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Guerra 1 - California State University, Sacramento

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Bibliography<br />

<strong>Guerra</strong> 12<br />

Bernstein, Roberta. Jasper Johns' Paintings and Sculptures, 1954–1974: The Changing Focus<br />

of the Eye. Ann Arbor: UMI Research Press, 1985.<br />

Castelli, Leo. Jasper Johns: 35 years [with] Leo Castelli. New York: Leo Castelli Gallery,<br />

1993.<br />

Chadwick, Whitney and Isabelle de Courtivron, ed. Significant Others: Creativity and Intimate<br />

Partnership. New York: Thames and Hudson, 1996.<br />

Jasper Johns, ed. Alan R. Solomon, Jewish Museum, New York, 1964.<br />

Johnston, Jill. Jasper Johns: Privileged Information. New York: Thames and Hudson, 1996.<br />

Jones, Caroline A. "Finishing School: John Cage and the Abstract Expressionist Ego." Critical<br />

Inquiry 19, 4 (1993): 628-665.<br />

Joseph, Branden W. "Random Order: Robert Rauschenberg and the Neo-Avant-Garde."<br />

Modernism/Modernity 12, 2 (2005): 360-362.<br />

Kachurin, Pamela. "The ROCI Road to Peace: Robert Rauschenberg, Perestroika, and the End of<br />

the Cold War." Journal of Cold War Studies 4, 1 (2002): 27-43.<br />

Katz, Johnathan. “Lovers and Divers: Interpictorial Dialogue in the work of Robert<br />

Rauschenberg and Jasper Johns.”<br />

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Loughery, John. "Bits and Pieces." The Hudson Review 50, 1 (1997): 115-121.<br />

Madoff, Steven H. Pop Art: A Critical History. Berkeley: <strong>University</strong> of <strong>California</strong> Press, 1997.<br />

McCormick, Seth. "In Memory of My Feelings: Jasper Johns, Psychoanalysis, and the<br />

Expressive Gesture." Source 27, 2/3 (2008): 82-9.<br />

Russell, John. "Art View; Rauschenberg and Johns: Mr. Outisde and Mr. Inside." New York<br />

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