Camera Accessories - B&H Photo Video

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CAMERA ACCESSORIES 262 FUJINON ENG CAMERA LENSES While ENG camera technology evolves faster and faster, delivering ever higher performance in ever small bodies, it has been increasingly difficult for lens manufacturers to improve quality while keeping size and weight to a minimum.... until recently. With At2 Aspheric Technology, Fujinon has succeeded in manufacturing superior quality lenses that are both smaller and lighter than lenses of conventional spherical design. From the widest angle to the longest telephoto, Fujinon’s broadcast hand-held style lenses offer unparalleled features and performance. In fact, they are so advanced and so optically superb, they will reshape your thinking about how well a lens can perform. FEATURES Aspheric Lens Technology ■ Conventional lenses use multiple spherical elements to control spherical and chromatic aberrations, glare and reflections. In AT-equipped lenses, a single aspheric element reduces these undesirable characteristics — and far better than multiple spherical lenses achieve. ■ Aspherical optics allow zoom lenses to be made with higher magnification, wider angles and shorter MOD. ■ One aspheric element replaces three spherical elements, reducing the number of elements by 20%, allowing production of smaller and lighter zoom lenses. ■ Aspherical lenses have reduced distortion at wide angles and have improved corner resolution that can be managed throughout the zoom range, rather than just optimized at specific points. Light rays passing through the center of a spherical element focus on a different point than the rays that pass through the periphery. This creates a phenomenon known as spherical aberration – requiring additional elements to correct – adding weight and bulk, and increasing the potential for distortion, ghosting and flare. Shortest MOD ■ Using Fujinon’s patented aspheric technology with a new inner focusing system, they reduce the minimum object distance MOD of each lens. ■ The inner focusing system also gives the added convenience of not having to readjust filters after focusing. “V”-Grip ■ The most comfortable and versatile handgrip ever devised, the V-Grip keeps you in control, no matter what your shooting environment. The exclusive “V”-grip offers exceptional comfort by allowing the servo angle to be adjusted in five positions, from 3° to 17°. Balance any load, from lightweight camera/lens combinations to heavy camcorders. ASPHERIC ELEMENTS GAIN THEIR ADVANTAGES FROM THE WAY LIGHT PASSES THROUGH THEM We are on the web at: www.bhphotovideo.com Quick Zoom ■ Fujinon takes the guesswork out of returning precisely to your original framed shot. You focus and the exclusive Quick Zoom has the lens zoom back to the original frame in full focus, at the touch of a button. ■ Adjustable zoom speed control is selectable from 5 seconds to an incredible 1 second, wide-to-tele, right from the grip. Conveniences ■ Each lens barrel has a special protein coating applied to it, giving you solid finger contact, even while wet. Incredibly, even the zoom rocker switch is designed to carry off water collected in a special well below the switch. ■ Lenses include a rectangular lens hood that provides a drastic reduction in flare. Aspheric lenses, on the other hand, are designed so that all the light rays focus at the same point. This design reduces spherical aberration, thus eliminating the need for additional corrective elements and the added weight.
A10X4.8EVM Ultra Wide-Angle Zoom Lens The only ENG broadcast lens providing an 85° horizontal range of view, the A10X4.8EVM gives professional videographers the tools to capture a broader range of footage at close proximity. Ideal for shooting in short distances, such as inside cars and small rooms. ■ Until now, a focal length of less than 5mm had been technically too complicated to achieve. Fujinon has broken the barrier with a 4.8mm focal length. In 16:9 format, A10X4.8EVM covers the world's widest 90° in horizontal. ■ The first to achieve 10x zoom ratio in a wide-angle zoom, this lens extends super wide-angle and telephoto capacity for news gathering and TV programming. PHOTO - VIDEO - PRO AUDIO FUJINON ENG CAMERA LENSES Depending on the camera system, the position of central gravity varies. It is ideal to keep balance of any camera system on the shoulder. Grip angle adjustment from 3° to 17° provides balance at the most comfortable position, which prevents fatigue on the wrist and elbow. ■ Image size changing (“pumping effects”) while focusing has always been a problem. The A10X4.8E virtually eliminates this with their newly designed inner focusing system. ■ With adoption of the newly developed Inner Focus mechanism, Fujinon achieved small size and light weight. The mass of this lens is only 1.85 kg. ■ Achieves the best picture in its class, with less than 1% distortion at wide end. ■ Longitudinal and lateral chromatic aberration and coma aberration have also been drastically improved. Fujinon’s broadcast hand-held lenses feature the very latest in optical and mechanical design and manufacturing techniques. New EBC (Electron Beam Coating) reduces flare and improves contrast, while AT2 Aspheric Technology improves corner resolution and reduces chromatic aberration. And all, except the 36:1 Super Telephoto, offer the exclusive “V-Grip” and Quick Zoom. A15X8EVM Standard Zoom Lens Has become the standard for newsmen and videographers. A versatile performer in a compact package, offers AT2, inner focus, Quick Zoom and the “V-Grip”. A22X7.8EVM Telephoto Zoom Lens Longest length hand-held ENG/EFP lens available, combines additional focal length with AT2, Inner Focus, Quick Zoom and the “V-Grip”. A10X4.8DEVM/A15X8DEVM/A22X7.8DEVM V-Format Lenses with Ratio Converter Fujinon lenses are compatible with the 16:9 format. However, because of the various methods of achieving the 16:9 aspect ratio, it is important to understand how the methods of ratio conversion are achieved. There are two types of switchable-format cameras available today. One type uses 16:9-format CCDs and switches to 4:3. The other utilizes 4:3 CCDs and switches to 16:9. When the 16:9-format CCD system is employed, it is necessary to compensate for a loss in angle of view of about 20 percent that occurs when switching to 4:3. To eliminate this, these lenses feature a ratio converter located in an enlarged extender housing. A36X14.5ERD Super Telephoto Zoom Lens Combines the familiar design of a standard ENG style lens and the focal length of a much larger box type lens. Offers AT2 and Inner Focus. THE PROFESSIONAL’S SOURCE (212) 444-6601 • FAX: (212) 444-5001 1 • 8 0 0 • 9 4 7 • 9 9 0 1 CAMERA ACCESSORIES 263
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Page 9 and 10: CROSSOVER - DUAL ASPECT RATIO SWITC
Page 11 and 12: 33:1 Super Telephoto Zoom Lenses Su
Page 13 and 14: 18:1 Zoom Lenses for 1/2˝ and 2/3
Page 15 and 16: Professional Rear Lens Controllers
Page 17 and 18: Precision Control Matte Box Combini
Page 19 and 20: Pro-Mist The Pro-Mist filter is exc
Page 21 and 22: Creates Intense Reds, Rust, Browns
Page 23 and 24: Lens Accessories for Digital Camcor
Page 25 and 26: .8x Zoom-Thru Wide-Angle Converter
Page 27 and 28: Macro Zoom Attachments CENTURY PREC
Page 29 and 30: Triax Composite and Component Camer
Page 31 and 32: TM-9250/9660 SPECIFICATIONS Dimensi
Page 33 and 34: Features ■ Highest quality all me
Page 35 and 36: Dual Joystick Control Panels TELEME
Page 37: TELEMETRICS ■ Program and preview

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