ETC Ion - Theatre Uwinnipeg

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Using {Make Null} The {Make Null} softkey can be used to withhold parameter data from record or update actions in live, and remove parameter data from record targets in blind. {Make Null} is applied using channel selection and can impact entire channels, individual parameters, or parameter categories. In Live When you apply a {Make Null} instruction to channels or parameters in live, channel data is still visible onstage, but that data is essentially rendered invisible to record commands. Similar to filters (see Record Filters, page 184), {Make Null} acts as an “ignore” instruction in live, not a remove instruction. When channel data is nulled, the values for that data in the live display turn grey and an “N” appears next to the data field. {Make Null} differs from park in that you can still manipulate data onstage (through manual control or through playback) but that data will be unavailable for record actions. Some examples of using {Make Null} in live are: • [1] [Thru] [5] {Make Null} [Enter] - converts all parameters of channels 1-5 into null data. • [2] {Color} {Make Null} [Enter] - changes only color data for channel 2 to null data. • [9] [Thru] [5] {Pan} {Make Null} [Enter] - changes only the pan data for channels 5-9 to null. Null instructions are lifted in two different ways. First, as {Make Null} is a toggle state, it is possible to reselect the channel and parameter followed by {Make Null} [Enter]. This lifts the null state. Additionally, a Go To Cue instruction will remove the null state. In Blind When applied in blind, {Make Null} can be used to mask instructions in a cue after it has already been stored. A {Make Null} instruction can also be applied to channels or parameters in palettes, presets, and submasters, thereby removing the data from the target entirely, in the same way that [At] [Enter] does. When applied to channels or parameters in cues, {Make Null} doesn’t remove the data from the cue, it simply makes it unavailable for playback. It has the same effect on move instructions that it has on tracked values. Some examples of using {Make Null} in blind are: • [Color Palette] [1] [Enter] [3] {Magenta} {Make Null} [Enter] - removes all magenta parameter data for channel 3 from color palette 1. • [Preset] [5] [Thru] [9] [Enter] {Intensity} {Make Null} [Enter] - removes all intensity data for all channels in presets 5-9. • [Cue] [8] [Enter] [2] [Thru] [7] {Make Null} [Enter] - nulls all data for channels 2-7 in cue 8. • [Cue] [9] [Enter] {Intensity} [Make Null] Enter] - nulls all intensity data for all channels in cue 9. In the cue scenarios above, {Make Null} differs from using [At] [Enter] in that instead of allowing values established in previous cues to track in, {Make Null} both restricts the recorded data from playing back and prevents other values from tracking in. Therefore, if the cue were executed as an out-of-sequence cue or asserted, no data would play back or track in for any nulled values. 198 <strong>Ion</strong> Operations Manual
Using {Make Manual} The {Make Manual} softkey can be used to convert cue or submaster data into manual values, allowing it to be included in [Record], [Record Only], and [Update] operations. • [5] {Make Manual} [Enter] - selects channel 5 and makes all of its current parameter settings manual data. • [8] {Focus} {Make Manual} [Enter] - selects channel 5 and makes all of its focus data manual. • [9] [Thru] [3] {Color} {Intensity} {Make Manual} [Enter] - selects channels 3-9 and makes their color and intensity values manual. Using {Make Absolute} Referenced data can be transformed into absolute data using the {Make Absolute} softkey. This softkey is available in live or blind. Referenced data is channel or parameter data that is derived from a palette or preset. {Make Absolute} can be used to leave a parameter unchanged, but break its palette or preset reference. The following examples illustrate how to change referenced data into absolute data. • [4] {Make Absolute} [Enter] - selects channel 4 and makes any referenced data for that channel absolute data. • [7] {Color} {Make Absolute} [Enter] - selects channel 7 and makes its color data absolute. • [3] [thru] [9] {Color} {Intensity} {Make Absolute} [Enter] - selects channels 3-9 and makes their color and intensity data absolute. In each of these examples, the channel display will change to show the result of the command. Wherever the reference was previously indicated (IP, FP, CP, BP, Pr), an absolute value (numerical) will be seen. In live, data that is changed to absolute is also made manual, thereby requiring a record or update instruction if the results are to be maintained. {Make Absolute} can also be used in conjunction with an update command, allowing a cue to be updated while also breaking the reference to palettes or presets that were manually modified. For example, [Update] {Make Absolute} [Enter] will update the active record target. Any manual values that were modifications to a palette or preset stored in the cue will be updated as absolute data in the cue. The reference will be discarded. 15 Advanced Manual Control 199
Page 1 and 2:
Lighting Control Console Operations
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Table of Contents Introduction . .
Page 5 and 6:
Selective Partial Show Opening . .
Page 7 and 8:
Highlight/Lowlight Rem Dim. . . . .
Page 9 and 10:
Setting Referenced Mark Flags . . .
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Focus Effects . . . . . . . . . . .
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MIDI Show Control Devices. . . . .
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Introduction Welcome to the Ion Ope
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Register Your Ion Registering your
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Enter Since the command line can re
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Live and Blind Live and Blind are m
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Chapter 1 System Overview Inside th
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Gateways Ion is part of a fully net
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USB Ports One USB port is provided
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Outputting DMX In order to output c
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Chapter 2 System Installation This
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Ion Console Client Software Eos Con
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Chapter 3 System Basics This chapte
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Power Power Up the Console Note: No
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You can use the [Swap] key to chang
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The Central Information Area (CIA)
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Using the Browser To use the browse
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Using Direct Selects Direct selects
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Display Control and Navigation Open
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Graphical User Interface (GUI) Disp
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Text Indicators in live/blind Pleas
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[Data] Key Pressing and holding [Da
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Indicators in the Playback Status D
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Using [Format] Some displays have m
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Spreadsheet (Blind Only) Spreadshee
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Chapter 4 Managing Show Files This
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Select the specific show file • N
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To open only partial components fro
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To merge only partial components: S
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Saving the Current Show File To sav
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Deleting a File Ion provides you wi
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Chapter 5 Patch The Patch is where
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Displays To begin patching your sho
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Create and Edit Patch Select Channe
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Dimmer Doubling You can patch chann
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Step 6: To select a device interfac
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Note: Note: Note: • {RDM Discover
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• {Swap} - A moving light attribu
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Patch Channels from the Encoder LCD
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The picker displays buttons for the
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Editing a copy of a scroll or wheel
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To calibrate from the LCD: Step 1:
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Fixture Creator Ion provides you wi
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To add parameters to a new fixture:
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To alter the Home settings for any
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Chapter 6 Using Groups Groups are c
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Offset You can use the {Offset} sof
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Using Groups as a Channel Collector
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Chapter 7 Setup This chapter descri
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Show Settings Click {Show Settings}
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Grandmasters, submasters, and playb
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{ACN - MIDI Tx ID} This setting all
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{Manual Control} This desk setting
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{Displays} This desk setting button
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Clicking {Identify} will display nu
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Chapter 8 Basic Manual Control Ion
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[Next] and [Last] The [Next] and [L
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Manual Control of Non-intensity Par
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Encoder LCD screen The encoder LCD
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Min and Max {Min} and {Max} are dis
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Shutter Control Pressing the [Shutt
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Home Ion is equipped with a [Home]
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Lamp Controls Lamp controls allow y
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Remainder Dim [Rem Dim] temporarily
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Highlight and Lowlight Ion can be p
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Channel Check Channel check allows
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Chapter 9 Storing and Using Presets
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Storing Presets using [Record Only]
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Editing Presets Live There are two
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Editing Presets in Blind All preset
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Chapter 10 Storing and Using Palett
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Storing Palettes Live Palettes may
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Using Filters with Palettes Filters
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Editing Palettes Live Note: Rerecor
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Editing Palettes in Spreadsheet Vie
Page 161 and 162: Deleting Palettes To delete color p
Page 163 and 164: Chapter 11 Working with a Single Cu
Page 165 and 166: Recording Cues in Live When using [
Page 167 and 168: Using Selective Store You may use t
Page 169 and 170: Timing Cue timing can be applied in
Page 171 and 172: Delay Time Delay is used to stage t
Page 173 and 174: Assigning Cue Attributes You can re
Page 175 and 176: Rate The {Rate} softkey can be used
Page 177 and 178: Assert Assert is a way to make a tr
Page 179 and 180: Modifying Cues Live Recorded cues c
Page 181 and 182: [Update] Update is a powerful featu
Page 183 and 184: Using Cue Only/Track The [Cue Only/
Page 185 and 186: Recording and Editing Cues from Bli
Page 187 and 188: Replace With {Replace With} is used
Page 189 and 190: Chapter 12 Using Mark {Mark} is an
Page 191 and 192: Referenced Marks Referenced marks a
Page 193 and 194: It is also possible to mark to a cu
Page 195 and 196: Reference Marks and Timing Movement
Page 197 and 198: Chapter 13 Using Filters Filters ar
Page 199 and 200: To apply record filters by category
Page 201 and 202: Chapter 14 Working with Multiple Cu
Page 203 and 204: Using Assert By default, channel pa
Page 205 and 206: Using [Go To Cue] with Multiple Cue
Page 207 and 208: Cue List Attributes Cue list attrib
Page 209 and 210: Chapter 15 Advanced Manual Control
Page 211: Using [Recall From] [Recall From] i
Page 215 and 216: Using [Undo] Undo is a method to re
Page 217 and 218: Chapter 16 Multipart Cues Cues can
Page 219 and 220: Setting Multipart Cue Attributes Cu
Page 221 and 222: Storing a Multipart Cue in Blind No
Page 223 and 224: Chapter 17 Cue Playback Ion has man
Page 225 and 226: Selected Cue The selected cue is al
Page 227 and 228: Go To Cue [Go to Cue] instructions
Page 229 and 230: Playback Fader Controls In Ion, man
Page 231 and 232: Manual Intensity Override An intens
Page 233 and 234: Using Stop Effect The {Stop Effect}
Page 235 and 236: Chapter 18 Using Park This chapter
Page 237 and 238: Parked Values in Live Channels and
Page 239 and 240: Park Values from the Park Display Y
Page 241 and 242: Chapter 19 Creating and Using Effec
Page 243 and 244: Effects Editor When viewing the eff
Page 245 and 246: Entry Establishes at what time and
Page 247 and 248: Effect Status Display To view the e
Page 249 and 250: Program a Step Effect Below is the
Page 251 and 252: Absolute Effects Absolute effects a
Page 253 and 254: Relative Effects A relative effect
Page 255 and 256: Define a Pattern Shape Shapes can b
Page 257 and 258: Effects on Submasters Channels runn
Page 259 and 260: Chapter 20 Using About [About] prov
Page 261 and 262: [About] When [About] is pressed, th
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About Channel Press [About] to put
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{Sensor AF} - appears when the curr
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About Cue The following information
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Chapter 21 Storing and Using Submas
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Submaster Displays In the display w
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Loading Submasters Submasters can b
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Using Bump Button Timing With Subma
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Chapter 22 Storing and Using Macros
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Begin writing the sequence of butto
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While in the macro editor display,
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Edit an Existing Macro When you hav
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Chapter 23 Storing and Using Curves
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Creating and Editing Curves Creatin
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Applying a Curve To Channels In Pat
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Chapter 24 Using Show Control Ion s
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Programming an Event List Getting s
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Enabling the Clocks The internal an
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Analog Inputs and Relay Outputs Ana
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Set The “Set” command allows MS
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Chapter 25 Multiple Users Ion can b
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Chapter 26 Using Partitioned Contro
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Creating New Partitions To create a
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Appendix A Eos Configuration Utilit
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Backup Backup mode requires a prima
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Keyboard Allows you to select the l
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Network Settings Ion Console IP Set
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Ion IP Settings These are the setti
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Backup Show Archive {Backup Show Ar
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Ion This screen allows you to confi
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Appendix B Multi-console and Synchr
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Change IP Address All Ion consoles
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Synchronized Backup Once you have c
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Backup Scenarios Console and consol
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Appendix C Remote Processor Unit (R
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Software Configuration Settings for
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Appendix D Remote Video Interface (
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Front Panel Removable label strip B
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Appendix E Remote Control Remotes O
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Base Station Receiver The receiver
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Basic Use Guidelines Keypad Functio
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RFR Operation Modes The Eos/Ion RFR
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Playback Mode Softkeys The followin
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Technical Specifications Handheld T
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Appendix F Universal Fader Wings Ov
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then press down gently on the right
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Using the Buttons Each fader is equ
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Index Symbols -% . . . . . . . . .
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in setup. . . . . . . . . . . . . .
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programming . . . . . . . . . . . .
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setting intensity with . . . . . .
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faders . . . . . . . . . . . . . .
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multipart cues. . . . . . . . . . .
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T large . . . . . . . . . . . . . .
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Corporate Headquarters 3031 Pleasa
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identification, copyright notices,
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measures in any relevant jurisdicti
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) use the modified Package only wit
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