ETC Ion - Theatre Uwinnipeg

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Duration/Cycle This determines the length of time an effect will run. To specify, press {Duration/Cycle} and then choose the desired method from the buttons that appear to the left. The options are: • {Infinite} - for step and absolute effects, the effect will run until the channel is provided a new instruction or the effect is stopped. Relative effects with an infinite duration will run until a stop flag is applied. • {Duration} - the effect will run for a set amount of time given in minutes and seconds. Enter the time from the keypad. • {Num cycles} - the effect will run for a set number of iterations. Enter the number using the keypad. • {Duration/Cycles} {Num Cycles} [1] [0] [Enter] Parameters This allows you to select which parameters will be involved in the selected effect, by default. By entering a value here, you do not need to specify the required parameter when placing an effect on a channel group. To add or remove parameters to the effect, press {Parameters} and then select the desired parameters from the buttons that appear to the left. • {Parameters} {Iris} [Enter] Attributes These determine the basic behavior of the effect. Attributes include behaviors such as forward, reverse, bounce, positive, negative, and random grouping or random rate. The attributes are slightly different between step, absolute and relative effects. • Forward - the effect will run in the programmed direction (the arrow on the pattern editor indicates “forward” for pattern effects, step and absolute effects will follow numerical order). • Reverse - effect will run in the opposite direction of forward or reverse numerical direction. Forward and Reverse are mutually exclusive settings. • Bounce - effect will run first in forward, then in reverse. Subsequent passes alternate between forward and reverse. • Positive - effect will run the steps (on state and off state) as programmed. This is applicable to step effects only. • Negative - inverts the on state and off state for the effect. This is applicable to step effects only. • Random Grouping - channel distribution or step order (depending on the type of effect) are applied in a continuously random fashion. • Random Rate - this overrides the cycle time of the effect. Random Rate is applied in a range (for example 5- thru 150). Play with these behaviors to see how they alter your effect. 230 <strong>Ion</strong> Operations Manual
Entry Establishes at what time and how channels will enter the effect. To change the entry method press {Entry} and then choose a method from the buttons to the left. Entry modes vary by effect type. The options are: • {Cascade} - channels enter the effect according to the trail and cycle time values (if applicable). • {Immediate} - all channels enter the effect instantaneously. • {Fade by Size} - the effect will achieve its full value as allowed by the pattern or step or absolute values using the In Time. • {Fade by Size and Rate} - the effect will achieve its full value as allowed by the pattern or step or absolute values and ramp up to full speed using the In Time. Exit Establishes at what time and how channels will exit the effect. To change the exit method press {Exit} and then choose a method from the buttons to the left. Exit modes vary by effect type and how the effect is stopped. The options are: • {Cascade} - channels leave the effect when they have completed their last pass (number of cycles) or when they do not have enough time to make a final complete pass (duration). • {Immediate} - all channels exit the effect instantaneously. • {Fade by Size} - when the effect is exited, values will return to their background state while still running using the exit time. • {Fade by Size and Rate} - when the effected is exited, channels will stop running the effect and return to their background state using the exit time. • {Stop and Fade} - when the effected is exited, channels will stop running the effect and return to their background state using the exit time. • {Stop and Hold} - when the effect is existed, channels will halt exactly where the effect left them. Time (Entry or Exit) These fields establish the length of time for channels to enter or exit the effect. It can be entered in minutes and seconds from the keypad. These timing values are applied to the entry and exit modes. Cue level timing is the default for these. Press {Entry Time} [Enter] or {Exit Time} [Enter]. To reset to defaults, press [Time] [Enter] 19 Creating and Using Effects 231
Page 1 and 2:
Lighting Control Console Operations
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Table of Contents Introduction . .
Page 5 and 6:
Selective Partial Show Opening . .
Page 7 and 8:
Highlight/Lowlight Rem Dim. . . . .
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Setting Referenced Mark Flags . . .
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Focus Effects . . . . . . . . . . .
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MIDI Show Control Devices. . . . .
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Introduction Welcome to the Ion Ope
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Register Your Ion Registering your
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Enter Since the command line can re
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Live and Blind Live and Blind are m
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Chapter 1 System Overview Inside th
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Gateways Ion is part of a fully net
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USB Ports One USB port is provided
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Outputting DMX In order to output c
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Chapter 2 System Installation This
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Ion Console Client Software Eos Con
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Chapter 3 System Basics This chapte
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Power Power Up the Console Note: No
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You can use the [Swap] key to chang
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The Central Information Area (CIA)
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Using the Browser To use the browse
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Using Direct Selects Direct selects
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Display Control and Navigation Open
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Graphical User Interface (GUI) Disp
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Text Indicators in live/blind Pleas
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[Data] Key Pressing and holding [Da
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Indicators in the Playback Status D
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Using [Format] Some displays have m
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Spreadsheet (Blind Only) Spreadshee
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Chapter 4 Managing Show Files This
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Select the specific show file • N
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To open only partial components fro
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To merge only partial components: S
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Saving the Current Show File To sav
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Deleting a File Ion provides you wi
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Chapter 5 Patch The Patch is where
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Displays To begin patching your sho
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Create and Edit Patch Select Channe
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Dimmer Doubling You can patch chann
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Step 6: To select a device interfac
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Note: Note: Note: • {RDM Discover
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• {Swap} - A moving light attribu
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Patch Channels from the Encoder LCD
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The picker displays buttons for the
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Editing a copy of a scroll or wheel
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To calibrate from the LCD: Step 1:
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Fixture Creator Ion provides you wi
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To add parameters to a new fixture:
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To alter the Home settings for any
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Chapter 6 Using Groups Groups are c
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Offset You can use the {Offset} sof
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Using Groups as a Channel Collector
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Chapter 7 Setup This chapter descri
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Show Settings Click {Show Settings}
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Grandmasters, submasters, and playb
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{ACN - MIDI Tx ID} This setting all
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{Manual Control} This desk setting
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{Displays} This desk setting button
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Clicking {Identify} will display nu
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Chapter 8 Basic Manual Control Ion
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[Next] and [Last] The [Next] and [L
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Manual Control of Non-intensity Par
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Encoder LCD screen The encoder LCD
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Min and Max {Min} and {Max} are dis
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Shutter Control Pressing the [Shutt
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Home Ion is equipped with a [Home]
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Lamp Controls Lamp controls allow y
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Remainder Dim [Rem Dim] temporarily
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Highlight and Lowlight Ion can be p
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Channel Check Channel check allows
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Chapter 9 Storing and Using Presets
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Storing Presets using [Record Only]
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Editing Presets Live There are two
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Editing Presets in Blind All preset
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Chapter 10 Storing and Using Palett
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Storing Palettes Live Palettes may
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Using Filters with Palettes Filters
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Editing Palettes Live Note: Rerecor
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Editing Palettes in Spreadsheet Vie
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Deleting Palettes To delete color p
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Chapter 11 Working with a Single Cu
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Recording Cues in Live When using [
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Using Selective Store You may use t
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Timing Cue timing can be applied in
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Delay Time Delay is used to stage t
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Assigning Cue Attributes You can re
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Rate The {Rate} softkey can be used
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Assert Assert is a way to make a tr
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Modifying Cues Live Recorded cues c
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[Update] Update is a powerful featu
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Using Cue Only/Track The [Cue Only/
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Recording and Editing Cues from Bli
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Replace With {Replace With} is used
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Chapter 12 Using Mark {Mark} is an
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Referenced Marks Referenced marks a
Page 193 and 194: It is also possible to mark to a cu
Page 195 and 196: Reference Marks and Timing Movement
Page 197 and 198: Chapter 13 Using Filters Filters ar
Page 199 and 200: To apply record filters by category
Page 201 and 202: Chapter 14 Working with Multiple Cu
Page 203 and 204: Using Assert By default, channel pa
Page 205 and 206: Using [Go To Cue] with Multiple Cue
Page 207 and 208: Cue List Attributes Cue list attrib
Page 209 and 210: Chapter 15 Advanced Manual Control
Page 211 and 212: Using [Recall From] [Recall From] i
Page 213 and 214: Using {Make Manual} The {Make Manua
Page 215 and 216: Using [Undo] Undo is a method to re
Page 217 and 218: Chapter 16 Multipart Cues Cues can
Page 219 and 220: Setting Multipart Cue Attributes Cu
Page 221 and 222: Storing a Multipart Cue in Blind No
Page 223 and 224: Chapter 17 Cue Playback Ion has man
Page 225 and 226: Selected Cue The selected cue is al
Page 227 and 228: Go To Cue [Go to Cue] instructions
Page 229 and 230: Playback Fader Controls In Ion, man
Page 231 and 232: Manual Intensity Override An intens
Page 233 and 234: Using Stop Effect The {Stop Effect}
Page 235 and 236: Chapter 18 Using Park This chapter
Page 237 and 238: Parked Values in Live Channels and
Page 239 and 240: Park Values from the Park Display Y
Page 241 and 242: Chapter 19 Creating and Using Effec
Page 243: Effects Editor When viewing the eff
Page 247 and 248: Effect Status Display To view the e
Page 249 and 250: Program a Step Effect Below is the
Page 251 and 252: Absolute Effects Absolute effects a
Page 253 and 254: Relative Effects A relative effect
Page 255 and 256: Define a Pattern Shape Shapes can b
Page 257 and 258: Effects on Submasters Channels runn
Page 259 and 260: Chapter 20 Using About [About] prov
Page 261 and 262: [About] When [About] is pressed, th
Page 263 and 264: About Channel Press [About] to put
Page 265 and 266: {Sensor AF} - appears when the curr
Page 267 and 268: About Cue The following information
Page 269 and 270: Chapter 21 Storing and Using Submas
Page 271 and 272: Submaster Displays In the display w
Page 273 and 274: Loading Submasters Submasters can b
Page 275 and 276: Using Bump Button Timing With Subma
Page 277 and 278: Chapter 22 Storing and Using Macros
Page 279 and 280: Begin writing the sequence of butto
Page 281 and 282: While in the macro editor display,
Page 283 and 284: Edit an Existing Macro When you hav
Page 285 and 286: Chapter 23 Storing and Using Curves
Page 287 and 288: Creating and Editing Curves Creatin
Page 289 and 290: Applying a Curve To Channels In Pat
Page 291 and 292: Chapter 24 Using Show Control Ion s
Page 293 and 294: Programming an Event List Getting s
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Enabling the Clocks The internal an
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Analog Inputs and Relay Outputs Ana
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Set The “Set” command allows MS
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Chapter 25 Multiple Users Ion can b
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Chapter 26 Using Partitioned Contro
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Creating New Partitions To create a
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Appendix A Eos Configuration Utilit
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Backup Backup mode requires a prima
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Keyboard Allows you to select the l
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Network Settings Ion Console IP Set
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Ion IP Settings These are the setti
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Backup Show Archive {Backup Show Ar
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Ion This screen allows you to confi
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Appendix B Multi-console and Synchr
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Change IP Address All Ion consoles
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Synchronized Backup Once you have c
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Backup Scenarios Console and consol
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Appendix C Remote Processor Unit (R
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Software Configuration Settings for
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Appendix D Remote Video Interface (
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Front Panel Removable label strip B
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Appendix E Remote Control Remotes O
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Base Station Receiver The receiver
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Basic Use Guidelines Keypad Functio
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RFR Operation Modes The Eos/Ion RFR
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Playback Mode Softkeys The followin
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Technical Specifications Handheld T
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Appendix F Universal Fader Wings Ov
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then press down gently on the right
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Using the Buttons Each fader is equ
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Index Symbols -% . . . . . . . . .
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in setup. . . . . . . . . . . . . .
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programming . . . . . . . . . . . .
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setting intensity with . . . . . .
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faders . . . . . . . . . . . . . .
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multipart cues. . . . . . . . . . .
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T large . . . . . . . . . . . . . .
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Corporate Headquarters 3031 Pleasa
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identification, copyright notices,
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measures in any relevant jurisdicti
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) use the modified Package only wit
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