nomination by the Government of Australia - Sydney Opera House

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108 Part 10. Appendices Figure 2.27 Courtesy Sydney Opera House Trust Figure 2.28 Offi ce of Public Works and Services, Department of Commerce. Part 3. Justifi cation for inscription of the property Figure 3.1 Photograph by David Messent. © David Messent. Figure 3.2 Night sails and bridge. Courtesy Sydney Opera House Trust. Figure 3.3 Jørn Utzon’s studio, Denmark, 1960. Held in the Records of Jørn Utzon, Mitchell Library, State Library of NSW. (PXA 590, v.12) Figure 3.4 Sketch by Jørn Utzon from Sydney Opera House (known as the Yellow book), 39 plans for the Sydney Opera House by Jørn Utzon with others, Sydney, 1962. Copy held in the Mitchell Library, State Library of NSW. Figure 3.5 Photograph by Andrew Merry. © Andrew Merry. Figure 3.6 Photograph by David Messent. © David Messent. Figure 3.7 Photograph by Greg Newington. Courtesy Sydney Opera House Trust. Figure 3.8 ‘An opera house in every home (Christmas card)’, Eric Thake, lino cut, 1972. University of Melbourne Art Collection. Gift of the artist 1975. © Estate of the artist. Figure 3.9 Sketch by Jørn Utzon, c. 1958, from Utzon’s Sydney National Opera House (the Red book), Atelier Elektra, Copenhagen, 1958. Copy held in the Mitchell Library, State Library of NSW. Courtesy Jørn Utzon. Figure 3.10 Sketch by Jørn Utzon, published in Zodiac 10, 1962. Held by the Mitchell Library, State Library of New South Wales. Courtesy Jørn Utzon. Figure 3.11 Sketch by Jørn Utzon, published in Zodiac 10, 1962. Held by the Mitchell Library, State Library of New South Wales. Courtesy Jørn Utzon. Figure 3.12 Sketch by Jørn Utzon, c. 1958, from Utzon’s Sydney National Opera House (the Red book), Atelier Elektra, Copenhagen, 1958. Copy held in the Mitchell Library, State Library of NSW. Courtesy Jørn Utzon. Figure 3.13 Sketch by Jørn Utzon, c. 1958, from Utzon’s Sydney National Opera House (the Red book), Atelier Elektra, Copenhagen, 1958. Copy held in the Mitchell Library, State Library of NSW. Courtesy Jørn Utzon. Figure 3.14 Photograph by Deborah Arthur. © Deborah Arthur. Figure 3.15 Photograph by Cameron White. © Cameron White. Figure 3.16 Courtesy Sydney Opera House Trust Figure 3.17 Photograph by David Messent. © David Messent. Figure 3.18 Drawing of the ribs and tile lids from Jørn Utzon’s Sydney Opera House (the Yellow book), Sydney, 1962. Copy held in the Mitchell Library, State Library of NSW. Figure 3.19 Photograph by David Moore. © Estate of David Moore. Figure 3.20 Photograph by Max Dupain. © Max Dupain & Associates. Figure 3.21 Photograph by Max Dupain. © Max Dupain & Associates. Figure 3.22 Photograph by Max Dupain of Jørn Utzon’s spherical model. © Mitchell Library, State Library of New South Wales/Max Dupain. Figure 3.23 Sketch drawn by Rafael Moneo (according to Mikami 2001: 68) from Utzon’s Sydney Opera House (the Yellow book), Sydney, 1962. Copy held in the Mitchell Library, State Library of NSW. Figure 3.24 © Ove Arup & Partners Figure 3.25 Photograph by Max Dupain. © Max Dupain & Associates. Figure 3.26 Photograph by Max Dupain. © Max Dupain & Associates. Figure 3.27 Courtesy Sydney Opera House Trust Figure 3.28 Courtesy Sydney Opera House Trust Figure 3.29 Photograph by Max Dupain. © Max Dupain & Associates.
Figure 3.30 Photograph by Max Dupain. © Max Dupain & Associates. Figure 3.31 Courtesy Sydney Opera House Trust Figure 3.32 Photograph by David Messent. © David Messent. Figure 3.33 Photograph by David Messent. © David Messent. Figure 3.34 Photograph by David Messent. © David Messent. Figure 3.35 Courtesy Sydney Opera House Trust Figure 3.36 Photograph by Michael Lewi. © Michael Lewi. Figure 3.37 Photograph by Jacqueline Goddard. © Jacqueline Goddard. Figure 3.38 Photograph by Doug Evans. © Doug Evans. Figure 3.39 Photograph by Hannah Lewi. © Hannah Lewi. Figure 3.40 Photograph by Doug Evans. © Doug Evans. Figure 3.41 Photograph by Murray Brown. © Murray Brown. Figure 3.42 Photograph by Cameron White. © Cameron White. Figure 3.43 Photograph by Jacqueline Goddard. © Jacqueline Goddard. Figure 3.44 Photograph by Michael Lewi. © Michael Lewi. Figure 3.45 . Wade Laube. Figure 3.46 Photograph by Max Dupain. © Max Dupain & Associates. Figure 3.47 Photograph by Jeremy Piper, 2005. Courtesy Sydney Opera House Trust. Figure 3.48 Photograph by David Messent. © David Messent. Part 4. State of conservation and factors affecting the property Figure 4.1 Photograph by David Messent. © David Messent. Figure 4.2 Photograph by David Moore. © Estate of David Moore. Figure 4.3 Photograph by Trevor Watters. © Trevor Watters. Figure 4.4 26 January 2003. Courtesy of the Australia Day Council of New South Wales. Part 5. Protection and management of the property Figure 5.1 Photograph by David Messent. © David Messent. Figure 5.2 © Sinclair Knight Merz Figure 5.3 Courtesy Sydney Opera House Trust Figure 5.4 Photograph by Sophie Hodges, 2005. Courtesy Sydney Opera House Trust. Figure 5.5 Photograph by Adam Craven. Courtesy Sydney Opera House Trust. Figure 5.6 Courtesy Sydney Opera House Trust Part 6. Monitoring Figure 6.1 Photograph by David Moore. © Estate of David Moore. Figure 6.2 Courtesy Sydney Opera House Trust Part 7. Documentation Figure 7.1 Photograph by David Messent. © David Messent. Part 8. Contact information Figure 8.1 Photograph by David Messent. © David Messent. Figure 8.2 Courtesy Sydney Opera House Trust Part 10. Appendices Figure 10.1 Photograph by David Messent. © David Messent. Figure 10.2 Courtesy Sydney Opera House Trust Figure 10.3 © Ove Arup & Partners 109
Page 1 and 2:
SYDNEY OPERA HOUSE NOMINATION BY TH
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SYDNEY OPERA HOUSE NOMINATION BY TH
Page 6 and 7:
4 PREFACE Australia is pleased to p
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1.A COUNTRY Country - Australia 1.B
Page 11 and 12:
The topographic map shows the locat
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PART 2. DESCRIPTION 11
Page 16 and 17:
14 Part 2. Description 2.2 The comp
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16 Part 2. Description 2.6 2.7 2.8
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18 Part 2. Description The glass wa
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20 Part 2. Description 2.19 Further
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22 Part 2. Description 2.23 Interna
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24 Part 2. Description The Sydney O
Page 29 and 30:
… we’re here to nudge forward t
Page 31 and 32:
Utzon’s design modifi ed the esta
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In the Sydney Opera House Jørn Utz
Page 35 and 36:
Utzon’s reading and use of histor
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3.17 3.18 Utzon’s genius is manif
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The podium The construction of the
Page 41 and 42:
3.24 Figure 3.24 Arups’ summary o
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3.28 engineers Jorg Schlaich and We
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3.32 The Sydney Opera House holds a
Page 47 and 48:
3.34 3.35 The setting of Bennelong
Page 49 and 50:
3.36 qualities and precise, geometr
Page 51 and 52:
3.39 3.40 3.41 Masterpieces of the
Page 53 and 54:
3.43 also inspired by the laws of n
Page 55 and 56:
3.45 3.D INTEGRITY AND AUTHENTICITY
Page 57 and 58:
Materials and substance The use and
Page 59: PART 4. STATE OF CONSERVATION AND F
Page 62 and 63: 60 Part 4. State of conservation an
Page 64 and 65: 62 Part 4. State of conservation an
Page 67 and 68: 5.A OWNERSHIP The Sydney Opera Hous
Page 69 and 70: 5.C MEANS OF IMPLEMENTING PROTECTIV
Page 71 and 72: 5.2 Sydney Regional Environmental P
Page 73 and 74: 5.3 Sydney Opera House: a plan for
Page 75 and 76: 5.5 5.6 • • • • • An on-s
Page 77: 6PART 6. MONITORING 75
Page 80 and 81: 78 Part 6. Monitoring 6.2 Figure 6.
Page 82 and 83: 80 Part 6. Monitoring 6.C RESULTS O
Page 85 and 86: 7.A PHOTOGRAPHS, SLIDES, IMAGE INVE
Page 87 and 88: 7.B TEXTS RELATING TO PROTECTIVE DE
Page 89 and 90: Baume, M 1967, The Sydney Opera Hou
Page 91 and 92: Hall, P 1981, Great planning disast
Page 93 and 94: Sommer, D, Stöcher, H & Weisser, L
Page 95: 893 PART 8. CONTACT INFORMATION
Page 98 and 99: 96 Part 8: Contact information 8.C
Page 100 and 101: 98 PART 9. SIGNATURE ON BEHALF OF T
Page 103 and 104: 10.A BIOGRAPHIES OF JØRN UTZON AND
Page 105 and 106: Awards In addition to the awards de
Page 107 and 108: 10.3 Ove Arup (1895-1988) Ove Nyqui
Page 109: 10.B LIST OF ILLUSTRATIONS Front co
Page 113 and 114: Other contributors Sydney Opera Hou
Page 115 and 116: Figure 10.6 1902 Fort Macquarie is
Page 117 and 118: B 10.E PLANS, SECTIONS AND ELEVATIO
Page 119 and 120: EASTERN ELEVATION WESTERN ELEVATION
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