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Recording Handbook - Hol.gr

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second clip, and leave just pure visual.<br />

Let's now say that I take my fab VTR and stripe one channel of my<br />

little videotape. I now have a videotape with a lot of funny sounding<br />

noise -- BUT, I can use that noise with my rig to put my own sound in.<br />

Ok, now I have something like this:<br />

VTR --audio--> PPS-100 -- MIDI (MTC) --> Computer<br />

Since the video tape is playing SMPTE time code, and that time code is<br />

being interpreted by the computer via Midi Time Code, my computer<br />

knows what frame of VIDEO I'm on, every time I record something with a<br />

MTC-aware sequencer.<br />

Cakewalk is one such sequencer. It allows you to compose and edit<br />

music in a number of <strong>gr</strong>aphical formats, and allows you precise editing<br />

and control of your MIDI sounds and equipment. Assuming my<br />

connections are right up 'till this point, when I press the Record<br />

button on my sequencer, it knows what frame of video the VTR is<br />

playing. This by itself is not really neat or anything, but the<br />

advantage becomes clear when you PLAY the sound.<br />

Locking the sequencer to the video tape means that if Cakewalk has a<br />

cue for a cymbal crash at frame 01:00:01:15.13<br />

(reel:hour:minute:second:frame), it plays a cymbal crash when the VTR<br />

84<br />

84

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