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102<br />

Part 10. Appendices<br />

Utzon undertook international study tours to Europe<br />

and Morocco in 1947–1948 and to Mexico and <strong>the</strong><br />

United States in 1949. These were funded <strong>by</strong> his<br />

prize money from <strong>the</strong> Bissen Prize (1947) and <strong>the</strong><br />

Zacharia Jacobsen Award (1949). He examined Mayan<br />

and Aztec architecture in Mexico and met architects<br />

Frank Lloyd Wright, Eero Saarinen and Mies van der<br />

Rohe in <strong>the</strong> United States. In 1950 Utzon set up his<br />

own architectural practice in Denmark and two years<br />

later established a partnership with Erik and Henry<br />

Andersson based in Helsingborg, Sweden. Between<br />

1953 and 1960 Utzon was awarded fi rst prize in several<br />

Scandinavian competitions, mainly for housing projects.<br />

They included <strong>the</strong> Eckensberg Medal for Architecture<br />

(1957) for <strong>the</strong> Kingo housing development in Denmark.<br />

In 1956 Utzon worked on his entry for <strong>the</strong> <strong>Sydney</strong><br />

<strong>Opera</strong> <strong>House</strong> international design competition. The<br />

design was produced within his partnership with Erik<br />

Andersson but <strong>the</strong> entry was submitted in Utzon’s<br />

name, in recognition that he was <strong>the</strong> dominant<br />

designer. In early 1957 Utzon was announced <strong>the</strong><br />

competition winner and he immediately began work on<br />

a model <strong>of</strong> <strong>the</strong> building. Utzon worked on <strong>the</strong> <strong>Sydney</strong><br />

<strong>Opera</strong> <strong>House</strong> from Denmark until 1963, making annual<br />

visits to <strong>Sydney</strong>. He worked in close collaboration with<br />

<strong>the</strong> London-based Danish structural engineer, Ove<br />

Arup, and Arup’s staff on <strong>the</strong> geometry <strong>of</strong> <strong>the</strong> shells.<br />

In early 1963 Utzon closed his Denmark <strong>of</strong>fi ce and<br />

moved his family to <strong>Sydney</strong>. Utzon continued to<br />

enter European-based design competitions and was<br />

awarded fi rst prize for <strong>the</strong> model that he worked on<br />

with his <strong>Sydney</strong> staff for <strong>the</strong> Zurich <strong>the</strong>atre project.<br />

From 1965 tensions arose between Utzon and <strong>the</strong> New<br />

South Wales <strong>Government</strong> over cost and time overruns<br />

on <strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> project. These tensions<br />

led to Utzon’s withdrawal from <strong>the</strong> project in February<br />

1966 and his departure from <strong>Sydney</strong> in April 1966.<br />

From 1968–1971 Utzon worked on a number<br />

<strong>of</strong> projects including <strong>the</strong> Bagsvaerd Church in<br />

Copenhagen and <strong>the</strong> Jeddah sports stadium in Saudi<br />

Arabia. In 1970 he was awarded <strong>the</strong> Mobel Prize for<br />

furniture design for his 8108 chair. Utzon and his wife<br />

moved to a house he designed, known as Can Lis, on<br />

<strong>the</strong> Mediterranean island <strong>of</strong> Majorca in 1971. Utzon<br />

was a Visiting Pr<strong>of</strong>essor at <strong>the</strong> School <strong>of</strong> Architecture,<br />

University <strong>of</strong> Hawaii from 1971–1973. He was<br />

awarded fi rst prize in <strong>the</strong> competition for <strong>the</strong> Kuwait<br />

National Assembly Complex in 1972 and worked on<br />

this project until 1979.<br />

10.2<br />

In 1982 he established Utzon Associates with his<br />

architect sons. Utzon collaborated with his sons<br />

on several projects including <strong>the</strong> Paustian furniture<br />

showroom (Copenhagen 1987), <strong>the</strong> Danish Museum<br />

for Modern Art (Fredensborg 1988) and several<br />

o<strong>the</strong>r museums <strong>of</strong> science, history, culture and art<br />

in Denmark.<br />

In 1998 Utzon accepted a New South Wales<br />

<strong>Government</strong> proposal to develop design principles<br />

for <strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong>. With his son Jan he<br />

worked with <strong>Australia</strong>n architect Richard Johnson<br />

on <strong>the</strong> principles. The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Utzon<br />

design principles 2002 was released in 2002. Utzon<br />

subsequently acted as consultant for <strong>the</strong> refurbishment<br />

<strong>of</strong> <strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> interiors.<br />

In 2003 <strong>the</strong> Utzon Center was established at Aalborg<br />

University to expand <strong>the</strong> appreciation <strong>of</strong> Utzon’s<br />

work within <strong>the</strong> context <strong>of</strong> Nordic and international<br />

architecture and design. Utzon has been <strong>the</strong> subject <strong>of</strong><br />

an extensive and rapidly expanding body <strong>of</strong> scholarship<br />

including writings <strong>by</strong> Sigfried Giedion, Philip Drew and<br />

Richard Weston (see below).<br />

Today, Utzon continues to work with Utzon Associates.<br />

Figure 10.2 Jørn Utzon

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