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the purpose driven music paradigm - Escape Babylon's Demons

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The song called "The Fly" [from Achtung Baby], which actually I can't take so much credit for,<br />

because Flood had a lot to do with that. Flood is a brilliant, brilliant engineer, producer too. But that<br />

track really got its identity when it was fed through a cheap guitar-effects box. One innovation I've<br />

made in <strong>the</strong> recording studio is having sends going to very strange places, like my ribboned speaker<br />

I told you about. I'll have just a fuzz box set up somewhere, and I can send out to that. But I'll send<br />

lots and lots of <strong>the</strong> audio tracks out to it, and so coming back up to channels will be this huge,<br />

grumbling sound. That sound can create such an aura around a track that it suddenly gives it a fiery,<br />

bristling edge. And as soon as <strong>music</strong>ians hear that, <strong>the</strong>y think, "Oh God, where am I? This is<br />

amazing." And that's <strong>the</strong> way you get results somehow. Even if it doesn't last. Even if that doesn't<br />

stay in <strong>the</strong> mix at <strong>the</strong> end. That's <strong>the</strong> process of discovery. That's what you want to make happen all<br />

<strong>the</strong> time. So "The Fly” had everything going to this bizarre treatment, which was a combination of<br />

compression, distortion, and delay. That was coming back up <strong>the</strong> main track and it was all going to<br />

o<strong>the</strong>r things. So when <strong>the</strong>se two tracks come back from <strong>the</strong> distortion unit, <strong>the</strong>y can <strong>the</strong>n be fed<br />

back into o<strong>the</strong>r treatments and echoes. You can create highly reactive landscapes where one drum<br />

hit will suddenly create a whole color change. Musicians immediately start to listen to that and<br />

respond. And it shapes <strong>the</strong> way <strong>the</strong>y play. They find <strong>the</strong>y are playing differently. They are playing in a<br />

way <strong>the</strong>y wouldn't have done o<strong>the</strong>rwise. (From Audio, March 1993, by John Diliberto. Kindly supplied<br />

by Joseph Buck.)<br />

Jude’s warning concerning false teachers like Bono<br />

The book of Jude warns of men like Bono: rich, admired, daring, complaining, selfpleasing,<br />

greedy, apostate false teachers associated with charity works who reject<br />

authority and are not afraid to contend in <strong>the</strong>ir own strength with <strong>the</strong> devil and<br />

divinely ordained governmental powers. Bono is known to arrogantly misquote <strong>the</strong><br />

scripture, “resist <strong>the</strong> devil and he will flee from you” as “mock <strong>the</strong> devil and he will<br />

flee from you”.<br />

Bono’s faith appears to express a belief in <strong>the</strong> universal goodness of man and a<br />

possible desire to become a true Christian if he could resolve some of <strong>the</strong> issues he<br />

has with how God relates with a fallen, sinful world.<br />

“The most powerful idea that's entered <strong>the</strong> world in <strong>the</strong> last few thousand years --<strong>the</strong> idea of grace--is<br />

<strong>the</strong> reason I would like to be a Christian. I was never tormented in <strong>the</strong> way those early rock and<br />

rollers were between gospel and <strong>the</strong> blues. I always saw <strong>the</strong>m as parts of each o<strong>the</strong>r. I like <strong>the</strong> anger<br />

of <strong>the</strong> blues--I think being angry with God is at least a dialogue. You know, [Robert Johnson's] "Hell<br />

Hound on My Trail"--<strong>the</strong> blues is full of that. And [it runs] right through to Marilyn Manson. These are<br />

big questions. If <strong>the</strong>re is a God, it's serious. And if <strong>the</strong>re isn't a God, it's even more se rious. Or is it<br />

<strong>the</strong> o<strong>the</strong>r way around? I don't know, but <strong>the</strong>se are <strong>the</strong> things that, as an artist, are going to cross<br />

your mind--as well as "Ode to My New Jaguar." [laughter] The right to be an ass I will hold on to very<br />

tightly. I just have to be allowed that. “<br />

Here's a quote from Bono during his appearance on The Oprah Winfrey Show,<br />

September 20, 2002:<br />

“I'm a believer, but religion is <strong>the</strong> thing when God, like Elvis, has left <strong>the</strong> building. But when<br />

God is in <strong>the</strong> house, you get something else. I'm happy in a Catholic ca<strong>the</strong>dral or a tent show<br />

down in <strong>the</strong> South with gospel <strong>music</strong>. “

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