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110 Part 10. Appendices<br />

Timeline<br />

Figure 10.4 Port Jackson Painter, ‘Portrait <strong>of</strong><br />

Bennelong, native name Ben-nel-long, As painted<br />

when angry after Botany Bay Colebee was wounded’,<br />

ink and watercolour, c. 1790. © The Natural History<br />

Museum, London.<br />

Figure 10.5 Jacob Janssen, ‘<strong>Sydney</strong> Cove (with<br />

Campbell’s Wharf and Fort Macquarie)’, oil on<br />

canvas, 1842. Collection <strong>of</strong> <strong>the</strong> Tasmanian Art Gallery<br />

and Museum, AG3242. Gift <strong>of</strong> Mr GS Whitehouse<br />

in memory <strong>of</strong> his grandparents, George and Jane<br />

Scrimger, 1981.<br />

Figure 10.6 ‘View from <strong>the</strong> nor<strong>the</strong>rn end <strong>of</strong> Macquarie<br />

Street showing approach and existing buildings’ from<br />

An international competition for a National <strong>Opera</strong><br />

<strong>House</strong> at Bennelong Point <strong>Sydney</strong>, New South<br />

Wales, <strong>Australia</strong>—Conditions and Programme, NSW<br />

<strong>Government</strong> Printer, 1956.<br />

Figure 10.7 Edward Searle, ‘<strong>Sydney</strong> Harbour Bridge<br />

during construction 1930 with two aeroplanes, Charles<br />

Ulm’s Sou<strong>the</strong>rn Sun and a Gypsy Moth’, photo<br />

montage postcard entitled <strong>Sydney</strong> Harbour Bridge<br />

No.19, held in <strong>the</strong> Small Picture File at Mitchell Library,<br />

State Library <strong>of</strong> New South Wales.<br />

Figure 10.8 “Joern Utzon discussing his plans for <strong>the</strong><br />

<strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> at Bennelong Point” (ML ref. APA<br />

frame 03802). Courtesy <strong>of</strong> <strong>Australia</strong>n Photographic<br />

Agency collection, State Library <strong>of</strong> NSW. Photograph<br />

<strong>by</strong> Ken Redshaw.<br />

Figure 10.9 Courtesy <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust<br />

Figure 10.10 Jørn Utzon with <strong>the</strong> spherical model.<br />

© Mitchell Library, State Library <strong>of</strong> NSW, Call No:<br />

ON122/347.<br />

Figure 10.11 Photograph <strong>by</strong> Max Dupain. © Max<br />

Dupain & Associates.<br />

Figure 10.12 Courtesy <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust<br />

Figure 10.13 Photograph <strong>by</strong> Jan Uzton, 2004.<br />

Courtesy <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust.<br />

Figure 10.14 Construction boards for <strong>the</strong> western<br />

loggia, with Utzon named as architect, 2004.<br />

Photograph <strong>by</strong> Eric Sierins. Courtesy <strong>Sydney</strong> <strong>Opera</strong><br />

<strong>House</strong> Trust.<br />

Figure 10.15 Photograph <strong>by</strong> David Messent.<br />

© David Messent.<br />

10.C ACKNOWLEDGMENTS<br />

The following contributors to <strong>the</strong> preparation <strong>of</strong> this<br />

document are warmly thanked.<br />

Project management<br />

New South Wales Heritage Offi ce: Susan Macdonald<br />

(Project Director), Bronwyn Hanna (Nomination Project<br />

Manager) and Patricia Hale (Nomination Assistant).<br />

<strong>Australia</strong>n <strong>Government</strong> Department <strong>of</strong> <strong>the</strong><br />

Environment and Heritage: Terry Bailey, David Bishop,<br />

Lorraine Haslem, Joy McCann and Barry Reville.<br />

Steering committee<br />

<strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust: Julia Pucci, Maria Sykes<br />

and Joanne Wood.<br />

<strong>Australia</strong>n <strong>Government</strong> Department <strong>of</strong> <strong>the</strong><br />

Environment and Heritage: Terry Bailey, Lorraine<br />

Haslem, Joy McCann and Barry Reville.<br />

New South Wales <strong>Government</strong> Cabinet Offi ce:<br />

Deborah Brill, Paul Elton and Shabnam Gill.<br />

New South Wales Ministry for <strong>the</strong> Arts:<br />

Shane McMahon.<br />

New South Wales Heritage Offi ce: Patricia Hale,<br />

Bronwyn Hanna and Susan Macdonald.<br />

New South Wales Department <strong>of</strong> Planning: Alan<br />

Cadogan, Felicity Greenway, Marcus Ray and<br />

Una Williamson.<br />

Authors<br />

Bill Addis, Adrian Carter (Utzon Center, Aalborg<br />

University), Joan Domicelj, Shabnam Gill (New South<br />

Wales <strong>Government</strong> Cabinet Offi ce), Philip Goad (Faculty<br />

<strong>of</strong> Architecture, Building and Planning, University <strong>of</strong><br />

Melbourne), Patricia Hale (New South Wales Heritage<br />

Offi ce), Bronwyn Hanna (New South Wales Heritage<br />

Offi ce), Lorraine Haslem (<strong>Australia</strong>n <strong>Government</strong><br />

Department <strong>of</strong> <strong>the</strong> Environment and Heritage), Susan<br />

Macdonald (New South Wales Heritage Offi ce), Joy<br />

McCann (<strong>Australia</strong>n <strong>Government</strong> Department <strong>of</strong> <strong>the</strong><br />

Environment and Heritage), Roger Pegrum, Dennis<br />

Sharp, Paolo Tombesi (Faculty <strong>of</strong> Architecture, Building<br />

and Planning, University <strong>of</strong> Melbourne), Mark Wakely<br />

and Ilse Wurst (<strong>Australia</strong>n <strong>Government</strong> Department <strong>of</strong><br />

<strong>the</strong> Environment and Heritage).<br />

The text also draws upon James Semple Kerr’s<br />

<strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong>: a plan for <strong>the</strong> conservation <strong>of</strong><br />

<strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> and its site (2003), <strong>Sydney</strong><br />

<strong>Opera</strong> <strong>House</strong> Trust, <strong>Sydney</strong>.

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