ETC Ion - Theatre Uwinnipeg

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Mark Symbols The symbols that appear in the Mark flag include: • D. . . . . . . . . . . . . . . . . . .AutoMark is disabled. • R. . . . . . . . . . . . . . . . . . .Indicates a manual reference override. Manual changes have been made that override a previously stored reference (such as to a palette or preset). Once recorded, the reference will be broken. If updated, the referenced target will be updated as well, unless otherwise instructed. • M . . . . . . . . . . . . . . . . . .Indicates a mark is placed, but manual, and must be stored. Is blue when stored.”m” indicates cue is not marking. • + . . . . . . . . . . . . . . . . . . .Indicates a cue is both a marking and reference cue when displayed in the mark flag. • - . . . . . . . . . . . . . . . . . . .Indicates a dark move, a cue that has any non-intensity parameters moving on channels whose intensity is at 0. • x . . . . . . . . . . . . . . . . Indicates that a mark has been placed, but the mark has been broken. If possible, <strong>Ion</strong> will automark the lights. 180 <strong>Ion</strong> Operations Manual
Reference Marks and Timing Movement of non-intensity parameters in conjunction with a mark will adhere to the following timing rules. If discrete timing is used for non-intensity parameters: When channels execute a mark, the moves will use the discrete time(s) assigned to them in the source cue. For Example: A mark is applied to Cue 5, making it the marked cue. • [Cue] [5] {Mark} [Enter] Later, channels 1-10 are assigned discrete timing and a mark instruction: • [1] [thru] [1] [0] {Focus} [Time] [8] {Mark} [Enter] Then, those channels are recorded into Cue 10: • [Record] [1] [0] [Enter] In this instance, when Cue 5 is executed, channels 1-10 will perform their focus parameter moves in 8 seconds, as specified in Cue 10 (the source cue, which is the source of their move instruction). If no discrete timing is used for non-intensity parameters: When channels execute a mark, the moves will use the time recorded in the marked cue. For Example: Cue 5 is recorded with a time of 10 seconds. • [Record] [5] [Time] [1] [0] [Enter] A mark is applied to Cue 5 as above. • [Cue] [5] {Mark} [Enter] Later, channels 1-10 are assigned a mark instruction and then recorded into Cue 10 with no discrete timing: • [1] [thru] [1] [0] {Mark} [Enter] • [Record] [1] [0] [Enter] When Cue 5 is executed, channels 1-10 will perform their non-intensity parameter changes in 10 seconds, as specified in Cue 5 (the marked cue). 12 Using Mark 181
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Lighting Control Console Operations
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Table of Contents Introduction . .
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Selective Partial Show Opening . .
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Highlight/Lowlight Rem Dim. . . . .
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Setting Referenced Mark Flags . . .
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Focus Effects . . . . . . . . . . .
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MIDI Show Control Devices. . . . .
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Introduction Welcome to the Ion Ope
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Register Your Ion Registering your
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Enter Since the command line can re
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Live and Blind Live and Blind are m
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Chapter 1 System Overview Inside th
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Gateways Ion is part of a fully net
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USB Ports One USB port is provided
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Outputting DMX In order to output c
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Chapter 2 System Installation This
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Ion Console Client Software Eos Con
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Chapter 3 System Basics This chapte
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Power Power Up the Console Note: No
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You can use the [Swap] key to chang
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The Central Information Area (CIA)
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Using the Browser To use the browse
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Using Direct Selects Direct selects
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Display Control and Navigation Open
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Graphical User Interface (GUI) Disp
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Text Indicators in live/blind Pleas
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[Data] Key Pressing and holding [Da
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Indicators in the Playback Status D
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Using [Format] Some displays have m
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Spreadsheet (Blind Only) Spreadshee
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Chapter 4 Managing Show Files This
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Select the specific show file • N
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To open only partial components fro
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To merge only partial components: S
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Saving the Current Show File To sav
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Deleting a File Ion provides you wi
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Chapter 5 Patch The Patch is where
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Displays To begin patching your sho
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Create and Edit Patch Select Channe
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Dimmer Doubling You can patch chann
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Step 6: To select a device interfac
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Note: Note: Note: • {RDM Discover
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• {Swap} - A moving light attribu
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Patch Channels from the Encoder LCD
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The picker displays buttons for the
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Editing a copy of a scroll or wheel
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To calibrate from the LCD: Step 1:
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Fixture Creator Ion provides you wi
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To add parameters to a new fixture:
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To alter the Home settings for any
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Chapter 6 Using Groups Groups are c
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Offset You can use the {Offset} sof
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Using Groups as a Channel Collector
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Chapter 7 Setup This chapter descri
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Show Settings Click {Show Settings}
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Grandmasters, submasters, and playb
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{ACN - MIDI Tx ID} This setting all
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{Manual Control} This desk setting
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{Displays} This desk setting button
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Clicking {Identify} will display nu
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Chapter 8 Basic Manual Control Ion
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[Next] and [Last] The [Next] and [L
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Manual Control of Non-intensity Par
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Encoder LCD screen The encoder LCD
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Min and Max {Min} and {Max} are dis
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Shutter Control Pressing the [Shutt
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Home Ion is equipped with a [Home]
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Lamp Controls Lamp controls allow y
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Remainder Dim [Rem Dim] temporarily
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Highlight and Lowlight Ion can be p
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Channel Check Channel check allows
Page 143 and 144: Chapter 9 Storing and Using Presets
Page 145 and 146: Storing Presets using [Record Only]
Page 147 and 148: Editing Presets Live There are two
Page 149 and 150: Editing Presets in Blind All preset
Page 151 and 152: Chapter 10 Storing and Using Palett
Page 153 and 154: Storing Palettes Live Palettes may
Page 155 and 156: Using Filters with Palettes Filters
Page 157 and 158: Editing Palettes Live Note: Rerecor
Page 159 and 160: Editing Palettes in Spreadsheet Vie
Page 161 and 162: Deleting Palettes To delete color p
Page 163 and 164: Chapter 11 Working with a Single Cu
Page 165 and 166: Recording Cues in Live When using [
Page 167 and 168: Using Selective Store You may use t
Page 169 and 170: Timing Cue timing can be applied in
Page 171 and 172: Delay Time Delay is used to stage t
Page 173 and 174: Assigning Cue Attributes You can re
Page 175 and 176: Rate The {Rate} softkey can be used
Page 177 and 178: Assert Assert is a way to make a tr
Page 179 and 180: Modifying Cues Live Recorded cues c
Page 181 and 182: [Update] Update is a powerful featu
Page 183 and 184: Using Cue Only/Track The [Cue Only/
Page 185 and 186: Recording and Editing Cues from Bli
Page 187 and 188: Replace With {Replace With} is used
Page 189 and 190: Chapter 12 Using Mark {Mark} is an
Page 191 and 192: Referenced Marks Referenced marks a
Page 193: It is also possible to mark to a cu
Page 197 and 198: Chapter 13 Using Filters Filters ar
Page 199 and 200: To apply record filters by category
Page 201 and 202: Chapter 14 Working with Multiple Cu
Page 203 and 204: Using Assert By default, channel pa
Page 205 and 206: Using [Go To Cue] with Multiple Cue
Page 207 and 208: Cue List Attributes Cue list attrib
Page 209 and 210: Chapter 15 Advanced Manual Control
Page 211 and 212: Using [Recall From] [Recall From] i
Page 213 and 214: Using {Make Manual} The {Make Manua
Page 215 and 216: Using [Undo] Undo is a method to re
Page 217 and 218: Chapter 16 Multipart Cues Cues can
Page 219 and 220: Setting Multipart Cue Attributes Cu
Page 221 and 222: Storing a Multipart Cue in Blind No
Page 223 and 224: Chapter 17 Cue Playback Ion has man
Page 225 and 226: Selected Cue The selected cue is al
Page 227 and 228: Go To Cue [Go to Cue] instructions
Page 229 and 230: Playback Fader Controls In Ion, man
Page 231 and 232: Manual Intensity Override An intens
Page 233 and 234: Using Stop Effect The {Stop Effect}
Page 235 and 236: Chapter 18 Using Park This chapter
Page 237 and 238: Parked Values in Live Channels and
Page 239 and 240: Park Values from the Park Display Y
Page 241 and 242: Chapter 19 Creating and Using Effec
Page 243 and 244: Effects Editor When viewing the eff
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Entry Establishes at what time and
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Effect Status Display To view the e
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Program a Step Effect Below is the
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Absolute Effects Absolute effects a
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Relative Effects A relative effect
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Define a Pattern Shape Shapes can b
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Effects on Submasters Channels runn
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Chapter 20 Using About [About] prov
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[About] When [About] is pressed, th
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About Channel Press [About] to put
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{Sensor AF} - appears when the curr
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About Cue The following information
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Chapter 21 Storing and Using Submas
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Submaster Displays In the display w
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Loading Submasters Submasters can b
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Using Bump Button Timing With Subma
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Chapter 22 Storing and Using Macros
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Begin writing the sequence of butto
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While in the macro editor display,
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Edit an Existing Macro When you hav
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Chapter 23 Storing and Using Curves
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Creating and Editing Curves Creatin
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Applying a Curve To Channels In Pat
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Chapter 24 Using Show Control Ion s
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Programming an Event List Getting s
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Enabling the Clocks The internal an
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Analog Inputs and Relay Outputs Ana
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Set The “Set” command allows MS
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Chapter 25 Multiple Users Ion can b
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Chapter 26 Using Partitioned Contro
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Creating New Partitions To create a
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Appendix A Eos Configuration Utilit
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Backup Backup mode requires a prima
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Keyboard Allows you to select the l
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Network Settings Ion Console IP Set
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Ion IP Settings These are the setti
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Backup Show Archive {Backup Show Ar
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Ion This screen allows you to confi
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Appendix B Multi-console and Synchr
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Change IP Address All Ion consoles
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Synchronized Backup Once you have c
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Backup Scenarios Console and consol
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Appendix C Remote Processor Unit (R
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Software Configuration Settings for
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Appendix D Remote Video Interface (
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Front Panel Removable label strip B
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Appendix E Remote Control Remotes O
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Base Station Receiver The receiver
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Basic Use Guidelines Keypad Functio
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RFR Operation Modes The Eos/Ion RFR
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Playback Mode Softkeys The followin
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Technical Specifications Handheld T
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Appendix F Universal Fader Wings Ov
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then press down gently on the right
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Using the Buttons Each fader is equ
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Index Symbols -% . . . . . . . . .
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in setup. . . . . . . . . . . . . .
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programming . . . . . . . . . . . .
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setting intensity with . . . . . .
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faders . . . . . . . . . . . . . .
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multipart cues. . . . . . . . . . .
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T large . . . . . . . . . . . . . .
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Corporate Headquarters 3031 Pleasa
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identification, copyright notices,
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measures in any relevant jurisdicti
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) use the modified Package only wit
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