the purpose driven music paradigm - Escape Babylon's Demons
the purpose driven music paradigm - Escape Babylon's Demons
the purpose driven music paradigm - Escape Babylon's Demons
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CHAPTER 10<br />
Rockin’ To Lukewarmness In Roughly A Generation<br />
The sacred cow of modern rock based worship <strong>music</strong><br />
To almost all professing American Christians today <strong>the</strong> integration of rock <strong>music</strong> into<br />
modern worship has become a “sacred cow”. Pastors and congregations alike usually<br />
don’t want anyone around <strong>the</strong>ir church long who doesn’t support it’s use. A sacred<br />
cow represents a person, idea, institution, or object that, if criticized, will cause <strong>the</strong><br />
roof to literally fall in on top of <strong>the</strong> critic. Typically a sacred cow is <strong>the</strong> false invention<br />
of a skilled propagandist. Adolf Hitler correctly defined <strong>the</strong> world’s false<br />
understanding of truth in his reinterpretation of <strong>the</strong> old occult lie that “perception is<br />
reality” when he defined truth as follows: "Truth is not what is; truth is what people<br />
perceive it to be".<br />
What is <strong>the</strong> truth about rock <strong>music</strong>?<br />
The enticing words of Larry Norman, one of <strong>the</strong> early fa<strong>the</strong>rs of Christian rock <strong>music</strong><br />
in <strong>the</strong> late 1960’s, have been removed from <strong>the</strong>ir original context and misused by<br />
evangelists and pastors of <strong>the</strong> “Jesus Movement” to help establish a foothold in <strong>the</strong><br />
church for Christian rock <strong>music</strong>. In truth, Norman’s words are a blasphemous<br />
misinterpretation of Martin Lu<strong>the</strong>r’s words. The truth is, why would we who have <strong>the</strong><br />
mind and spirit of Christ want to steal a creation of Satan’s like rock and roll <strong>music</strong>?<br />
Thank God, as Amos 5:23 tells us, that God’s ways and thoughts are far above ours<br />
and that we don’t have to settle for <strong>the</strong> noise of this world in our <strong>music</strong>.<br />
History can help unlock <strong>the</strong> truth sometimes. It’s interesting to review a mainstream<br />
secular book which was written about rock <strong>music</strong> over 30 years ago. A review of such<br />
a book reveals how far Satan has advanced in his attempts to destroy <strong>the</strong> way things<br />
are and build a new world order using <strong>music</strong> as one of his major weapons.<br />
In “The Rock Story” copyright 1970 by Jerry Hopkins and published by Signet;<br />
Hopkins, <strong>the</strong>n editor of <strong>the</strong> Rolling Stone, reminds us of <strong>the</strong> following historical facts:<br />
In <strong>the</strong> mid-1950’s rock <strong>music</strong> was declared a public menace and many songs<br />
were banned. Rock <strong>music</strong> was believed to deal with sex point blank. (pg. 18)<br />
In 1955, <strong>the</strong> “Year Rhythm & Blues took over <strong>the</strong> Pop Field”, Chicago radio<br />
stations had a daily ritual of destroying rock records. The Houston Juvenile<br />
Delinquincy and Crime Commision banned over 50 songs in one session. In<br />
Washington, a Senate sub-committee began to study <strong>the</strong> relationship between