ETC Ion - Theatre Uwinnipeg

More documents

Recommendations

Info

About Submasters Submasters can store any parameter data for channels. When storing from Live, Record Only and Record can both be used to determine what contents are stored. You can copy cues, presets, or palettes to a submaster as well. Channels running effects can be loaded onto a submaster. See “Effects on Submasters” on page 243. Submasters can be accessed using the slider module (see Slider Module, page 214) or the Universal Fader Wings (see Universal Fader Wings, page 335). Faders can be configured as submasters in setup (see Fader Configuration, page 96) or they can be defined while programming. In blind, submasters can be created by using the [Thru] [Thru] syntax. • [Sub] [1] [Thru] [Thru] [1] [0] [Enter] - will create subs 1 through 10. When set as a submaster, the bottom button beneath the potentiometer acts as a bump button or a mark button depending on the submaster type (Proportional or Intensity Master). The button above the bump can be used to select all of the channels associated with the submaster, if the submaster is inactive. This is equivalent to the syntax [Group] [Sub] [x] [Enter]. When the submaster is active, this button will assert the contents of the submaster when pressed. It is possible to program upfade, dwell, and downfade times in association with the submaster bumps. On fader wings, when a submaster bump LED is blinking, it means that the submaster must be homed due to either changes to its content or to its mode. In either case, reset the submaster by dropping it to zero and the moving it back to the desired position. Inhibitive submasters (see below) that are blinking must be homed to 100% rather than zero. The LED will also blink when the submaster is in a “Held” state via bump button timing Recording a Submaster You can record current stage contents directly to a submaster. To do this, set levels in live as needed then record them to the submaster. See the following examples: • [Record] [Sub] [5] [Enter] - records all current values to sub 5. • [Record Only] [Sub] [5] [Enter] - records the manual values of the current stage state to sub 5. • [Record Only] [Sub] [5] [Label] [xxxx] [Enter] - as above, with a label. • [Record] [Sub] [5] {Mode} [Enter] - as above, and alters mode between inhibitive or additive. Other submaster properties (HTP/LTP, Exclusive, and so on) can be assigned in this way as well. You can also record selected channel data to submasters as well. See below: • [Channel List] [Record] [Sub] [5] [Enter] - records all data for the channel list to sub 5. • [Channel List] [Record Only] [Sub] [5] [Enter] - records manual data for the channel list to sub 5. If the fader is at full when the submaster is stored, you can use the [Rem Dim] command to automatically release the content to the submaster. 256 Ion Operations Manual
Submaster Displays In the display window of any programmed submaster, you will see the following: • Submaster number • Submaster label (if any) • Independent flag (if any) • I-Master flag (I.M. - if any) • Current setting Additive vs. Inhibitive You may define your submaster as additive (contributes to the live output) or inhibitive (limits live output). Ion defaults to submasters being additive. To toggle a submaster between additive, inhibitive, or effectsub: • [Sub] [7] {Mode} [Enter] Additive submasters are indicated by a green LED or a green outlined fader icon in the fader window. Inhibitive submasters display these indicators in red. Channels mastered by an inhibitive submaster are indicated with an “I” next to the intensity value in the channel display in live. Inhibitive submasters do not provide levels to the stage picture, they limit them (similar to a grandmaster). It is possible to put non-intensity parameters onto an inhibitive submaster, but it must be done from blind. For more information about effectsub, See “Effects on Submasters” on page 243. Proportional vs. Intensity Master A submaster can be set to be either a proportional fader or an intensity master. This is done using the {Fader} softkey. Ion defaults to submasters as proportional. Proportional submasters When a submaster is proportional, the slider will control all contents of the submaster (intensity and non-intensity parameters) when moved from zero. When a proportional sub is return toward zero, channel will be returned to their previous level. The bump button can be used to bump all values to their recorded levels in the submaster, or, by assigning timing values, fade the contents of the submaster up or out. Intensity master When set to this fader type, the slider will control intensity only. The bump button can be used to preset (mark) non-intensity parameters stored to the submaster. If the bump is not pressed before the slider is moved, the slider will also fade the non-intensity-parameters to their recorded values. Once the non-intensity-parameters are at their end state, the slider only controls intensity. When dropped toward zero, controlled intensities will be faded toward zero. To toggle a submaster between a “Proportional” or “I-Master” fader: • [Sub] [8] {Fader} [Enter] 21 Storing and Using Submasters 257
Page 1 and 2:
Lighting Control Console Operations
Page 3 and 4:
Table of Contents Introduction . .
Page 5 and 6:
Selective Partial Show Opening . .
Page 7 and 8:
Highlight/Lowlight Rem Dim. . . . .
Page 9 and 10:
Setting Referenced Mark Flags . . .
Page 11 and 12:
Focus Effects . . . . . . . . . . .
Page 13 and 14:
MIDI Show Control Devices. . . . .
Page 15 and 16:
Introduction Welcome to the Ion Ope
Page 17 and 18:
Register Your Ion Registering your
Page 19 and 20:
Enter Since the command line can re
Page 21 and 22:
Live and Blind Live and Blind are m
Page 23 and 24:
Chapter 1 System Overview Inside th
Page 25 and 26:
Gateways Ion is part of a fully net
Page 27 and 28:
USB Ports One USB port is provided
Page 29 and 30:
Outputting DMX In order to output c
Page 31 and 32:
Chapter 2 System Installation This
Page 33 and 34:
Ion Console Client Software Eos Con
Page 35 and 36:
Chapter 3 System Basics This chapte
Page 37 and 38:
Power Power Up the Console Note: No
Page 39 and 40:
You can use the [Swap] key to chang
Page 41 and 42:
The Central Information Area (CIA)
Page 43 and 44:
Using the Browser To use the browse
Page 45 and 46:
Using Direct Selects Direct selects
Page 47 and 48:
Display Control and Navigation Open
Page 49 and 50:
Graphical User Interface (GUI) Disp
Page 51 and 52:
Text Indicators in live/blind Pleas
Page 53 and 54:
[Data] Key Pressing and holding [Da
Page 55 and 56:
Indicators in the Playback Status D
Page 57 and 58:
Using [Format] Some displays have m
Page 59 and 60:
Spreadsheet (Blind Only) Spreadshee
Page 61 and 62:
Chapter 4 Managing Show Files This
Page 63 and 64:
Select the specific show file • N
Page 65 and 66:
To open only partial components fro
Page 67 and 68:
To merge only partial components: S
Page 69 and 70:
Saving the Current Show File To sav
Page 71 and 72:
Deleting a File Ion provides you wi
Page 73 and 74:
Chapter 5 Patch The Patch is where
Page 75 and 76:
Displays To begin patching your sho
Page 77 and 78:
Create and Edit Patch Select Channe
Page 79 and 80:
Dimmer Doubling You can patch chann
Page 81 and 82:
Step 6: To select a device interfac
Page 83 and 84:
Note: Note: Note: • {RDM Discover
Page 85 and 86:
• {Swap} - A moving light attribu
Page 87 and 88:
Patch Channels from the Encoder LCD
Page 89 and 90:
The picker displays buttons for the
Page 91 and 92:
Editing a copy of a scroll or wheel
Page 93 and 94:
To calibrate from the LCD: Step 1:
Page 95 and 96:
Fixture Creator Ion provides you wi
Page 97 and 98:
To add parameters to a new fixture:
Page 99 and 100:
To alter the Home settings for any
Page 101 and 102:
Chapter 6 Using Groups Groups are c
Page 103 and 104:
Offset You can use the {Offset} sof
Page 105 and 106:
Using Groups as a Channel Collector
Page 107 and 108:
Chapter 7 Setup This chapter descri
Page 109 and 110:
Show Settings Click {Show Settings}
Page 111 and 112:
Grandmasters, submasters, and playb
Page 113 and 114:
{ACN - MIDI Tx ID} This setting all
Page 115 and 116:
{Manual Control} This desk setting
Page 117 and 118:
{Displays} This desk setting button
Page 119 and 120:
Clicking {Identify} will display nu
Page 121 and 122:
Chapter 8 Basic Manual Control Ion
Page 123 and 124:
[Next] and [Last] The [Next] and [L
Page 125 and 126:
Manual Control of Non-intensity Par
Page 127 and 128:
Encoder LCD screen The encoder LCD
Page 129 and 130:
Min and Max {Min} and {Max} are dis
Page 131 and 132:
Shutter Control Pressing the [Shutt
Page 133 and 134:
Home Ion is equipped with a [Home]
Page 135 and 136:
Lamp Controls Lamp controls allow y
Page 137 and 138:
Remainder Dim [Rem Dim] temporarily
Page 139 and 140:
Highlight and Lowlight Ion can be p
Page 141 and 142:
Channel Check Channel check allows
Page 143 and 144:
Chapter 9 Storing and Using Presets
Page 145 and 146:
Storing Presets using [Record Only]
Page 147 and 148:
Editing Presets Live There are two
Page 149 and 150:
Editing Presets in Blind All preset
Page 151 and 152:
Chapter 10 Storing and Using Palett
Page 153 and 154:
Storing Palettes Live Palettes may
Page 155 and 156:
Using Filters with Palettes Filters
Page 157 and 158:
Editing Palettes Live Note: Rerecor
Page 159 and 160:
Editing Palettes in Spreadsheet Vie
Page 161 and 162:
Deleting Palettes To delete color p
Page 163 and 164:
Chapter 11 Working with a Single Cu
Page 165 and 166:
Recording Cues in Live When using [
Page 167 and 168:
Using Selective Store You may use t
Page 169 and 170:
Timing Cue timing can be applied in
Page 171 and 172:
Delay Time Delay is used to stage t
Page 173 and 174:
Assigning Cue Attributes You can re
Page 175 and 176:
Rate The {Rate} softkey can be used
Page 177 and 178:
Assert Assert is a way to make a tr
Page 179 and 180:
Modifying Cues Live Recorded cues c
Page 181 and 182:
[Update] Update is a powerful featu
Page 183 and 184:
Using Cue Only/Track The [Cue Only/
Page 185 and 186:
Recording and Editing Cues from Bli
Page 187 and 188:
Replace With {Replace With} is used
Page 189 and 190:
Chapter 12 Using Mark {Mark} is an
Page 191 and 192:
Referenced Marks Referenced marks a
Page 193 and 194:
It is also possible to mark to a cu
Page 195 and 196:
Reference Marks and Timing Movement
Page 197 and 198:
Chapter 13 Using Filters Filters ar
Page 199 and 200:
To apply record filters by category
Page 201 and 202:
Chapter 14 Working with Multiple Cu
Page 203 and 204:
Using Assert By default, channel pa
Page 205 and 206:
Using [Go To Cue] with Multiple Cue
Page 207 and 208:
Cue List Attributes Cue list attrib
Page 209 and 210:
Chapter 15 Advanced Manual Control
Page 211 and 212:
Using [Recall From] [Recall From] i
Page 213 and 214:
Using {Make Manual} The {Make Manua
Page 215 and 216:
Using [Undo] Undo is a method to re
Page 217 and 218:
Chapter 16 Multipart Cues Cues can
Page 219 and 220: Setting Multipart Cue Attributes Cu
Page 221 and 222: Storing a Multipart Cue in Blind No
Page 223 and 224: Chapter 17 Cue Playback Ion has man
Page 225 and 226: Selected Cue The selected cue is al
Page 227 and 228: Go To Cue [Go to Cue] instructions
Page 229 and 230: Playback Fader Controls In Ion, man
Page 231 and 232: Manual Intensity Override An intens
Page 233 and 234: Using Stop Effect The {Stop Effect}
Page 235 and 236: Chapter 18 Using Park This chapter
Page 237 and 238: Parked Values in Live Channels and
Page 239 and 240: Park Values from the Park Display Y
Page 241 and 242: Chapter 19 Creating and Using Effec
Page 243 and 244: Effects Editor When viewing the eff
Page 245 and 246: Entry Establishes at what time and
Page 247 and 248: Effect Status Display To view the e
Page 249 and 250: Program a Step Effect Below is the
Page 251 and 252: Absolute Effects Absolute effects a
Page 253 and 254: Relative Effects A relative effect
Page 255 and 256: Define a Pattern Shape Shapes can b
Page 257 and 258: Effects on Submasters Channels runn
Page 259 and 260: Chapter 20 Using About [About] prov
Page 261 and 262: [About] When [About] is pressed, th
Page 263 and 264: About Channel Press [About] to put
Page 265 and 266: {Sensor AF} - appears when the curr
Page 267 and 268: About Cue The following information
Page 269: Chapter 21 Storing and Using Submas
Page 273 and 274: Loading Submasters Submasters can b
Page 275 and 276: Using Bump Button Timing With Subma
Page 277 and 278: Chapter 22 Storing and Using Macros
Page 279 and 280: Begin writing the sequence of butto
Page 281 and 282: While in the macro editor display,
Page 283 and 284: Edit an Existing Macro When you hav
Page 285 and 286: Chapter 23 Storing and Using Curves
Page 287 and 288: Creating and Editing Curves Creatin
Page 289 and 290: Applying a Curve To Channels In Pat
Page 291 and 292: Chapter 24 Using Show Control Ion s
Page 293 and 294: Programming an Event List Getting s
Page 295 and 296: Enabling the Clocks The internal an
Page 297 and 298: Analog Inputs and Relay Outputs Ana
Page 299 and 300: Set The “Set” command allows MS
Page 301 and 302: Chapter 25 Multiple Users Ion can b
Page 303 and 304: Chapter 26 Using Partitioned Contro
Page 305 and 306: Creating New Partitions To create a
Page 307 and 308: Appendix A Eos Configuration Utilit
Page 309 and 310: Backup Backup mode requires a prima
Page 311 and 312: Keyboard Allows you to select the l
Page 313 and 314: Network Settings Ion Console IP Set
Page 315 and 316: Ion IP Settings These are the setti
Page 317 and 318: Backup Show Archive {Backup Show Ar
Page 319 and 320: Ion This screen allows you to confi
Page 321 and 322:
Appendix B Multi-console and Synchr
Page 323 and 324:
Change IP Address All Ion consoles
Page 325 and 326:
Synchronized Backup Once you have c
Page 327 and 328:
Backup Scenarios Console and consol
Page 329 and 330:
Appendix C Remote Processor Unit (R
Page 331 and 332:
Software Configuration Settings for
Page 333 and 334:
Appendix D Remote Video Interface (
Page 335 and 336:
Front Panel Removable label strip B
Page 337 and 338:
Appendix E Remote Control Remotes O
Page 339 and 340:
Base Station Receiver The receiver
Page 341 and 342:
Basic Use Guidelines Keypad Functio
Page 343 and 344:
RFR Operation Modes The Eos/Ion RFR
Page 345 and 346:
Playback Mode Softkeys The followin
Page 347 and 348:
Technical Specifications Handheld T
Page 349 and 350:
Appendix F Universal Fader Wings Ov
Page 351 and 352:
then press down gently on the right
Page 353 and 354:
Using the Buttons Each fader is equ
Page 355 and 356:
Index Symbols -% . . . . . . . . .
Page 357 and 358:
in setup. . . . . . . . . . . . . .
Page 359 and 360:
programming . . . . . . . . . . . .
Page 361 and 362:
setting intensity with . . . . . .
Page 363 and 364:
faders . . . . . . . . . . . . . .
Page 365 and 366:
multipart cues. . . . . . . . . . .
Page 367 and 368:
T large . . . . . . . . . . . . . .
Page 370 and 371:
Corporate Headquarters 3031 Pleasa
Page 372 and 373:
identification, copyright notices,
Page 374 and 375:
measures in any relevant jurisdicti
Page 376 and 377:
) use the modified Package only wit
show all

ETC Ion - Theatre Uwinnipeg

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?