Recording Handbook - Hol.gr

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X-Archive-Name: music/4-track-recording/4-track-faq (not yet) X-Posting-Frequency: monthly (not quite) URL: http://homerecording.com/4trackfaq.txt Maintained-By: David Fiedler 4-track FAQ Version 0.44 DRAFT 99/05/19 17:40 This is a Frequently Asked Questions list for the alt.music.4-track newsgroup, for music makers who use 4-track recording hardware. This file may be accessed with the Uniform Resource Locator (URL) http://homerecording.com/4trackfaq.txt with world-wide web software (e.g. lynx, mosaic, netscape) or by ftp at the URL: ftp://ftp.homerecording.com/pub/record/4trackfaq.txt NOTICE: Since this is a first stab, it is unstable. It may (should) undergo drastic revision. Please contribute questions, answers, and suggestions. Comments welcome (for the moment). Note that this version of the FAQ probably has known errors that the maintainer just hasn't had time to fix. The FAQ maintainer is David Fiedler (mailto:dragon@homerecording.com). 36 36
Warning: Send me any SPAM and I'll make your life a living hell... CONTRIBUTIONS: Anywhere there are two or more ??s in a row, that indicates missing information that I would like you, the reader, to supply. Also, some of the questions are organically growing huge; an attempt at a concise rewrite of any question would be appreciated. Of course all other types of contributions are welcome. ********************************************************************** WARNING WARNING WARNING WARNING WARNING WARNING WARNING I TAKE NO RESPONSIBILITY FOR THE ACCURACY OF THIS INFORMATION. Sorry. I'll do my best. END OF WARNING END OF WARNING END OF WARNING END OF WARNING Statement adapted from Russ Hersch's FAQ FAQ: I disclaim everything. The contents of this article might be totally inaccurate, misguided, or otherwise perverse - except for my name (hopefully I got that right). Copyright (c) 1999 by David Fiedler. All rights reserved. This FAQ may be posted to any USENET newsgroup, on-line service, or BBS as long as it is posted in its entirety and includes this copyright statement. 37 37
Page 1 and 2: 1 Από το Web Site του Αν
Page 3 and 4: 1. Sonic Fundamentals a. Loud vs. S
Page 5 and 6: 5 The "sampling rate", or how many
Page 7 and 8: . Guitars, Basses and Things With S
Page 9 and 10: levels of your boxes and how you in
Page 11 and 12: 11 physically replaying your moves,
Page 13 and 14: d. Harmonizers and Exciters Harmoni
Page 15 and 16: d. Computers Computers have become
Page 17 and 18: 17 Here is where the capabilities o
Page 19 and 20: Unfortunately, Syquest is out of bu
Page 21 and 22: • II. Specifications. • III. Pi
Page 23 and 24: No mic is perfectly linear; the bes
Page 25 and 26: MICROPHONE PATTERNS These are polar
Page 27 and 28: solve the problem by mounting the m
Page 29 and 30: 29 subtracted from the omni signal.
Page 31 and 32: Learning for yourself. Many student
Page 33 and 34: 33 The attenuation provided by a fi
Page 35: EXPANSION Expansion is the opposite
Page 39 and 40: jeibisch@revolver.demon.co.uk (Jame
Page 41 and 42: Some changes between 0.4 and 0.41:
Page 43 and 44: Table of contents -----------------
Page 45 and 46: S3. Recording Techniques Q3.1 How d
Page 47 and 48: "So your best bet is to use whateve
Page 49 and 50: "DiY" - Do-it-yourself (music) "ind
Page 51 and 52: Q1.1 What is a 4-track machine? A 4
Page 53 and 54: Michael Parrott writes: "Note that
Page 55 and 56: The term "graphic" is used to descr
Page 57 and 58: Q1.1.4 What are balanced and unbala
Page 59 and 60: two guitars each get a track of the
Page 61 and 62: to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88:
Q1.8 How does an 8-track machine co
Page 89 and 90:
psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92:
Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94:
ack down. Similarly, a compressor c
Page 95 and 96:
is, vocals don't need as much as a
Page 97 and 98:
Companding is a two-stage process o
Page 99 and 100:
sound becomes [dirty] when you repe
Page 101 and 102:
Q3.1 How do I get a good sound? Dav
Page 103 and 104:
Add lead guitar to one of the remai
Page 105 and 106:
will@iglou.iglou.com (William M. Wi
Page 107 and 108:
onto his Hi-Fi deck. I have to say,
Page 109 and 110:
miked amps and put on another track
Page 111 and 112:
everything at once and not making a
Page 113 and 114:
Q4.1.2 What are some related FAQ li
Page 115 and 116:
***********************************
Page 117 and 118:
XCF.Berkeley.EDU has IP address 128
Page 119 and 120:
DAT-Heads mailing list. ***********
Page 121 and 122:
in the body of an email message (*n
Page 123 and 124:
Currently, archives for GAJOOB Maga
Page 125 and 126:
Everything in the tips was done usi
Page 127 and 128:
http://www1.uniovi.es/musica/ LA FA
Page 129 and 130:
Direct any further questions, comme
Page 131 and 132:
Alfred Publishing Co., Inc. 16380 R
Page 133 and 134:
e-create sounds you hear on hit rec
Page 135 and 136:
that old manual you've been looking
Page 137 and 138:
This version was completed 12/4/96.
Page 139 and 140:
139 Cons: It can be VERY expensive.
Page 141 and 142:
141 Studio time is fairly expensive
Page 143 and 144:
lead guitar, then rhythm guitar and
Page 145 and 146:
SECTION V: MIXING 5.1) What is the
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