Recording Handbook - Hol.gr

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tape is "played/recorded" on, and the liquid makes slight contact >with the "dirty" bits. Use the kit, where you can see what you're doing. The tapes are better than nothing. >2) Is the rubber washer (or whatever it is) near the capstan a high >maintenance item? It's the pinch roller. Get all the oxide off it and use rubber cleaner on it. >3) What is the best way to demag...with a Radio Shack Demag tape or an >actual heavy-duty degausser? I'll leave this for the flamefest that will no doubt erupt again... ak748@detroit.freenet.org (Daniel W. Newport) writes: Use *only* rubber cleaner on pinch roller. Use a kit to clean with lintless foam swabs. Q1.9.1 Do I need to demagnetize my 4-track heads? [The news<strong>gr</strong>oup readers appear undecided. Read on. --DSF] 88 88
psu02178@odin.cc.pdx.edu (Joshua Meredith) writes: Demagnetizing on a *cassette* four track is not necessary. Due to the slim width of the tape and the relatively slow speed of the transport (even when you're using double speed), magnetism does not really accumulate. On top of that, every time you put the machine in record, it demagnetizes the heads so even if you are concerned about it, the machine does it for you. With reel to reel tape decks (stereo or multi-tracks), demagnetization is very important, as the accumulation is too much to be eliminated by simply engaging record. kowalski@scooter.ping.de (Thorsten Kowalski) writes: I use a degausser myself, did cost me about US$20 but there are some that cost US$60. I don't know if they are better. Mine's very useful for any kind of tape machine. I prefer it over a battery-powered tape unit; those are only good if you can't use a degausser, e.g. in a car radio. Degaussing should be performed about every twenty hours of usage. I use a degausser with my home cassette deck, a Nakamichi. There were some people who asked me if they should go and buy such a device and I gave them mine so they could test. They have never done so in about 2 years and after degaussing they have lots of treble which they weren't 89 89
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1 Από το Web Site του Αν
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1. Sonic Fundamentals a. Loud vs. S
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5 The "sampling rate", or how many
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. Guitars, Basses and Things With S
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levels of your boxes and how you in
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11 physically replaying your moves,
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d. Harmonizers and Exciters Harmoni
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d. Computers Computers have become
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17 Here is where the capabilities o
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Unfortunately, Syquest is out of bu
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• II. Specifications. • III. Pi
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No mic is perfectly linear; the bes
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MICROPHONE PATTERNS These are polar
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solve the problem by mounting the m
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29 subtracted from the omni signal.
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Learning for yourself. Many student
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33 The attenuation provided by a fi
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EXPANSION Expansion is the opposite
Page 37 and 38: Warning: Send me any SPAM and I'll
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87: Q1.8 How does an 8-track machine co
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
Page 107 and 108: onto his Hi-Fi deck. I have to say,
Page 109 and 110: miked amps and put on another track
Page 111 and 112: everything at once and not making a
Page 113 and 114: Q4.1.2 What are some related FAQ li
Page 115 and 116: ***********************************
Page 117 and 118: XCF.Berkeley.EDU has IP address 128
Page 119 and 120: DAT-Heads mailing list. ***********
Page 121 and 122: in the body of an email message (*n
Page 123 and 124: Currently, archives for GAJOOB Maga
Page 125 and 126: Everything in the tips was done usi
Page 127 and 128: http://www1.uniovi.es/musica/ LA FA
Page 129 and 130: Direct any further questions, comme
Page 131 and 132: Alfred Publishing Co., Inc. 16380 R
Page 133 and 134: e-create sounds you hear on hit rec
Page 135 and 136: that old manual you've been looking
Page 137 and 138: This version was completed 12/4/96.
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139 Cons: It can be VERY expensive.
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141 Studio time is fairly expensive
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lead guitar, then rhythm guitar and
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SECTION V: MIXING 5.1) What is the
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