Recording Handbook - Hol.gr

More documents

Recommendations

Info

This FAQ may not be distributed for financial gain. This FAQ may not be included in commercial collections or compilations without express permission from the author. ********************************************************************** To search for a question with a pro<strong>gr</strong>am, look for Q#, e.g. "Q1.1". List of contributors (knowing or unknowing). If your name is wrongfully omitted, or you wish it (and your contributions) removed, email the FAQ maintainer. adouglas@belvoir.com (Andrew Douglas) ak748@detroit.freenet.org (Daniel W. Newport) benl@mojo.europe.dg.com (Ben Last) billy-em@telalink.net (Billy Center) brianb@scorpion.iii.net (brian q. buda or Marc?) bwill@teleport.com (Brad S Williams) bwm1894@u.washington.edu (Brett McCarron) cc@hplb.hpl.hp.com (Costas) cheyenne@netcom.com ("Will" using the account of Melissa Duncan) crick@ccnet.com (TEFKAR) dfrankow@winternet.com (Dan Frankowski) davidc@access.rrinc.com.blacksburg.va.us (David Copeland) dragon@homerecording.com (David Fiedler) (Dragon) ertrinid@girtab.usc.edu (Elson R. Trinidad) gajoob@utw.com (by way of gajoob@utw.com (Bryan F. Baker)) haibachi@tiamat.umd.umich.edu (Jay Itchon) 38 38
jeibisch@revolver.demon.co.uk (James Eibisch) jmireau@tibalt.supernet.ab.ca (James Mireau) kowalski@scooter.ping.de (Thorsten Kowalski) ks43@cornell.edu leiter@panix.com (Phil Dahl) lwillia@ix.netcom.com (Larry Williams) macchi@marina.scn.de (Gian Carlo Macchi) marcl508@hudson.iii.net (Marc LaFleur) mcknight@pire.org (Scott McKnight) michaelj@hstl.ultranet.com (Michael J. Slaney) mparrott@kendaco.telebyte.com (Michael Parrott) mucilage@unity.ncsu.edu (Ross A Grady) mwdrews@mailbox.syr.edu (Mark Drews) nigelsp@rain.org (Nigel Spencer) nflorin@med.unc.edu (Nathaniel Paul Florin) pseo@mail2.sas.upenn.edu (Peter S Seo) psu02178@odin.cc.pdx.edu (Joshua Meredith) me@ram.org (Ram Samudrala) reedijk@gene04.med.utoronto.ca (Rob Reedijk) robertb@primenet.com (Robert Blackwell) rwh8234@erc.jscc.cc.tn.us (Robert W. Hough) schmange@wbb.com shitcan@eskimo.com (Michael Crowl) sratte@mindvox.phantom.com (Swamp Ratte) stabnste@phoenix.phoenix.net (Erik Karlson) talarczyk@ACFcluster.NYU.EDU (Michael J. Talarczyk) 39 39
Page 1 and 2: 1 Από το Web Site του Αν
Page 3 and 4: 1. Sonic Fundamentals a. Loud vs. S
Page 5 and 6: 5 The "sampling rate", or how many
Page 7 and 8: . Guitars, Basses and Things With S
Page 9 and 10: levels of your boxes and how you in
Page 11 and 12: 11 physically replaying your moves,
Page 13 and 14: d. Harmonizers and Exciters Harmoni
Page 15 and 16: d. Computers Computers have become
Page 17 and 18: 17 Here is where the capabilities o
Page 19 and 20: Unfortunately, Syquest is out of bu
Page 21 and 22: • II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35 and 36: EXPANSION Expansion is the opposite
Page 37: Warning: Send me any SPAM and I'll
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90:
psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92:
Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94:
ack down. Similarly, a compressor c
Page 95 and 96:
is, vocals don't need as much as a
Page 97 and 98:
Companding is a two-stage process o
Page 99 and 100:
sound becomes [dirty] when you repe
Page 101 and 102:
Q3.1 How do I get a good sound? Dav
Page 103 and 104:
Add lead guitar to one of the remai
Page 105 and 106:
will@iglou.iglou.com (William M. Wi
Page 107 and 108:
onto his Hi-Fi deck. I have to say,
Page 109 and 110:
miked amps and put on another track
Page 111 and 112:
everything at once and not making a
Page 113 and 114:
Q4.1.2 What are some related FAQ li
Page 115 and 116:
***********************************
Page 117 and 118:
XCF.Berkeley.EDU has IP address 128
Page 119 and 120:
DAT-Heads mailing list. ***********
Page 121 and 122:
in the body of an email message (*n
Page 123 and 124:
Currently, archives for GAJOOB Maga
Page 125 and 126:
Everything in the tips was done usi
Page 127 and 128:
http://www1.uniovi.es/musica/ LA FA
Page 129 and 130:
Direct any further questions, comme
Page 131 and 132:
Alfred Publishing Co., Inc. 16380 R
Page 133 and 134:
e-create sounds you hear on hit rec
Page 135 and 136:
that old manual you've been looking
Page 137 and 138:
This version was completed 12/4/96.
Page 139 and 140:
139 Cons: It can be VERY expensive.
Page 141 and 142:
141 Studio time is fairly expensive
Page 143 and 144:
lead guitar, then rhythm guitar and
Page 145 and 146:
SECTION V: MIXING 5.1) What is the
show all

Recording Handbook - Hol.gr

Create successful ePaper yourself

Delete template?

Save as template?