Recording Handbook - Hol.gr
Recording Handbook - Hol.gr
Recording Handbook - Hol.gr
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second clip, and leave just pure visual.<br />
Let's now say that I take my fab VTR and stripe one channel of my<br />
little videotape. I now have a videotape with a lot of funny sounding<br />
noise -- BUT, I can use that noise with my rig to put my own sound in.<br />
Ok, now I have something like this:<br />
VTR --audio--> PPS-100 -- MIDI (MTC) --> Computer<br />
Since the video tape is playing SMPTE time code, and that time code is<br />
being interpreted by the computer via Midi Time Code, my computer<br />
knows what frame of VIDEO I'm on, every time I record something with a<br />
MTC-aware sequencer.<br />
Cakewalk is one such sequencer. It allows you to compose and edit<br />
music in a number of <strong>gr</strong>aphical formats, and allows you precise editing<br />
and control of your MIDI sounds and equipment. Assuming my<br />
connections are right up 'till this point, when I press the Record<br />
button on my sequencer, it knows what frame of video the VTR is<br />
playing. This by itself is not really neat or anything, but the<br />
advantage becomes clear when you PLAY the sound.<br />
Locking the sequencer to the video tape means that if Cakewalk has a<br />
cue for a cymbal crash at frame 01:00:01:15.13<br />
(reel:hour:minute:second:frame), it plays a cymbal crash when the VTR<br />
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