Recording Handbook - Hol.gr

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FX - Has an effects loop or aux send/return buss. EQ - Type of equalization on mic inputs. First character is number of controls, second character is type: "P" for parametric, "G" for graphic, "S" for swept mids. ST - Stereo out channel or buss. SY - MIDI tape sync capability. PT - Pitch control. PI - Punch In/Punch Out editing. #X - Number of XLR inputs Q1.3.1 What are some good brands of 4-track machines? Ben Last recommends the Yamaha MT120 ("'cos I bought mine after much research!"). Double / normal speed, DBX noise reduction, 4 simultaneous inputs, FX loop, graphic eq, monitor / mix / stereo out, tape sync capability. 320 pounds (UK) in 1992. They are no longer sold new. reedijk@gene04.med.utoronto.ca (Rob Reedijk) writes: 66 66
There is a brand missing from your info: Audio Technica RMX 64. I have not one but two and I think they're fantastic.. They only made them for short period (around '85) and I think they stopped because they cost too much to manufacture. They have 6 full channels plus two returns which can also be used as channels, parametric e.q., balance and unbalance inputs on all six channels, balanced and unbalanced outs, phantom power on all six channels, Dolby B and C, two speed with pitch adjust, real V.U. meters, zillions of inputs and outputs on the back, 4 headphone outs etc, etc. They also weigh 50 lbs. Because in reality they contain a sort of pro mixer they sound fantastic and they're built like tanks. They are kind of low tech in fact that there is no auto locate programmable punch-in type features. Get one if you can. I bought my first one in 1985. I bought my second one last year for $225 Canadian (about 4 cents U.S.). Compare that to a new fostex $1000+ made of plastic planned obsolescence disaster (apologies to the fostex contingent). The reason I have two is I can connect them together and get 10 channels (two used for signal routing). I can also bounce 4 to 2 with only one generation of signal loss. Furthermore, I have, this way, an excellent stereo cassette directly linked up for final mixing. ram@indigo3.carb.nist.gov (Ram Samudrala) writes: Needless to say, the Tascam 464 is one of the best analog 4-tracks out there, IMO. It is particularly useful if you're a solo recording 67 67
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1 Από το Web Site του Αν
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1. Sonic Fundamentals a. Loud vs. S
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5 The "sampling rate", or how many
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. Guitars, Basses and Things With S
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levels of your boxes and how you in
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11 physically replaying your moves,
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d. Harmonizers and Exciters Harmoni
Page 15 and 16: d. Computers Computers have become
Page 17 and 18: 17 Here is where the capabilities o
Page 19 and 20: Unfortunately, Syquest is out of bu
Page 21 and 22: • II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35 and 36: EXPANSION Expansion is the opposite
Page 37 and 38: Warning: Send me any SPAM and I'll
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65: Price - Price is in U.S. dollars, m
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
Page 107 and 108: onto his Hi-Fi deck. I have to say,
Page 109 and 110: miked amps and put on another track
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Page 113 and 114: Q4.1.2 What are some related FAQ li
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XCF.Berkeley.EDU has IP address 128
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DAT-Heads mailing list. ***********
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in the body of an email message (*n
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Currently, archives for GAJOOB Maga
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Everything in the tips was done usi
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http://www1.uniovi.es/musica/ LA FA
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Direct any further questions, comme
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Alfred Publishing Co., Inc. 16380 R
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e-create sounds you hear on hit rec
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that old manual you've been looking
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This version was completed 12/4/96.
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139 Cons: It can be VERY expensive.
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141 Studio time is fairly expensive
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lead guitar, then rhythm guitar and
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SECTION V: MIXING 5.1) What is the
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Recording Handbook - Hol.gr

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