Recording Handbook - Hol.gr

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amplifier are, therefore, global EQ. Q1.1.3 What is noise reduction? What is Dolby? What is DBX? See the rec.audio.pro FAQ for incredible detail about this. There are two major families of noise reduction technology which you're likely to find on 4-tracks: Dolby and DBX. These are each discussed in a para<strong>gr</strong>aph below. There are (at least) three varieties of Dolby on cassette decks, but they all work more or less the same way: whilst recording, they enhance the high frequencies in the same area where hiss occurs. During playback, they reduce those frequencies back to the same level they were originally. This also reduces the hiss. You can play back a Dolby-encoded tape without Dolby; the only effect you'll hear will be a brighter, higher top end. DBX processes the sound more severely than Dolby [and more effectively?? --DSF]. If you record using DBX, you *must* play back with it on. You may even find that a DBX-encoded tape from one machine does not replay exactly on another. 56 56
Q1.1.4 What are balanced and unbalanced ins and outs? reedijk@gene04.med.utoronto.ca writes: An unbalanced signal pathway is identified by having two wires (RCA plugs, guitar jacks, some mic cables). These are high impedence and are less desirable because as the cable gets longer, more noise is introduced into the signal. A balanced signal pathway has three wires which is most common in mics (SM58s for example). A few 4 tracks have balanced inputs whcih means you can use better quality mics without adaptors. AT RMX64s as far as I know are the only ones with balanced outputs which you would use for hooking it up to high-end gear (I have yet to use them!) Q1.1.5 What is the difference between a pre-amp and an amp? reedijk@gene04.med.utoronto.ca writes: Pre-amps ("pre-amplifiers") shape the character of the signal. This is where the equalization and gain (sometimes distortion) are controlled. An amp simply generates the raw power to push a speaker. A bad pre-amp can distort the signal in many ways including clipping, compression, poor frequency response (e.g. the "highs" disappear or sound harsh etc.) or noise. dragon@homerecording.com adds: 57 57
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1. Sonic Fundamentals a. Loud vs. S
Page 5 and 6: 5 The "sampling rate", or how many
Page 7 and 8: . Guitars, Basses and Things With S
Page 9 and 10: levels of your boxes and how you in
Page 11 and 12: 11 physically replaying your moves,
Page 13 and 14: d. Harmonizers and Exciters Harmoni
Page 15 and 16: d. Computers Computers have become
Page 17 and 18: 17 Here is where the capabilities o
Page 19 and 20: Unfortunately, Syquest is out of bu
Page 21 and 22: • II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35 and 36: EXPANSION Expansion is the opposite
Page 37 and 38: Warning: Send me any SPAM and I'll
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55: The term "graphic" is used to descr
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
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onto his Hi-Fi deck. I have to say,
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miked amps and put on another track
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everything at once and not making a
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Q4.1.2 What are some related FAQ li
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XCF.Berkeley.EDU has IP address 128
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DAT-Heads mailing list. ***********
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in the body of an email message (*n
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Currently, archives for GAJOOB Maga
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Everything in the tips was done usi
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http://www1.uniovi.es/musica/ LA FA
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Direct any further questions, comme
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Alfred Publishing Co., Inc. 16380 R
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e-create sounds you hear on hit rec
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that old manual you've been looking
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This version was completed 12/4/96.
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139 Cons: It can be VERY expensive.
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141 Studio time is fairly expensive
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lead guitar, then rhythm guitar and
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SECTION V: MIXING 5.1) What is the
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