nomination by the Government of Australia - Sydney Opera House
nomination by the Government of Australia - Sydney Opera House
nomination by the Government of Australia - Sydney Opera House
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102<br />
Part 10. Appendices<br />
Utzon undertook international study tours to Europe<br />
and Morocco in 1947–1948 and to Mexico and <strong>the</strong><br />
United States in 1949. These were funded <strong>by</strong> his<br />
prize money from <strong>the</strong> Bissen Prize (1947) and <strong>the</strong><br />
Zacharia Jacobsen Award (1949). He examined Mayan<br />
and Aztec architecture in Mexico and met architects<br />
Frank Lloyd Wright, Eero Saarinen and Mies van der<br />
Rohe in <strong>the</strong> United States. In 1950 Utzon set up his<br />
own architectural practice in Denmark and two years<br />
later established a partnership with Erik and Henry<br />
Andersson based in Helsingborg, Sweden. Between<br />
1953 and 1960 Utzon was awarded fi rst prize in several<br />
Scandinavian competitions, mainly for housing projects.<br />
They included <strong>the</strong> Eckensberg Medal for Architecture<br />
(1957) for <strong>the</strong> Kingo housing development in Denmark.<br />
In 1956 Utzon worked on his entry for <strong>the</strong> <strong>Sydney</strong><br />
<strong>Opera</strong> <strong>House</strong> international design competition. The<br />
design was produced within his partnership with Erik<br />
Andersson but <strong>the</strong> entry was submitted in Utzon’s<br />
name, in recognition that he was <strong>the</strong> dominant<br />
designer. In early 1957 Utzon was announced <strong>the</strong><br />
competition winner and he immediately began work on<br />
a model <strong>of</strong> <strong>the</strong> building. Utzon worked on <strong>the</strong> <strong>Sydney</strong><br />
<strong>Opera</strong> <strong>House</strong> from Denmark until 1963, making annual<br />
visits to <strong>Sydney</strong>. He worked in close collaboration with<br />
<strong>the</strong> London-based Danish structural engineer, Ove<br />
Arup, and Arup’s staff on <strong>the</strong> geometry <strong>of</strong> <strong>the</strong> shells.<br />
In early 1963 Utzon closed his Denmark <strong>of</strong>fi ce and<br />
moved his family to <strong>Sydney</strong>. Utzon continued to<br />
enter European-based design competitions and was<br />
awarded fi rst prize for <strong>the</strong> model that he worked on<br />
with his <strong>Sydney</strong> staff for <strong>the</strong> Zurich <strong>the</strong>atre project.<br />
From 1965 tensions arose between Utzon and <strong>the</strong> New<br />
South Wales <strong>Government</strong> over cost and time overruns<br />
on <strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> project. These tensions<br />
led to Utzon’s withdrawal from <strong>the</strong> project in February<br />
1966 and his departure from <strong>Sydney</strong> in April 1966.<br />
From 1968–1971 Utzon worked on a number<br />
<strong>of</strong> projects including <strong>the</strong> Bagsvaerd Church in<br />
Copenhagen and <strong>the</strong> Jeddah sports stadium in Saudi<br />
Arabia. In 1970 he was awarded <strong>the</strong> Mobel Prize for<br />
furniture design for his 8108 chair. Utzon and his wife<br />
moved to a house he designed, known as Can Lis, on<br />
<strong>the</strong> Mediterranean island <strong>of</strong> Majorca in 1971. Utzon<br />
was a Visiting Pr<strong>of</strong>essor at <strong>the</strong> School <strong>of</strong> Architecture,<br />
University <strong>of</strong> Hawaii from 1971–1973. He was<br />
awarded fi rst prize in <strong>the</strong> competition for <strong>the</strong> Kuwait<br />
National Assembly Complex in 1972 and worked on<br />
this project until 1979.<br />
10.2<br />
In 1982 he established Utzon Associates with his<br />
architect sons. Utzon collaborated with his sons<br />
on several projects including <strong>the</strong> Paustian furniture<br />
showroom (Copenhagen 1987), <strong>the</strong> Danish Museum<br />
for Modern Art (Fredensborg 1988) and several<br />
o<strong>the</strong>r museums <strong>of</strong> science, history, culture and art<br />
in Denmark.<br />
In 1998 Utzon accepted a New South Wales<br />
<strong>Government</strong> proposal to develop design principles<br />
for <strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong>. With his son Jan he<br />
worked with <strong>Australia</strong>n architect Richard Johnson<br />
on <strong>the</strong> principles. The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Utzon<br />
design principles 2002 was released in 2002. Utzon<br />
subsequently acted as consultant for <strong>the</strong> refurbishment<br />
<strong>of</strong> <strong>the</strong> <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> interiors.<br />
In 2003 <strong>the</strong> Utzon Center was established at Aalborg<br />
University to expand <strong>the</strong> appreciation <strong>of</strong> Utzon’s<br />
work within <strong>the</strong> context <strong>of</strong> Nordic and international<br />
architecture and design. Utzon has been <strong>the</strong> subject <strong>of</strong><br />
an extensive and rapidly expanding body <strong>of</strong> scholarship<br />
including writings <strong>by</strong> Sigfried Giedion, Philip Drew and<br />
Richard Weston (see below).<br />
Today, Utzon continues to work with Utzon Associates.<br />
Figure 10.2 Jørn Utzon