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Recording Handbook - Hol.gr

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• II. Specifications.<br />

• III. Pick Up Patterns<br />

• IV. Typical Placement<br />

• V. The Microphone Mystique<br />

I. How They Work.<br />

A microphone is an example of a transducer, a device that changes information from one form to another.<br />

Sound information exists as patterns of air pressure; the microphone changes this information into patterns<br />

of electric current. The recording engineer is interested in the accuracy of this transformation, a concept he<br />

thinks of as fidelity.<br />

A variety of mechanical techniques can be used in building microphones. The two most commonly<br />

encountered in recording studios are the magneto-dynamic and the variable condenser designs.<br />

THE DYNAMIC MICROPHONE.<br />

In the magneto-dynamic, commonly called dynamic, microphone, sound waves cause movement of a thin<br />

metallic diaphragm and an attached coil of wire. A magnet produces a magnetic field which surrounds the<br />

coil, and motion of the coil within this field causes current to flow. The principles are the same as those<br />

that produce electricity at the utility company, realized in a pocket-sized scale. It is important to remember<br />

that current is produced by the motion of the diaphragm, and that the amount of current is determined by<br />

the speed of that motion. This kind of microphone is known as velocity sensitive.<br />

THE CONDENSER MICROPHONE.<br />

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