Recording Handbook - Hol.gr
Recording Handbook - Hol.gr
Recording Handbook - Hol.gr
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
• II. Specifications.<br />
• III. Pick Up Patterns<br />
• IV. Typical Placement<br />
• V. The Microphone Mystique<br />
I. How They Work.<br />
A microphone is an example of a transducer, a device that changes information from one form to another.<br />
Sound information exists as patterns of air pressure; the microphone changes this information into patterns<br />
of electric current. The recording engineer is interested in the accuracy of this transformation, a concept he<br />
thinks of as fidelity.<br />
A variety of mechanical techniques can be used in building microphones. The two most commonly<br />
encountered in recording studios are the magneto-dynamic and the variable condenser designs.<br />
THE DYNAMIC MICROPHONE.<br />
In the magneto-dynamic, commonly called dynamic, microphone, sound waves cause movement of a thin<br />
metallic diaphragm and an attached coil of wire. A magnet produces a magnetic field which surrounds the<br />
coil, and motion of the coil within this field causes current to flow. The principles are the same as those<br />
that produce electricity at the utility company, realized in a pocket-sized scale. It is important to remember<br />
that current is produced by the motion of the diaphragm, and that the amount of current is determined by<br />
the speed of that motion. This kind of microphone is known as velocity sensitive.<br />
THE CONDENSER MICROPHONE.<br />
21<br />
21