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INTRODUCTION TO SYNTHESIZERS - hol.gr

INTRODUCTION TO SYNTHESIZERS - hol.gr

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If you have read these chapters in a succession, you should already have a fairly good picture of what MIDI<br />

sequencers really are. But let us now look at these things in a little more detail!<br />

The idea of automated music is not a new one - self-playing pianos were for instance quite popular at the<br />

beginning of the century. But when we speak about sequencers, we are usually referring to electronic devices<br />

used to trigger automated notes on a synthesizer.<br />

The first simple sequencers could trigger eight or<br />

sixteen notes in succession.<br />

The pro<strong>gr</strong>amming was done with switches and buttons,<br />

and the data was stored as electric signals. These<br />

signals could then be fed into a synthesizer - which then<br />

played back the corresponding tones.<br />

Click on the icon to listen to a typical sequencerpattern!<br />

(106 kB)<br />

(The synthesizer you hear is an RB-338.)<br />

Korg SQ-10 Analog Sequencer<br />

Sequencers were most often used to create very precise, repeating eight- or sixteen-note bassline patterns, just<br />

as can be heard in the example above. Several new-age <strong>gr</strong>oups, such as Tangerine Dream used these simple,<br />

yet hypnotic patterns as a foundation on which their compositions were based.<br />

Some years later the first microprocessor-controlled sequencers were manufactured. These could store several<br />

hundred notes - actually w<strong>hol</strong>e musical pieces.<br />

When MIDI soon thereafter became the worldwide standard for communication between electronic musical<br />

instruments, a w<strong>hol</strong>e new world of possibilities opened up. The new MIDI-sequencers could store and handle an<br />

almost unlimited amount of MIDI data.<br />

We have already stated that a MIDI sequence is in fact a chronological list of MIDI events. It is all the different<br />

Note On and Note Off commands that make up a part in a musical piece.<br />

It is very important to keep in mind that a MIDI sequencer does not record the actual sounds, but only the MIDI<br />

events, such as Note On and Note Off commands. You will need to have a synthesizer connected to the<br />

sequencer to hear the result.<br />

It's worth noting that some synthesizers are also equipped with built-in sequencers. Some of these are rather<br />

crude composition tools, capable of storing a hundred notes, while some others feature full multitrack recording<br />

and editing of a hundred thousand notes and MIDI events.<br />

Modern sequencers, such as the Roland MC-80 in the picture below, are in fact nothing less than dedicated<br />

music computers.<br />

If you wish, you can still enter the individual<br />

notes and rests using the same, somewhat<br />

rigid "step-mode" as in the first analog<br />

sequencers.<br />

While this mode may be very useful for<br />

entering mechanical sounding or very strict<br />

rhythmic musical patterns, a far more<br />

common approach is to use modern<br />

sequencers as real-time multi-track MIDIrecorders.<br />

Roland MC-80 MicroComposer<br />

16

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