synopsis - Contemporary Drama Service
synopsis - Contemporary Drama Service
synopsis - Contemporary Drama Service
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SYNOPSIS<br />
Cool Suit is a musical retelling of “The Emperor’s New Clothes.” The<br />
show is designed to be performed by a largely adult (or older teen) cast,<br />
with a flexible cast size of six to ten or more (including one or more<br />
kids). The music is theatrical pop, and the humor is designed to appeal<br />
to kids while still being entertaining to adults (lots of jokes that will<br />
go over the kids’ heads but plenty of slapstick, underwear references,<br />
etc.). And along with the silliness and entertainment, there are genuine<br />
messages about sticking to ones’ convictions, pursuing goals even if they<br />
seem difficult and not going along with peer pressure.<br />
Optional Opening: (Without the opening, the show simply starts<br />
immediately with the Narrator’s prologue.) A group of bored kids are<br />
trying to find something cool to do, until their ringleader decides they<br />
should all make silly raspberry noises. An outsider approaches and asks<br />
why they’re doing something so silly. When they say “She said it was<br />
cool,” the newcomer asks why they don’t make up their own minds. He<br />
notices a large trunk On-stage and suggests they look inside. As the cast<br />
starts pulling out a storybook, costumes, and props, they decide to put on<br />
a show and they transform themselves into the various characters. The<br />
last item they pull out is a boom box which launches them into their<br />
opening, and which segues immediately into a number introducing the<br />
vain, self-absorbed, clothes-horse Emperor. (Songs: “Cool Suit —<br />
Prologue” — Narrator and Minstrels; “Emperor’s Song” — Emperor and<br />
Groupies.)<br />
The Narrator introduces each successive scene with a brief rap — now<br />
we meet some people who are plotting a rebellion against the mean<br />
Emperor. They want to do something but aren’t sure what would work,<br />
until one brave rebel inspires them with a pep talk and a clever plan<br />
involving magic fabric. (Song: “One Tree at a Time” — Rebel #1 and<br />
Rebels)<br />
Meanwhile, back at the palace, the Emperor is hearing rumors of an<br />
uprising and whines to his mommy, wondering why people don’t like<br />
him. She reassures him that “(It’s Not Easy) Being Perfect” — Mommy<br />
and Emperor.<br />
The palace Page announces visitors, who turn out to be Tailors (actually<br />
the rebels) offering to sell the Emperor some magic fabric, which will<br />
only be visible to people who are smart, talented and deserving of their<br />
positions. The Tailors promise they will sew the Emperor his very own<br />
–i–
“Cool Suit” — Tailor and Assistants.<br />
The offer appeals to the Emperors vanity, so he has the Tailors get right<br />
to work. However, he is nervous about whether he’ll see the fabric, so<br />
he tries to get his equally apprehensive Ministers to “Check It Out” —<br />
Emperor and Ministers.<br />
Meanwhile, the young palace Page has seen the empty sewing machines<br />
and realizes the “cool suit” is a hoax. However, the adults brush him<br />
aside, and the sad Page wonders why no one will “Listen” — Page.<br />
After the Ministers finally go inspect the Tailor’s work, they come back<br />
determined to convince everyone they’ve seen the magic suit, as they<br />
explain: “You Gotta See It to Believe It.”<br />
Of course, to the Emperor’s dismay, he can’t see anything, but he goes<br />
along, including dressing in an invisible cool suit and staging an<br />
elaborate parade. The crowds “ooh” and “ah” over the Emperor’s new<br />
clothes, until the Children notice he is wearing nothing but his (teddybear<br />
printed) underwear. (Song: “Strut Your Stuff” — Groupies, Emperor,<br />
Townspeople)<br />
The Emperor is so humiliated, he and his mommy flee the country and<br />
the people take over. The rebel leader (who is elected president in a fair<br />
and democratic election) explains the perils of going along with the<br />
crowd, in a rousing moral-of-the-story finale: “Think for Yourself” —<br />
Rebel #1 and Company.<br />
–ii–
CAST OF CHARACTERS<br />
This show can be done by a cast of six to ten and up, depending on<br />
which actors play multiple roles. We’ve described each character<br />
individually, including suggestions on which roles work well to<br />
combine.<br />
NARRATOR<br />
The hip “conscience” of the show. Male or female, good comic actor<br />
who is able to rap and can handle physical comedy. (Continues<br />
throughout the show. Cannot be combined with other roles by one<br />
actor but can join in with townspeople, back-up groupies, rebels,<br />
ministers, etc.)<br />
EMPEROR<br />
A vain, spoiled, Elvis-esque momma’s boy.<br />
Male, baritone, good singer and physical comic<br />
(throughout show, cannot be combined with other roles).<br />
MOTHER<br />
The Emperor’s mother, who will tell you she’s much too young<br />
to have such a big grown-up son, attractive and extremely vain.<br />
Female, high legit soprano, usually disgustingly sweet but<br />
occasionally loses her cool (throughout show).<br />
REBEL #1<br />
Female, pop/alto, strong leader, needs to be able to sing pop styles<br />
(disco, R&B), also should move well. (Could also play tailor or minister.)<br />
TAILOR<br />
Male or female, oily, charming salesperson who can sing pop and do<br />
physical comedy, good dancer. (Could also play one of the groupies.)<br />
PAGE<br />
Child, male (boy soprano) or female, good singer, wise beyond his/her<br />
years, somewhat of a smart-aleck. (Can also play one of the town<br />
kids.)<br />
GROUPIES<br />
Female, emperor hangers-on, should be<br />
good dancers and harmony singers. (Can also play rebels.)<br />
REBELS<br />
Male and female, good singers/dancers, good with physical comedy.<br />
(Can also play groupies, townspeople, and/or ministers.)<br />
MINISTERS<br />
Male and female, primarily physical comics but able to sing rock.<br />
–iii–
TOWNSPEOPLE<br />
Assorted males, females, and children,<br />
can be doubled from groupies/rebels/ministers.<br />
SUGGESTED CAST BREAKDOWNS<br />
Cast of 11: Narrator<br />
Emperor<br />
Mother<br />
Page<br />
Rebel #1 (doubles as Townsperson)<br />
Tailor (doubles as Groupie, Townsperson)<br />
Minister #1 (doubles as Rebel/Townsperson)<br />
Minister #2 (doubles as Rebel/Townsperson)<br />
Minister #3 (doubles as Rebel/Townsperson)<br />
Groupie (doubles as Tailor Assistant/Townsperson)<br />
Groupie (doubles as Tailor Assistant/Townsperson)<br />
Cast of 6: Narrator (doubles as Minister #3, Groupie, Townsperson)<br />
Emperor<br />
Mother<br />
Page (doubles as Town Kid, Groupie, Tailor)<br />
Rebel #1 (doubles as Minister #1, Groupie,<br />
Townsperson, Tailor)<br />
Tailor (doubles as Minister #2, Groupie, Townsperson)<br />
Larger cast: Narrator<br />
15–18 Emperor<br />
Mother<br />
Page<br />
Rebel #1<br />
Tailor<br />
3 Ministers<br />
3 Groupies<br />
3–5 Ensemble (Tailor Assistants, Rebels, Townspeople)<br />
–iv–
PRODUCTION NOTES<br />
Cast: As indicated above, this show can be performed by a small or<br />
large cast, with many of the roles appropriate to be played by one actor.<br />
The page and the town kid or kids can be played by actual kids or by<br />
adults or teens. And most roles can be played by either gender, with<br />
the exception of Mommy and the Emperor.<br />
Style: This show is almost a commedia dell’arte farce, so realism is not<br />
essential. The humor is fairly broad, and there are lots of opportunities<br />
for physical comedy and slapstick. However, while you want the comedy<br />
and silliness to appeal to a younger audience, always remember there<br />
is a fundamental message underneath, about the importance of<br />
resisting peer pressure and making up one’s own mind.<br />
Music: The show can be performed with live accompaniment or the<br />
pre-recorded CD which is available from the publisher, or you can use<br />
the CD for rehearsal purposes until you bring in live musicians. You<br />
can also supplement the CD with some live musicians, using the<br />
Piano/Conductor score. There are also several places where you may<br />
want additional music (if you add in longer dance numbers or whenever<br />
the narrator does the recurring rap). You can simply use the piano score<br />
to add whatever amounts of music are appropriate to your production.<br />
(The CD also comes with tracks including vocals by studio singers to<br />
help the actors learn the tunes and to show how the harmony vocals<br />
work.)<br />
Costumes/Props: The whole premise of the show is that it “comes out<br />
of the trunk,” which the kids find on the empty stage (making it very<br />
portable and easy to stage, as well as appropriate to the concept).<br />
Ideally, the kids at the opening, who turn into the various characters,<br />
are all in simple, bright-colored basic costumes (T-shirts and leggings<br />
or tops and shorts) over which they can add pieces from the trunk (a<br />
skirt for the Mother, a royal robe and crown for the Emperor, vests for<br />
the Rebels, some sort of top for the Groupies, etc.) Props would also<br />
come out of the trunk (tape measure for the Tailors, a tray for the Page,<br />
and so on).<br />
The easiest costuming is to have one add-on piece to indicate each type<br />
of character (robes or jackets for Ministers, cute tops for Groupies, vests<br />
for the Tailor and Assistants, ragged jackets for Rebels, folk-ish tops for<br />
Townspeople, etc.). Ideally, all the costuming, including the basic<br />
costumes in which the cast begins the show, will be in bright primary<br />
colors to give a fun, cheerful look to the costumes.<br />
–v–
Set/Lighting: There really is no set, since the idea is that everything<br />
comes out of the trunk. In fact, this show could be performed in a nontheater<br />
environment (a multi-purpose room, outside, a classroom, etc.)<br />
If using a theater, to indicate changes of scene (from the palace to the<br />
Rebels’ meeting place or from different rooms in the palace), simply<br />
have the actors utilize different parts of the stage (e.g., Stage Right is<br />
the Emperor’s dressing room, Stage Left is the Rebels’ meeting place,<br />
Center Stage could be the reception hall), with simple lighting changes<br />
if possible. Standard stage lighting is fine, with brownouts (not<br />
complete blackouts) to indicate changes of scene. You also may want to<br />
bring up house lights when the parade goes into the audience, if you<br />
decide to use that option.<br />
If you decide you need some supplemental stage furniture (a throne for<br />
the Emperor, a screen for him to dress behind), those could be “lying<br />
around the stage” and put into use when needed or brought from Offstage.<br />
Anything brought on should be easy to move out of the way for<br />
scene changes or dance numbers.<br />
The script is not written to require a curtain, but if your theater has<br />
one and you want to use it, you can raise and lower the curtain at the<br />
beginning and end of the show: since the scenes are fairly brief,<br />
lowering the curtain to indicate scene changes would interrupt the flow<br />
of the show and we don’t recommend it.<br />
–vi–
SONG TABLE OF CONTENTS<br />
11. Cool Suit — Prologue (Narrator and Minstrels) . . . . . . . . . . 2<br />
12. Emperor’s Song (Emperor and Groupies) . . . . . . . . . . . . . . 3<br />
13. One Tree at a Time (Rebel #1 and Rebels) . . . . . . . . . . . . . 5<br />
14. (It’s Not Easy) Being Perfect (Mommy and Emperor) . . . . . 9<br />
15. Cool Suit (Tailor and Assistants) . . . . . . . . . . . . . . . . . . . .11<br />
16. Check It Out (Emperor and Ministers) . . . . . . . . . . . . . . . .16<br />
17. Listen (Page) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19<br />
18. You Gotta See It to Believe It (Ministers) . . . . . . . . . . . . 22<br />
19. Strut Your Stuff (Groupies, Emperor, Townspeople) . . . . . . .25<br />
10. Think for Yourself (Rebel #1, Company) . . . . . . . . . . . . . .27<br />
–vii–