SARAJEVO - In Your Pocket
SARAJEVO - In Your Pocket
SARAJEVO - In Your Pocket
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14 Culture & events<br />
INTERNATIONAL THEATER FESTIVAL<br />
MESS - <strong>SARAJEVO</strong><br />
Sarajevo is a city of a long theatre tradition and culture, and MESS Festival (Small and Experimental Stages), was one<br />
of the best theatre events in the territory of the former Yugoslavia. The MESS Festival forty nine years of its existence<br />
undoubtedly promoted modern theatre expression. Since 1960, the year when the Festival was established, numerous<br />
ensembles from almost all the world’s major theatre centers (Warsaw, Paris, New York, Moscow, Zurich, Bologna,<br />
Bucharest, Budapest…) have taken part in it.<br />
As it was impossible to organize an <strong>In</strong>ternational Theatre Festival during the siege of the City, in 1993 the <strong>In</strong>ternational<br />
Theatre and Film Festival started presentations and productions of artistic programs whose aim was, under the siege<br />
conditions, to contribute to the cultural life in Sarajevo, international reputation of the city, to the establishment and<br />
development of international cooperation. Culture as a fundamental human need was used as one of the ways to break<br />
up to the siege, to maintain life, to cherish quality… Within its activities, the MESS organized the First <strong>In</strong>ternational<br />
Film Festival in 1993, which was estimated to have been the most important event in 1993, then the Festival of the<br />
Sarajevo Alternative Scene. The theatre production was also continued so that from 1993 to the end of the siege ten<br />
performances were produced, among which there were “Waiting for Godot” directed by Susan Sontag, “Alcestis” ,<br />
“Silk Drums”, “<strong>In</strong> the Country of Last Things”, “Golden Eternal Braid” directed by Haris Pašović, “Circus” directed by<br />
Peter Schumann. <strong>In</strong> 1994 the Sarajevo Festival Ensemble, as part of the MESS Festival, with two of its performances<br />
did its large tour of Europe, organized by Peter Brook Theatre, Bouffes du Nord (Paris), playing on the stages of Paris,<br />
Amsterdam, Geneva, Berlin… The MESS also organized a multimedia festival “Baby Universe” (the summer of ’94)<br />
and a large project Memory Module (’96) under which published were the translations of Paul Auster’s books, Claude<br />
Lanzmann’s “Shoah”, and presented was the series of “Mahabharata”, held were concerts and exhibitions…<br />
<strong>In</strong> 1997, the Festival was resumed. <strong>In</strong>ter alia the following were presented: Volksbühne am Rosa Luxemburg Platz<br />
Theater, Stary Teatr, Picollo Theater, Theatre des Bouffes du Nord, Centre Choregraphique National D’Orleans, Living<br />
Theatre, Divadlo Komedie, Theater Lliure, Rosas Company, Theater A.D. Ruhr, The Moving House Theater Company,<br />
Meno Fortas Theatre Company, Schaubuehne am Lehniner Platz, schauspielhannover, staatsoperhannover, Moskovskii<br />
Teatr Yunogo Zritelya, Katona Jozsef Színház, Le Volcan – Scène Nationale du Havre, Pandur Theatres, State Academic<br />
Drama Theater named T. Shevchenko, Centre for Theatre Practices “Gardzienice”, Teatro delle Albe, Les Ballets C. de<br />
la B., Footsbarn Theatre, Oskaro Koršunovo Teatras, National Theatre Ivan Vazov, Betty Nansen Teatret, Complicite,<br />
Kretakor Szinhaz… And directors and actors such as Eugenio Baraba, Frank Castorf, Giorgio Strehler, Josef Nadj,<br />
Ariel Garcia Valdes, Phillipe Adrien, Rudi Häusermann, Roberto Ciulli, Anne Teresa de Keersmaker, Paolo Magelli,<br />
Eimuntas Nekrosius, Thomas Ostermeier, Wlodzimierz Staniewski, Mark Tompkins, Pippo Delbono, Olivier Py, Sidi<br />
Larbi Cherkaoui, Mark Tompkins, Alexandar Morfov, Oskaras Koršunovas, Luc Dunberry, Robert Wilson, Simon<br />
McBurney, Arpad Schilling, Nicolas Stemann, Marco Martinelli, Peter Brook, Kama Ginkas, Tomaž Pandur, Rodrigo<br />
Garcia, Andriy Zholdak…<br />
Unrestrained theatre play and specific theatre expression established themselves as the Festival aesthetic and ethical<br />
postulates. This means that the Festival is open for contemporary trends in the world theatre (and exchange with it)<br />
without the narrowing of horizons of understanding the theatre language, respecting the freedom of author’s concept<br />
and system, his attitude to “old” and “new” forms of expression and content. Therefore, the Festival aspires to be an<br />
annual review of the most interesting theatre achievements, professional theatres, theatre companies, ensembles<br />
projects conceived and carried out throughout the world the quality of which is professionally recognized.<br />
The Festival also has a production character... During the Festival, symposiums will be held and they will also have<br />
international character with the participation of critics, theatre analysts, drama artists and writers. During their stay,<br />
many outstanding guests will visit faculties, conduct workshops and creative activities.<br />
The realisation of the 49th <strong>In</strong>ternational Theater Festival MESS Sarajevo has started already. As usual, the MESS Festival<br />
will be held from 16 - 26 October on the all theater stages of Sarajevo, Zenica, but Gorazde and Srebrenica, too.<br />
Sarajevo <strong>In</strong> <strong>Your</strong> <strong>Pocket</strong> sarajevo.inyourpocket.com