Creolizing Contradance in the Caribbean - Temple University

50 Peter Manuel
Mikowsky, Solomon. 1973. “The nineteenth-century Cuban danza and its composers,
with particular attention to Ignacio Cervantes (1847–1905).” Ph.D. diss., Teachers
College, Columbia University. Published in Spanish as Ignacio Cervantes y la danza
en Cuba (Havana: Editorial Letras Cubanas, 1988).
Miller, Rebecca. 2005. “Performing ambivalence: The case of quadrille music and dance
in Carriacou, Grenada.” Ethnomusicology 49 (3): 403–440.
Moreau de Saint-Méry, Médéric Louis Elie. 1797–98. Description topographique, physique,
civile, politique, et historique de la parte Française de L’Ile Saint-Domingue.
Vol. 1. Philadelphia.
Naipaul, V. S. 1962. The middle passage. London: Penguin.
Nketia, J. H. Kwabena. 1965. Music, dance and drama: A review of the performing arts of
Ghana. Legon, Ghana: Institute of African Studies.
Nolasco, Flérida de. 1948. Vibraciones en el tiempo. Ciudad Trujillo (Santo Domingo):
Editora Montalvo.
Ortiz, Fernando. 1965. La africanía de la música folklórica de Cuba. Havana: Editora
Uni versitaria.
Pedreira, Antonio. [1934] 1973. Insularismo. Río Piedras: Editorial Edil.
Playford, John. 1651. The English dancing master of plaine and easie rules for the dancing
of country dances, with the tune to each dance. London: Thomas Harper.
Quintero-Rivera, Ángel. [1986] 2002. “Ponce, la danza y lo nacional: Apuntes para una
Sociología de la Música Puertorriqueña” [The danza: A sociopolitical view]. In
Music in Puerto Rico: A reader’s anthology. Ed. and trans. Donald Thompson, 71–84.
Lanham, MD: Scarecrow Press.
———. 1994. “The camouflaged drum: Melodization of rhythms and Maroonage ethnicity
in Caribbean peasant music.” In Music and black ethnicity: The Caribbean and
South America. Ed. Gerard Behague, 47–66. Miami: University of Miami.
Ramírez, Serafín. 1891. La Habana artística. Havana: Imprenta del E. M. de la Capitanía
General.
———. 1928. “La Habana de otros tiempos.” In Evolución de la cultura cubana, Vol. 18,
132–133. Havana: Imprenta Montalvo y Cardenas.
Ribera, Julián. 1922. La música de las cantigas. Madrid: Tipografía de la Revista de
Archivos.
Sachs, Curt. 1937. World history of the dance. New York: Norton.
Stevenson, Robert. 1981. “Caribbean music history: A selective annotated bibliography
with musical supplement.” Inter-American Music Review 4 (1): 1–112.
Sublette, Ned. 2008. The world that made New Orleans: From Spanish silver to Congo
Square. Chicago: Lawrence Hill Books.
Szwed, John, and Morton Marks. 1988. “The Afro-American transformation of European
set dances and dance suites.” Dance Research Journal 20 (1): 29–36.
Vega, Carlos. 1966. El origen de las danzas folklóricas. Buenos Aires: Ricordi Americana.
Walcott, Derek. 1974. “The muse of history.” In Is massa day dead? Black moods in the
Caribbean. Ed. Orde Coombs, 1–28. Garden City, NY: Anchor Books.
Weeks, John H. 1914. Among the primitive Bakongo: A record of thirty years’ close intercourse
with the Bakongo and other tribes of equatorial Africa. London: Seeley, Service.