Recording Handbook - Hol.gr

This version was completed 12/4/96.
0.2) FAQ locations
This faq can be found at http://www.haydensferry.com/stomp/studio-faq-01.html
0.3) About the author
The author of this FAQ is Hal Haygood, lead guitarist for Stomp Gospel (see 0.4). In addition to
my fantastic guitar playing (hell, at least *I* think it is), I'm an in-house and on-site engineer for a
systems integrator. Oh, and a full-time student working on a BS in CIS. I'm a tube nut. I play a
Telecaster through a SF Bassman. I'm in Phoenix. I can be reached at hal@suncap.com.
0.4) About the author's band
Stomp Gospel is a roots-rock/alternative band from Tempe, Arizona. We consist of Charlie Curtis
(vocals), Chris Connelly (bass), Bob Miller (drums), Paul Fredricksen (rhythm guitar) and me.
We've recorded a five-song demo and a CD project at Blue Sky Recording Studios in Tempe.
We're signed to Hayden's Ferry Records.
0.5) Disclaimer and Copyright
First and foremost, keep in mind that this is all being tainted by my experiences in the studio. The
band didn't help me with this (I didn't ask). Therefore, there's probably a slight emphasis on guitar
work and smaller studios. I don't know how things work at the really expensive studios; Blue Sky
is a fantastic place to record and it's pretty inexpensive.
I made up the questions myself. If you have other questions or answers, or if you think I'm totally
wrong, please email me at hal@suncap.com for inclusion in the next version.
There are lots and lots of my personal opinions in here. Your mileage may vary.
The information contained in this document is for informational purposes only, and the reader
assumes all responsibility for damage resulting from following the suggestions made.
This document is copyright 1996 to Hal Haygood. Redistribution in electronic form is encouraged
as long as this copyright message is included and no fee is charged other than standard online
access fees or media fees. Please contact the author for rights to redistribute this document in print
form and/or for a fee. All rights not specifically granted in this paragraph are reserved to the
author.
If you link to this document, I'd appreciate it if you let me know at hal@suncap.com.
SECTION I: GENERAL
1.1) Why should my band record something?
Lots of reasons. First, and perhaps most important, you'll need something to give to clubs for
booking. If you don't have a tape, most clubs won't even see you. Another reason is to shop labels;
even though, realistically, the chances are slim, some bands have gotten contracts from demo
tapes. You might want something to prove to your parents that you're doing more than just making
noise in the garage. You might want something to sell or give to your friends.
Chances are, if you're reading this, you should be recording. The author's personal opinion is that
recording is a GOOD thing. There are several benefits to the recording process other than the
finished product -- better musicianship, a chance to hear your songs without playing them, a
chance to maximize your full potential as a band, a chance to make your music something more
than it is so far.
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