Recording Handbook - Hol.gr

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The effect unit is set to produce a 'wet' signal because that's what you want to feed back into the final signal from the 4-track or mixer. Remember that this is being added to the original, untreated signal, so there's no point in adding, for example, partially reverbed trumpet to unreverbed trumpet. What you do is to choose the level of the trumpet track which is sent to the reverb so that the right level of reverbed trumpet is heard in the final mix. Q1.1.2 What is EQ (Ee-Kyoo)? What kinds are there? Thanks to Michael Parrott for a nearly complete rewrite for this question. EQ (where each letter is pronounced: Ee-Kyoo) stands for "equalization." As a noun, it means those controls on a recording, mixing, or playback unit which allow for altering the tonal characteristics of an audio signal by boosting (increasing) or cutting (decreasing) the prominence of specific frequencies or frequency ranges within the signal. As a verb, it indicates use of those controls. 52 52
Michael Parrott writes: "Note that EQ does not tend to make extreme changes in signal levels; instead, it can be used to reduce or increase the prominence of certain frequencies in the signal, which in turn reduces or increases the audible prominence of certain portions of a track or mix. If you get a chance to experiment, listen to what happens when you boost the 5 KHz range in an evenly-mixed guitar track; the guitar should become more prominent in the mix without having significantly changed it's signal level." Different types of EQ: (1) Parametric EQ (also "sweepable EQ") A form of EQ which affects broad sections, or bands, of frequencies in an audio signal. May be found as either two controls (Low and High), three controls (Low, Mid, and High), or four controls (Low, Mid, Mid Freq, and High). They tend to affect frequencies in the following ways: Low: Boosts or cuts frequencies in the low (bass) half of the audible frequency spectrum (20 Hz - 1 KHz). A "shelving" control, it tends to make more extreme changes at very low frequencies (20 Hz) and less extreme changes at higher frequencies (1 KHz). 53 53
Page 1 and 2: 1 Από το Web Site του Αν
Page 3 and 4: 1. Sonic Fundamentals a. Loud vs. S
Page 5 and 6: 5 The "sampling rate", or how many
Page 7 and 8: . Guitars, Basses and Things With S
Page 9 and 10: levels of your boxes and how you in
Page 11 and 12: 11 physically replaying your moves,
Page 13 and 14: d. Harmonizers and Exciters Harmoni
Page 15 and 16: d. Computers Computers have become
Page 17 and 18: 17 Here is where the capabilities o
Page 19 and 20: Unfortunately, Syquest is out of bu
Page 21 and 22: • II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35 and 36: EXPANSION Expansion is the opposite
Page 37 and 38: Warning: Send me any SPAM and I'll
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51: Q1.1 What is a 4-track machine? A 4
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104:
Add lead guitar to one of the remai
Page 105 and 106:
will@iglou.iglou.com (William M. Wi
Page 107 and 108:
onto his Hi-Fi deck. I have to say,
Page 109 and 110:
miked amps and put on another track
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everything at once and not making a
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Q4.1.2 What are some related FAQ li
Page 115 and 116:
***********************************
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XCF.Berkeley.EDU has IP address 128
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DAT-Heads mailing list. ***********
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in the body of an email message (*n
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Currently, archives for GAJOOB Maga
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Everything in the tips was done usi
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http://www1.uniovi.es/musica/ LA FA
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Direct any further questions, comme
Page 131 and 132:
Alfred Publishing Co., Inc. 16380 R
Page 133 and 134:
e-create sounds you hear on hit rec
Page 135 and 136:
that old manual you've been looking
Page 137 and 138:
This version was completed 12/4/96.
Page 139 and 140:
139 Cons: It can be VERY expensive.
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141 Studio time is fairly expensive
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lead guitar, then rhythm guitar and
Page 145 and 146:
SECTION V: MIXING 5.1) What is the
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Recording Handbook - Hol.gr

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