Recording Handbook - Hol.gr

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-------------------------------------------------- Q0. Philosophy A short quote from an alt.music.4-track reader: From mucilage@unity.ncsu.edu Thu Sep 15 02:29:08 1994 Message-ID: "Now, of course, I'm not Mr. Hi-fi, but then any idiot who goes crazy trying to replicate perfect hi-fi sound in a home studio is by-and-large nuts, when he/she could just save up that money and go rent studio time in a 16-track analog studio with a decent mic package for about $30 - $35 an hour. "I've got some advice fer you: spend a little more time writing songs and practicing them, and a little less time tweaking your superbedroomstudio. I've heard more clean-sounding 4-track demos of more shitty songs than I'll ever care to elaborate on. "And always remember this: every single device in the signal path alters the signal. Period. There is no perfect transparent mic. There are not even different levels of alteration, really--just different types, some of which sound more "normal" than others. 46 46
"So your best bet is to use whatever equipment makes the coolest sound--whether it's a zillion-dollar vocal mic or a paper cup." S0. Definitions and Acronyms not covered elsewhere. Q0.1 What is MIDI? Musical Instrument Digital Interface. A standard which allows sending and receiving of messages such as "Play an A 440 for 100 ms with patch #9 and some pitch bend." Since many instruments and controllers use this standard, you can hook up a lot of equipment. There are many books on this subject. Go to the library. See also Q4.2.2. Q0.2 What is MTC? MIDI Time Code. Q0.3 What is SMPTE? Adapted from talarczyk@ACFcluster.NYU.EDU (Michael J. Talarczyk): Society of Motion Picture and Televison Engineers (time code). See also Q1.7.3. 47 47
Page 1 and 2: 1 Από το Web Site του Αν
Page 3 and 4: 1. Sonic Fundamentals a. Loud vs. S
Page 5 and 6: 5 The "sampling rate", or how many
Page 7 and 8: . Guitars, Basses and Things With S
Page 9 and 10: levels of your boxes and how you in
Page 11 and 12: 11 physically replaying your moves,
Page 13 and 14: d. Harmonizers and Exciters Harmoni
Page 15 and 16: d. Computers Computers have become
Page 17 and 18: 17 Here is where the capabilities o
Page 19 and 20: Unfortunately, Syquest is out of bu
Page 21 and 22: • II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35 and 36: EXPANSION Expansion is the opposite
Page 37 and 38: Warning: Send me any SPAM and I'll
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45: S3. Recording Techniques Q3.1 How d
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98:
Companding is a two-stage process o
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sound becomes [dirty] when you repe
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Q3.1 How do I get a good sound? Dav
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Add lead guitar to one of the remai
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will@iglou.iglou.com (William M. Wi
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onto his Hi-Fi deck. I have to say,
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miked amps and put on another track
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everything at once and not making a
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Q4.1.2 What are some related FAQ li
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***********************************
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XCF.Berkeley.EDU has IP address 128
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DAT-Heads mailing list. ***********
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in the body of an email message (*n
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Currently, archives for GAJOOB Maga
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Everything in the tips was done usi
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http://www1.uniovi.es/musica/ LA FA
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Direct any further questions, comme
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Alfred Publishing Co., Inc. 16380 R
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e-create sounds you hear on hit rec
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that old manual you've been looking
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This version was completed 12/4/96.
Page 139 and 140:
139 Cons: It can be VERY expensive.
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141 Studio time is fairly expensive
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lead guitar, then rhythm guitar and
Page 145 and 146:
SECTION V: MIXING 5.1) What is the
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