nomination by the Government of Australia - Sydney Opera House

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110 Part 10. Appendices Timeline Figure 10.4 Port Jackson Painter, ‘Portrait of Bennelong, native name Ben-nel-long, As painted when angry after Botany Bay Colebee was wounded’, ink and watercolour, c. 1790. © The Natural History Museum, London. Figure 10.5 Jacob Janssen, ‘Sydney Cove (with Campbell’s Wharf and Fort Macquarie)’, oil on canvas, 1842. Collection of the Tasmanian Art Gallery and Museum, AG3242. Gift of Mr GS Whitehouse in memory of his grandparents, George and Jane Scrimger, 1981. Figure 10.6 ‘View from the northern end of Macquarie Street showing approach and existing buildings’ from An international competition for a National Opera House at Bennelong Point Sydney, New South Wales, Australia—Conditions and Programme, NSW Government Printer, 1956. Figure 10.7 Edward Searle, ‘Sydney Harbour Bridge during construction 1930 with two aeroplanes, Charles Ulm’s Southern Sun and a Gypsy Moth’, photo montage postcard entitled Sydney Harbour Bridge No.19, held in the Small Picture File at Mitchell Library, State Library of New South Wales. Figure 10.8 “Joern Utzon discussing his plans for the Sydney Opera House at Bennelong Point” (ML ref. APA frame 03802). Courtesy of Australian Photographic Agency collection, State Library of NSW. Photograph by Ken Redshaw. Figure 10.9 Courtesy Sydney Opera House Trust Figure 10.10 Jørn Utzon with the spherical model. © Mitchell Library, State Library of NSW, Call No: ON122/347. Figure 10.11 Photograph by Max Dupain. © Max Dupain & Associates. Figure 10.12 Courtesy Sydney Opera House Trust Figure 10.13 Photograph by Jan Uzton, 2004. Courtesy Sydney Opera House Trust. Figure 10.14 Construction boards for the western loggia, with Utzon named as architect, 2004. Photograph by Eric Sierins. Courtesy Sydney Opera House Trust. Figure 10.15 Photograph by David Messent. © David Messent. 10.C ACKNOWLEDGMENTS The following contributors to the preparation of this document are warmly thanked. Project management New South Wales Heritage Offi ce: Susan Macdonald (Project Director), Bronwyn Hanna (Nomination Project Manager) and Patricia Hale (Nomination Assistant). Australian Government Department of the Environment and Heritage: Terry Bailey, David Bishop, Lorraine Haslem, Joy McCann and Barry Reville. Steering committee Sydney Opera House Trust: Julia Pucci, Maria Sykes and Joanne Wood. Australian Government Department of the Environment and Heritage: Terry Bailey, Lorraine Haslem, Joy McCann and Barry Reville. New South Wales Government Cabinet Offi ce: Deborah Brill, Paul Elton and Shabnam Gill. New South Wales Ministry for the Arts: Shane McMahon. New South Wales Heritage Offi ce: Patricia Hale, Bronwyn Hanna and Susan Macdonald. New South Wales Department of Planning: Alan Cadogan, Felicity Greenway, Marcus Ray and Una Williamson. Authors Bill Addis, Adrian Carter (Utzon Center, Aalborg University), Joan Domicelj, Shabnam Gill (New South Wales Government Cabinet Offi ce), Philip Goad (Faculty of Architecture, Building and Planning, University of Melbourne), Patricia Hale (New South Wales Heritage Offi ce), Bronwyn Hanna (New South Wales Heritage Offi ce), Lorraine Haslem (Australian Government Department of the Environment and Heritage), Susan Macdonald (New South Wales Heritage Offi ce), Joy McCann (Australian Government Department of the Environment and Heritage), Roger Pegrum, Dennis Sharp, Paolo Tombesi (Faculty of Architecture, Building and Planning, University of Melbourne), Mark Wakely and Ilse Wurst (Australian Government Department of the Environment and Heritage). The text also draws upon James Semple Kerr’s Sydney Opera House: a plan for the conservation of the Sydney Opera House and its site (2003), Sydney Opera House Trust, Sydney.
Other contributors Sydney Opera House: Paul Akhurst, Lisa Bateman, Ralph Bott, Naresh Chand, Chris Linning, Sarah Grigg, Greg McTaggart, Jan Marshall, Jennifer Shand, Diane Veness and Ray Willdern. New South Wales Heritage Offi ce: Deborah Arthur, Bruce Baskerville, Maia Giordano, Gary Pringle and Cameron White. Special thanks to Baulderstone Hornibrook, Ove Arup and Partners and the Royal Australian Institute of Architects. Advisors and reviewers Bill Addis, Adrian Carter (Utzon Center, Aalborg University), Australia ICOMOS, Maristella Casciato (DOCOMOMO International), Alan Croker, Joan Domicelj, Robert Freeland, Philip Goad (Faculty of Architecture, Building and Planning, University of Melbourne), Richard Hough (Arup), James Semple Kerr, Leah McKenzie (Heritage Victoria), John Murphy, Philip Nobis, Scott Robertson (DOCOMOMO Australia), Royal Australian Institute of Architects and James Weirick (Faculty of the Built Environment, University of New South Wales). The project team would like to make special acknowledgement of the work carried out by Joan Domicelj, her team of consultants and staff of the government agencies involved in preparing World Heritage nominations for the Sydney Opera House in 1996 and 1999. The nominations were not submitted but provided the platform upon which this nomination has been developed. Mapping New South Wales Department of Planning; New South Wales Department of Infrastructure, Planning and Natural Resources (DIPNR, absorbed into Department of Planning in August 2005); New South Wales Department of Urban Affairs and Planning (DUAP, absorbed into DIPNR in 2003); New South Wales Heritage Offi ce; and New South Wales Department of Lands. Illustrations Copyright owners who have consented to the use of their illustrations in this document are acknowledged and gratefully thanked. Special thanks to the New South Wales State Library and the New South Wales Historic Houses Trust. Public consultation Extensive public consultation was undertaken in the preparation of this nomination. Those consulted included a number of specialists and organisations involved with heritage and modern architecture; building users and those involved in the care of the Sydney Opera House; government departments that have responsibility for the care of the city within the buffer zone; and representatives of the public with a direct interest in the site. Consultation included information and discussion sessions and opportunities for people to make public submissions during various processes in the development of the nomination. The following people and organisations are acknowledged for their contributions to this process: Maxine Bayley (Mosman Council), Rob Bryant (Aboriginal Heritage Committee, Heritage Council of New South Wales), Sheridan Burke (Australia ICOMOS), Clare Chenoweth (Royal Botanic Gardens Trust), Alan Croker (Aboriginal Heritage Committee, Heritage Council of New South Wales), Philip Drew, Michael Freeland (New South Wales Maritime Authority), Alessandro Fuscaldo (Dolce Vita Pty Ltd), Norman Gillespie (Sydney Opera House Trust), Jacqui Goddard (National Trust of Australia, NSW), Richard Hough (Arup), Chris James (The Truffl e Group), Richard Johnson (Architect to the Sydney Opera House Trust), Chery Kemp (City of Sydney Council), James Semple Kerr, Louise Menday (North Sydney Council), Shane McMahon (New South Wales Ministry for the Arts), Bruce McNamara (Roads and Traffi c Authority), Greg McTaggart (Sydney Opera House), John Murphy, Fleur Mellor (Sydney Harbour Foreshore Authority), Bob Nation (Royal Australian Institute of Architects, National Offi ce), Luke Nestorowicz (Sydney Theatre Company), Philip Nobis, Maclaren North (Department of Environment and Conservation), John Nutt, Peter Phillips (Australia ICOMOS), Caroline Pidcock (Royal Australian Institute of Architects, NSW Chapter), Alan Reed (Sydney Opera House), Scott Robertson (DOCOMOMO Australia), Martin Sharp, Paolo Tombesi (Faculty of Architecture, Building and Planning, University of Melbourne), Harry Trueman (Engineering Heritage Committee, Institution of Engineers Australia), Dennis Watkins (Sydney Opera House Conservation Council), Anne Watson (Powerhouse Museum), James Weirick (Faculty of the Built Environment, University of New South Wales), Maria Whipp (Roads and Traffi c Authority), Anthony Williams (Sydney Opera House), Kim Williams (Sydney Opera House Trust). 111
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SYDNEY OPERA HOUSE NOMINATION BY TH
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SYDNEY OPERA HOUSE NOMINATION BY TH
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4 PREFACE Australia is pleased to p
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1.A COUNTRY Country - Australia 1.B
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The topographic map shows the locat
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PART 2. DESCRIPTION 11
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14 Part 2. Description 2.2 The comp
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16 Part 2. Description 2.6 2.7 2.8
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18 Part 2. Description The glass wa
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20 Part 2. Description 2.19 Further
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22 Part 2. Description 2.23 Interna
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24 Part 2. Description The Sydney O
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… we’re here to nudge forward t
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Utzon’s design modifi ed the esta
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In the Sydney Opera House Jørn Utz
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Utzon’s reading and use of histor
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3.17 3.18 Utzon’s genius is manif
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The podium The construction of the
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3.24 Figure 3.24 Arups’ summary o
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3.28 engineers Jorg Schlaich and We
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3.32 The Sydney Opera House holds a
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3.34 3.35 The setting of Bennelong
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3.36 qualities and precise, geometr
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3.39 3.40 3.41 Masterpieces of the
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3.43 also inspired by the laws of n
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3.45 3.D INTEGRITY AND AUTHENTICITY
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Materials and substance The use and
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PART 4. STATE OF CONSERVATION AND F
Page 62 and 63: 60 Part 4. State of conservation an
Page 64 and 65: 62 Part 4. State of conservation an
Page 67 and 68: 5.A OWNERSHIP The Sydney Opera Hous
Page 69 and 70: 5.C MEANS OF IMPLEMENTING PROTECTIV
Page 71 and 72: 5.2 Sydney Regional Environmental P
Page 73 and 74: 5.3 Sydney Opera House: a plan for
Page 75 and 76: 5.5 5.6 • • • • • An on-s
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Page 80 and 81: 78 Part 6. Monitoring 6.2 Figure 6.
Page 82 and 83: 80 Part 6. Monitoring 6.C RESULTS O
Page 85 and 86: 7.A PHOTOGRAPHS, SLIDES, IMAGE INVE
Page 87 and 88: 7.B TEXTS RELATING TO PROTECTIVE DE
Page 89 and 90: Baume, M 1967, The Sydney Opera Hou
Page 91 and 92: Hall, P 1981, Great planning disast
Page 93 and 94: Sommer, D, Stöcher, H & Weisser, L
Page 95: 893 PART 8. CONTACT INFORMATION
Page 98 and 99: 96 Part 8: Contact information 8.C
Page 100 and 101: 98 PART 9. SIGNATURE ON BEHALF OF T
Page 103 and 104: 10.A BIOGRAPHIES OF JØRN UTZON AND
Page 105 and 106: Awards In addition to the awards de
Page 107 and 108: 10.3 Ove Arup (1895-1988) Ove Nyqui
Page 109 and 110: 10.B LIST OF ILLUSTRATIONS Front co
Page 111: Figure 3.30 Photograph by Max Dupai
Page 115 and 116: Figure 10.6 1902 Fort Macquarie is
Page 117 and 118: B 10.E PLANS, SECTIONS AND ELEVATIO
Page 119 and 120: EASTERN ELEVATION WESTERN ELEVATION
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