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64 SIGHTSEEING<br />
Racławice Panorama<br />
Racławice Panorama (Panorama Racławicka)<br />
C-3, ul. Purkyniego 11, tel. (+48) 71 344 23 44,<br />
www.panoramaraclawicka.pl. The Panorama is not just<br />
a painting. It’s a pilgrimage. The 140m-long canvas depicts<br />
the legendary General Tadeusz Kościuszko’s victory over the<br />
Russian forces at Racławice in 1794, and took just over nine<br />
months to complete. Peasants wielding scythes rush the<br />
ranks of Russian hussars in a heroic bid for independence.<br />
They win the battle, but the uprising comes to nought. Poland<br />
won’t be truly self-governing until the early 20th century. The<br />
painting was born in a burst of patriotic fervor in Lwów (now<br />
Lviv, Ukraine) a hundred years after the battle. Painters Jan<br />
Styka and Wojciech Kossak wanted to create a monument to<br />
Polish national spirit. Their work, displayed in a rotunda built<br />
especially for it, was a popular - and financial - success. After<br />
World War II, the Soviet Union, which had absorbed the city of<br />
Lviv, sent the painting to Wrocław. Its subject, however, was<br />
a bit too nationalistic for the local Communist authorities,<br />
who rejected several bids to display it. The current building<br />
was completed in 1967, but the Panorama itself was not<br />
installed for display until 1985. Today school groups and<br />
hordes of others file in daily for a 30-minute taped lecture<br />
on the painting and its history. Headsets with commentary<br />
in 17 languages (including English, French, Russian, Spanish,<br />
German and even Esperanto) are available at no extra<br />
charge. Presentations are held every half hour. Around 1,600<br />
people per day turn up to admire the painting, so don’t think<br />
you’ll just be able to walk in straight away - expect queues.<br />
Q Open 09:00 - 17:00. From October open 09:00 - 17:00.<br />
Closed Mon. From November open 09:00 - 16:00. Closed<br />
Mon. Admission 25/18zł, family ticket 18zł.<br />
Stare Jatki<br />
Wrocław’s most engaging<br />
street can<br />
be found connecting<br />
Kiełbaśnicza with<br />
Odrzańska, and<br />
though most of the<br />
structures on Stare<br />
Jatki date from the<br />
17th and 18th centuries,<br />
the line of<br />
low level buildings<br />
were constructed<br />
on medieval foundations<br />
- some elements<br />
from the<br />
13th century are<br />
still visible on the<br />
south side of the street. Today the alleyway is home<br />
to numerous artists’ studios, though in past times<br />
the principal industry here was meat, the wooden<br />
stalls packed with the carcasses of butchered<br />
beasts. The defining feature of Stare Jatki is the<br />
collection of cast iron farm animals at the start of<br />
the street. Sculpted by Piotr Wieczorek and erected<br />
in the 1990s this ‘Memorial to Slaughtered Animals’<br />
was funded by the local government (aside from the<br />
cock, paid for by the owner of Pod Zielonym Kogutem<br />
bar), and serves not only as one of Wrocław’s most<br />
photographed attractions, but also as an obstacle<br />
course for party casualties pouring out of Klub Na<br />
Jatkach.<br />
Monuments<br />
Alexander Fredro A-3, ul. Rynek Ratusz. Walking<br />
around Wrocław’s Rynek it’s impossible to miss the form<br />
of the elegant looking fella cast in stone sitting outside the<br />
Spiż microbrewery. That’s Alexander Fredro, one of Poland’s<br />
most distinguished literary figures. His statue replaced that of<br />
Kaiser Wilhelm who had stood on that spot during Wrocław’s<br />
incarnation as the city of Breslau. Although unharmed by the<br />
bombs and bullets of the war Wilhelm fell foul of the iconoclastic<br />
fury that was to follow in peacetime, and most likely<br />
ended up being tossed into a blast furnace. When Fredro was<br />
unveiled to the people of Wrocław in 1956 his plinth came<br />
without the aristocratic initials HR. Following popular condemnation<br />
the communist authorities relented and Fredro<br />
has since stood gazing forth in all his noble brilliance. Like<br />
the Mickiewicz monument in Kraków, or Zygmunt in Warsaw,<br />
the Fredro statue has grown to symbolize the city, and is the<br />
principal meeting point for both canoodling couples, students<br />
bashing bongo drums and political agitators.<br />
Monument to the Victims of the Katyń Massacre<br />
(Pomnik Ofiar Zbrodni Katyńskiej) D-3, Słowacki<br />
Park. Anyone who has an unindoctrinated knowledge of<br />
World War II history or who has spent more than 15 minutes<br />
in Poland, is probably familiar with the subject of this memorial<br />
which remembers the 22,000 Polish military officers,<br />
policemen, intelligensia and POWs murdered by the NKVD<br />
on Stalin’s orders in 1940. Designed by Warsaw sculptor<br />
Tadeusz Tchórzewski, the striking monument depicts the<br />
sword-wielding Angel of Death on a high pedastal over the<br />
figure of Katyń Pieta - the Matron of the Homeland despairing<br />
over the body of a murdered prisoner of war. Symbolic<br />
granite walls/graves flank the scene, with the names of the<br />
POW camps and places of mass murder inscribed on them.<br />
Anguished, terrifying and gruesome in turn, with detail down<br />
to the bullethole in the back of the fallen officer’s head, this<br />
evocative monument was unveiled in 1999 and can be found<br />
in the park next to the Racławice Panorama.<br />
The Anonymous Pedestrians (Pomnik Przejścia)<br />
A-5, Corner of ul. Piłsudskiego and ul. Świdnicka. When<br />
you’re tired of gazing at Wrocław’s multitude of cherubs,<br />
gargoyles and bearded national heroes clutching important<br />
pens and looking frightfully serious, hike on down to the<br />
junction of Piłsudskiego and Świdnicka and have a look at an<br />
entirely different take on public art. The wonderfully lifelike<br />
bronze statues descending into the earth that make up ‘The<br />
Anonymous Pedestrians’ are a memorial to the introduction<br />
of martial law on December 13, 1981, and the hordes of<br />
people who disappeared (‘went underground’) in the middle<br />
of the night courtesy of the militia. The work of Jerzy Kalina,<br />
the 14 statues were erected here in the middle of the night in<br />
2005 on the 24th anniversary of the introduction of martial<br />
law, though the prophetic moulds were actually made several<br />
years before the events they commemorate.<br />
The Naked Swordsman (Fontanna Szermierza)<br />
B-2, Pl. Uniwersytecki. The University of Wrocław presents<br />
plenty of superb photographic opportunities, but the most<br />
popular has to be the naked swordsman proudly standing at<br />
the entrance of the main building. The work of Hugo Lederer,<br />
the splendid sculpture was erected in 1904 and prompted<br />
complaints from parish priests that students would be morally<br />
corrupted by the statue’s naked form. Early grumblings<br />
were countered by the legend that the statue represents<br />
an extravagant gambler who squandered all but his sword<br />
in drunken card games - thus serving as an example to the<br />
university’s 14,000 students. Town mayor, George Bender,<br />
agreed and the statue has stood ever since.<br />
Wrocław <strong>In</strong> <strong>Your</strong> <strong>Pocket</strong> wroclaw.inyourpocket.com<br />
Museums<br />
Archaeology Museum (Muzeum Archeologiczne)<br />
A-2, ul. Cieszyńskiego 9, tel. (+48) 71 347 16<br />
96, www.mmw.pl. Like all the best museums in Poland,<br />
Wrocław’s Archaeological Museum is located inside a<br />
building that’s a museum in itself. <strong>In</strong> this instance the<br />
city’s former 15th-century Arsenal plays host to the usual<br />
suspects found lurking in most museums of its type. There<br />
are English captions now for many exhibits, while others,<br />
such as the gargoyles and the reconstructed thatched<br />
house fascinate without the need to know more. There are<br />
three permanent exhibitions - Medieval Silesia with the<br />
reconstructed thatched house mentioned earlier, Ancient<br />
Silesia - Stone Age and early Bronze Age and Ancient Silesia<br />
- Bronze and Iron Age. On display are everyday objects<br />
from these times such as military items, ornaments and<br />
tools. QOpen 10:00 - 17:00, Sun 10:00 - 18:00. Closed<br />
Mon, Tue. Admission 7/5zł, Wed free.<br />
Architecture Museum (Muzeum Architektury)<br />
C-3, ul. Bernardyńska 5, tel. (+48) 71 344 82 78,<br />
www.ma.wroc.pl. A unique exhibition inside the gorgeous<br />
16th-century former Bernadine monastery, the city’s architecture<br />
museum is more of a record of all that was lost in<br />
the city during WWII than a true museum of architecture.<br />
Permanent displays include beautiful examples of stained<br />
glass from the 12th century through to some spectacular<br />
Art Nouveau pieces, a breathtaking collection of tiled ceramic<br />
stoves, intricate door handles, Turkish floor tiles and<br />
a selection of truly ghastly gargoyles. There’s a large model<br />
of the city as it was in 1740, which clearly shows its status<br />
as a fortress surrounded by water, and the occasional<br />
temporary exhibit to keep the eyes peeled for. QOpen<br />
11:00 - 17:00, Wed 10:00 - 16:00, Thu 12:00 - 19:00.<br />
Closed Mon. Admission 10/7zł. Groups over 10 people 5zł<br />
per person, Wed free.<br />
Ethnographic Museum (Muzeum Etnograficzne)<br />
H-5, ul. Traugutta 111/113, tel. (+48) 71 344<br />
33 13, www.muzeumetnograficzne.pl. The best part of<br />
the Ethnographic Museum is on the top floor. Life-size dolls<br />
are arranged in quaint scenes of life in Silesia before 1945.<br />
It won’t take you long to see it, but the national costumes<br />
and farm equipment offer a glimpse of life you won’t find<br />
in urban Wrocław. And the museum’s strange fondness for<br />
the definite article in the English labels is worth a giggle.<br />
Admission free with a ticket to the Racławice Panorama.<br />
QOpen 10:00 - 16:00, Thu 09:00 - 16:00. Closed Mon.<br />
Admission 5/3zł. Groups over 10 people 2zł per person,<br />
Sat free.<br />
National Museum (Muzeum Narodowe) D-3, Pl.<br />
Powstańców Warszawy 5, tel. (+48) 71 372 51 50,<br />
www.mnwr.art.pl. Wrocław’s National Museum houses<br />
one of the largest collections of Polish art. Before the 18th<br />
century this means almost exclusively religious art: altarpieces,<br />
urns for relics, busts of saints and the like. Later<br />
parts of the collection also include applied arts and quite a<br />
few pieces on national themes (uprisings and saints figure<br />
heavily in Polish history). By far the most interesting bit is<br />
the 20th-century collection. <strong>In</strong>novative installation artists<br />
like Magdalena Abakanowicz and Józef Szajna make this<br />
an exciting period in Polish art. Q Open 10:00 - 17:00,<br />
Sat 10:00 - 18:00. Closed Mon, Tue (except last Tue of<br />
each month). From October open 10:00 - 16:00, Sat, Sun<br />
10:00 - 17:00. Closed Mon, Tue (except last Tue of each<br />
month). Admission 15/10zł. Groups over 10 people 5zł<br />
per person, Sat free. Entry free with a ticket to the nearby<br />
Racławice Panorama.<br />
wroclaw.inyourpocket.com<br />
SIGHTSEEING<br />
All Saint‘s Day<br />
mayanais, Flickr.com<br />
Readers expecting a wild time of week-long costume<br />
parties and rollicking Halloween debauchery may be<br />
shocked to discover a rather sobering, sombre scene<br />
the during the evenings of November 1 and 2 in Poland.<br />
Known nationally as All Saints’ Day (Dzień Wszystkich<br />
Świętych) and All Souls’ Day (Dzień Zaduszny, or Dzień<br />
Wszystkich Zmarłych) respectively, these two days of the<br />
calendar year are dedicated to prayer and paying tribute<br />
to the deceased by visiting their graves. <strong>In</strong> accordance<br />
with tradition, Catholic families all over Poland will make<br />
pilgrimages to the resting places of their relatives, tending<br />
the graves with a care that is truly touching, before<br />
laying wreaths, flowers and candles that will be kept lit<br />
throughout the length of the holiday. As night descends,<br />
the country’s graveyards are aglow with the warm light<br />
of literally thousands of flickering candles, creating an<br />
eerie, incredibly evocative atmosphere that should not be<br />
missed by anyone with a heart that still beats.<br />
While visitors to Wrocław may not have ancestors buried<br />
here, a trip to one of the city’s cemeteries during this unforgettable<br />
ceremony is, indeed, requisite. While we could<br />
wax poetic about the unearthly glow of the immense<br />
candlelight, the murmur of prayer and psalms, the subtle<br />
smells of the incense, fresh flowers and burning wax, the<br />
shades of ravens in the trees, the wet grass and mists,<br />
and the surreal duality of the supernaturally charged, yet<br />
tranquil atmosphere, we’d prefer you just experience it<br />
for yourself. We also challenge you to find a lonely, unlit<br />
grave and place a candle on it (it won’t be easy).<br />
Below are Wrocław’s most centrally-located Catholic<br />
cemeteries.<br />
Osobowicki Cemetery (Cmentarz Osobowicki)<br />
E-1, ul. Osobowicka 47-59. To get to this<br />
large cemetery north-west of the centre, catch tram<br />
numbers 14 or 24 from the ‘Rynek’ stop, getting off at<br />
one of the two stops named ‘Osobwicka.’ Or just follow<br />
the hundreds of people. Q Open 07:00 - 20:00. From<br />
November 12 open 08:00 - 18:00.<br />
St. Lawrence’s Cemetery (Cmentarz św.<br />
Wawrzyńca) I-3, ul. Bujwida 51. To get to this cemetery,<br />
catch tram 17 (you can catch it from the ‘Rynek’ or<br />
‘Świdnicka’ stops) or 9 (from Galeria Dominikańska or<br />
the train station), getting off at the ‘Grunwaldzka’ stop.<br />
Q Open 24hrs.<br />
September - December 2012<br />
65