Recording Handbook - Hol.gr

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missing because the loss of treble comes slowly. I've never heard of any tape device that degausses itself. If there are some please give me their names. jeibisch@revolver.demon.co.uk (James Eibisch) writes: So why does the manual for my Tascam 05HS (cassette), and everyone I've heard comment on the subject recommend degmagnetising frequently? S2. Effects Q2.1 What is flange? benl@mojo.europe.dg.com (Ben Last) writes: Roughly speaking, what you'd get if you recorded the same guitar onto two tape recorders at once and during replay, slowed one of them down *just a little* by putting your finger on the reel. A bit like a chorus. This is *not* a general effect with which you'd treat a whole mix. [Is this explanation okay?? I thought it produced a somewhat time-varying signal that sounded a bit like a slow "wa-wa" sound. --DSF] 90 90
Q2.2 What is reverb? benl@mojo.europe.dg.com (Ben Last) writes: The technical explanation would be something like: "a composite of echoes from many sources, including early reflections from nearby surfaces and remote echoes of longer duration from distant surfaces." Ben's Patent Simple Explanation is: think about standing on the stage of an empty theatre (theater for Americans :-). Shout. Imagine how your voice would sound; sort of echoed back from lots of different places. Consider how your voice would sound if you were inside a wardrobe (closet). No echoes at all. The one with the echoes has more reverb. Q2.3 What is compression? Adapted from stabnste@phoenix.phoenix.net (Erik Karlson): A compressor reduces by a preset ratio the level of any incoming signal which exceeds its preset level. For example, if your compressor is set for 10 db and has a compression ratio of 2 to 1, any signal that comes in over 10 db would be reduced by a factor of 2. For every 2 db of input signal over 10 db, the output level would only be increased by 1 db. This is very useful when recording vocals because they tend to have varying levels. As with all things, too much of a 91 91
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1 Από το Web Site του Αν
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1. Sonic Fundamentals a. Loud vs. S
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5 The "sampling rate", or how many
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. Guitars, Basses and Things With S
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levels of your boxes and how you in
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11 physically replaying your moves,
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d. Harmonizers and Exciters Harmoni
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d. Computers Computers have become
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17 Here is where the capabilities o
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Unfortunately, Syquest is out of bu
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• II. Specifications. • III. Pi
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No mic is perfectly linear; the bes
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MICROPHONE PATTERNS These are polar
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solve the problem by mounting the m
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29 subtracted from the omni signal.
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Learning for yourself. Many student
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33 The attenuation provided by a fi
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EXPANSION Expansion is the opposite
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Warning: Send me any SPAM and I'll
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89: psu02178@odin.cc.pdx.edu (Joshua Me
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
Page 107 and 108: onto his Hi-Fi deck. I have to say,
Page 109 and 110: miked amps and put on another track
Page 111 and 112: everything at once and not making a
Page 113 and 114: Q4.1.2 What are some related FAQ li
Page 115 and 116: ***********************************
Page 117 and 118: XCF.Berkeley.EDU has IP address 128
Page 119 and 120: DAT-Heads mailing list. ***********
Page 121 and 122: in the body of an email message (*n
Page 123 and 124: Currently, archives for GAJOOB Maga
Page 125 and 126: Everything in the tips was done usi
Page 127 and 128: http://www1.uniovi.es/musica/ LA FA
Page 129 and 130: Direct any further questions, comme
Page 131 and 132: Alfred Publishing Co., Inc. 16380 R
Page 133 and 134: e-create sounds you hear on hit rec
Page 135 and 136: that old manual you've been looking
Page 137 and 138: This version was completed 12/4/96.
Page 139 and 140: 139 Cons: It can be VERY expensive.
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141 Studio time is fairly expensive
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lead guitar, then rhythm guitar and
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SECTION V: MIXING 5.1) What is the
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Recording Handbook - Hol.gr

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