INTRODUCTION TO SYNTHESIZERS - hol.gr
INTRODUCTION TO SYNTHESIZERS - hol.gr
INTRODUCTION TO SYNTHESIZERS - hol.gr
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If you have read these chapters in a succession, you should already have a fairly good picture of what MIDI<br />
sequencers really are. But let us now look at these things in a little more detail!<br />
The idea of automated music is not a new one - self-playing pianos were for instance quite popular at the<br />
beginning of the century. But when we speak about sequencers, we are usually referring to electronic devices<br />
used to trigger automated notes on a synthesizer.<br />
The first simple sequencers could trigger eight or<br />
sixteen notes in succession.<br />
The pro<strong>gr</strong>amming was done with switches and buttons,<br />
and the data was stored as electric signals. These<br />
signals could then be fed into a synthesizer - which then<br />
played back the corresponding tones.<br />
Click on the icon to listen to a typical sequencerpattern!<br />
(106 kB)<br />
(The synthesizer you hear is an RB-338.)<br />
Korg SQ-10 Analog Sequencer<br />
Sequencers were most often used to create very precise, repeating eight- or sixteen-note bassline patterns, just<br />
as can be heard in the example above. Several new-age <strong>gr</strong>oups, such as Tangerine Dream used these simple,<br />
yet hypnotic patterns as a foundation on which their compositions were based.<br />
Some years later the first microprocessor-controlled sequencers were manufactured. These could store several<br />
hundred notes - actually w<strong>hol</strong>e musical pieces.<br />
When MIDI soon thereafter became the worldwide standard for communication between electronic musical<br />
instruments, a w<strong>hol</strong>e new world of possibilities opened up. The new MIDI-sequencers could store and handle an<br />
almost unlimited amount of MIDI data.<br />
We have already stated that a MIDI sequence is in fact a chronological list of MIDI events. It is all the different<br />
Note On and Note Off commands that make up a part in a musical piece.<br />
It is very important to keep in mind that a MIDI sequencer does not record the actual sounds, but only the MIDI<br />
events, such as Note On and Note Off commands. You will need to have a synthesizer connected to the<br />
sequencer to hear the result.<br />
It's worth noting that some synthesizers are also equipped with built-in sequencers. Some of these are rather<br />
crude composition tools, capable of storing a hundred notes, while some others feature full multitrack recording<br />
and editing of a hundred thousand notes and MIDI events.<br />
Modern sequencers, such as the Roland MC-80 in the picture below, are in fact nothing less than dedicated<br />
music computers.<br />
If you wish, you can still enter the individual<br />
notes and rests using the same, somewhat<br />
rigid "step-mode" as in the first analog<br />
sequencers.<br />
While this mode may be very useful for<br />
entering mechanical sounding or very strict<br />
rhythmic musical patterns, a far more<br />
common approach is to use modern<br />
sequencers as real-time multi-track MIDIrecorders.<br />
Roland MC-80 MicroComposer<br />
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