Recording Handbook - Hol.gr

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IDE 420 mb hard disk (SCSI's better but IDE is fast enough & cheap) US$240 Western Digital, Conner or Quantum (best) can be had for this price. 8 mb RAM US$320 The monitor of choice is up to you !! whatever you want to spend So a basic DX33 system would cost you about US$900 + a monitor obviously. Sure it's not cheap but provides you a platform for sequencing, patch editing and digital audio, and being a PC can be upgraded by you as your needs expand, much easier & cheaper than the MAC. You may see cheap off the shelf systems but usually only have smallish hard drives and 4 mb of RAM instead of 8. Quad will generate MTC, that's about all I can tell you, so you can at least sync an external sequencer. I don't know whether it can chase lock to tape or not ...??? Ring Turtle Beach and ask them. If you want full recording power there is SAW which is US$599 software only, but is phenomenal. Can chase lock, 4 STEREO track simultaneous, automated faders & mutes, and fast non destructive editing, edit lists, and automatic crossfade tools for 'razor' edits. Quad is now available mail order for .... US$350 card & software. If you want upgrade later to SAW (when you're rich) the Tahiti card that 74 74
comes with Quad is fully supported by SAW. tstrohma@theodolite.ae.calpoly.edu (Trevor Strohman) writes: The new Power Macintosh computers and the older 660AV and 840AV Macs all have 16-bit stereo input and output built-in. The public domain program Sound Effects is incredible and supports multiple tracks, but only works when all of the sound is in memory. DigiTrax is around $200 and supports up to 6 tracks. The Macintosh has long had a large foothold in the audio market. ProTools is a major standard but costs $8000 for a decent setup. The high costs of manufaturing NuBus cards and the few low-end Macs that support NuBus have kept out the low-end audio market. By fall of 1995, however, new low-cost PCI based Macintoshes will be out (the high-end PowerMac 9500 PCI has been released), and audio options for the Mac should increase dramatically as PC PCI audio boards become Mac-compatible. Q1.7.1 How is Turtle Beach's Quad Studio package? Information in March 1995: ks43@cornell.edu writes: 75 75
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1 Από το Web Site του Αν
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1. Sonic Fundamentals a. Loud vs. S
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5 The "sampling rate", or how many
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. Guitars, Basses and Things With S
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levels of your boxes and how you in
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11 physically replaying your moves,
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d. Harmonizers and Exciters Harmoni
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d. Computers Computers have become
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17 Here is where the capabilities o
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Unfortunately, Syquest is out of bu
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• II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35 and 36: EXPANSION Expansion is the opposite
Page 37 and 38: Warning: Send me any SPAM and I'll
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73: ak748@detroit.freenet.org (Daniel W
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
Page 107 and 108: onto his Hi-Fi deck. I have to say,
Page 109 and 110: miked amps and put on another track
Page 111 and 112: everything at once and not making a
Page 113 and 114: Q4.1.2 What are some related FAQ li
Page 115 and 116: ***********************************
Page 117 and 118: XCF.Berkeley.EDU has IP address 128
Page 119 and 120: DAT-Heads mailing list. ***********
Page 121 and 122: in the body of an email message (*n
Page 123 and 124: Currently, archives for GAJOOB Maga
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Everything in the tips was done usi
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http://www1.uniovi.es/musica/ LA FA
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Direct any further questions, comme
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Alfred Publishing Co., Inc. 16380 R
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e-create sounds you hear on hit rec
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that old manual you've been looking
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This version was completed 12/4/96.
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139 Cons: It can be VERY expensive.
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141 Studio time is fairly expensive
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lead guitar, then rhythm guitar and
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SECTION V: MIXING 5.1) What is the
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