> imagination <strong>of</strong> <strong>the</strong> world. The pioneering<br />

collaborative design approach also set a precedent for best practice in building and <strong>the</strong><br />

engineering research to solve <strong>the</strong> unprecedented challenges was virtually unknown in <strong>the</strong><br />

building industry.<br />

The outstanding universal values <strong>of</strong> <strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> are demonstrated in <strong>the</strong><br />

building’s recognition as:<br />

•<br />

•<br />

•<br />

3.A (i) a masterpiece <strong>of</strong> late modern architecture;<br />

- multiple strands <strong>of</strong> creativity,<br />

- a great urban sculpture,<br />

- masterful syn<strong>the</strong>sis <strong>of</strong> architectural ideas,<br />

3.A (ii) oustanding achievements in structural engineering and technological innovation;<br />

3.A (iii) a world-famous iconic building <strong>of</strong> <strong>the</strong> 20th century.<br />

These values are <strong>the</strong> result <strong>of</strong> <strong>the</strong> collective genius <strong>of</strong> Utzon and <strong>the</strong> team responsible<br />

for <strong>the</strong> building’s construction.<br />

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