Recording Handbook - Hol.gr

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has an index. From the back cover: "[Hank] helps you lay down the music the way you want it to sound, with advice for: getting the best from your mixer, multitrack, compressor and other gear; arranging your song; keeping life in your music; unlocking the mysteries of time code; preventing acoustic and electrical noise from interfering; laying down good tracks, using 'production prosody,' 'ramping up'; 'punching in'; working with singers; mixing; .." "For a FREE catalog of all Writer's Digest Books, write Writer's Digest Books, 1507 Dana Avenue, Cincinnati, Ohio, 54207, or call 1-800-289-0963." They have books on lyrics, poetry, melody, and other related issues. 7. The Musician's Guide to Home Recording, by Peter McIan and Larry Wichman, Simon & Schuster, Inc, 1988. 285 pages. ISBN 0-671-60189-X PBK, or 0-671-65754-2. This tome is written by the producer of Men At Work and Mr. Mister, with help from a free-lance writer. It covers a lot of ground, and is a little dated. It has an index, bibliography, and glossary. From the back cover: "Learn: how to specifically EQ and recod synthesizers, drums, bass, strings, guitar, brass and piano; how to reduce tape noise and generation loss during a bounce; how to 132 132
e-create sounds you hear on hit records; how to properly apply reverb and special-effect echoes; how to perform overdubs; how to test room acoustics; how to achieve an effective blend; .." 8. Music Through MIDI: Using MIDI to create your own electronic music system, by Michael Boom, Microsoft Press, 1987. 271 pages, with glossary and index. ISBN 1-55615-026-1. I have not used the book much, but it looks like a gentle yet complete introduction to MIDI. Chapter 1 MIDI: An Overture, Ch. 2 Sound and Music, Ch. 3 Synthesizing Sound, Ch. 4 MIDI Connections, Ch. 5 MIDI Messages, Ch. 6 Computers and MIDI, Ch. 7 Real MIDI Equipment, Ch. 8 Computerized MIDI Systems, Ch. 9 MIDI in Live Performance, Ch. 10 MIDI in the Recording Studio, Ch. 11 MIDI in Education, Ch. 12 MIDI at Home, Appendix A Getting Technical, Appendix B Companies Mentioned, Appendix C Further Information. 9. Recording Demo Tapes at Home, Bruce Bartlett, 1988. I have no info on whether this is a good book or not. Q4.2.3 What are some related videos? 1. More Top Secret Home Recording Techniques, Vol. 3, Curt Miller 133 133
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1 Από το Web Site του Αν
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1. Sonic Fundamentals a. Loud vs. S
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5 The "sampling rate", or how many
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. Guitars, Basses and Things With S
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levels of your boxes and how you in
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11 physically replaying your moves,
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d. Harmonizers and Exciters Harmoni
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d. Computers Computers have become
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17 Here is where the capabilities o
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Unfortunately, Syquest is out of bu
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• II. Specifications. • III. Pi
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No mic is perfectly linear; the bes
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MICROPHONE PATTERNS These are polar
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solve the problem by mounting the m
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29 subtracted from the omni signal.
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Learning for yourself. Many student
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33 The attenuation provided by a fi
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EXPANSION Expansion is the opposite
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Warning: Send me any SPAM and I'll
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jeibisch@revolver.demon.co.uk (Jame
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Some changes between 0.4 and 0.41:
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Table of contents -----------------
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S3. Recording Techniques Q3.1 How d
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"So your best bet is to use whateve
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"DiY" - Do-it-yourself (music) "ind
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Q1.1 What is a 4-track machine? A 4
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Michael Parrott writes: "Note that
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The term "graphic" is used to descr
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Q1.1.4 What are balanced and unbala
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two guitars each get a track of the
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to a line level input and hear the
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Table of Features Note: this is way
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Price - Price is in U.S. dollars, m
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There is a brand missing from your
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good mic) and you're halfway there.
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"The $11.99 omni-directional ones (
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ak748@detroit.freenet.org (Daniel W
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comes with Quad is fully supported
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or ftp://ftp.winternet.com/users/df
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I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
Page 107 and 108: onto his Hi-Fi deck. I have to say,
Page 109 and 110: miked amps and put on another track
Page 111 and 112: everything at once and not making a
Page 113 and 114: Q4.1.2 What are some related FAQ li
Page 115 and 116: ***********************************
Page 117 and 118: XCF.Berkeley.EDU has IP address 128
Page 119 and 120: DAT-Heads mailing list. ***********
Page 121 and 122: in the body of an email message (*n
Page 123 and 124: Currently, archives for GAJOOB Maga
Page 125 and 126: Everything in the tips was done usi
Page 127 and 128: http://www1.uniovi.es/musica/ LA FA
Page 129 and 130: Direct any further questions, comme
Page 131: Alfred Publishing Co., Inc. 16380 R
Page 135 and 136: that old manual you've been looking
Page 137 and 138: This version was completed 12/4/96.
Page 139 and 140: 139 Cons: It can be VERY expensive.
Page 141 and 142: 141 Studio time is fairly expensive
Page 143 and 144: lead guitar, then rhythm guitar and
Page 145 and 146: SECTION V: MIXING 5.1) What is the
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Recording Handbook - Hol.gr

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