Recording Handbook - Hol.gr

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ftp://ftp.cwi.nl/pub/audio The above directory has a hypertext "index.html" file. S4.2. Information not online Q4.2.1 What are some related magazines? 1. GAJOOB Magazine, published by Bryan F. Baker. This is the older sibling of the GAJOOB online "DiY report". "GAJOOB Magazine has been in publication for nearly eight years and has a small (2000+), but devoted international readership. Due to the success and effectiveness of the elctronic newsletter, GAJOOB Magazine's DiY Report, the focus of GAJOOB Magazine itself has recently evolved to be a more in-depth look at DiY recording as a craft and DiY recording artists as creative artists at work. Future issues of GAJOOB Magazine will focus less on contact information and reviews and more on people, issues and DiY recording as a craft, leaving the DiY Report newsletter to keep DiY recording artists up-to-date with essential information on the most current DiY activities." CONTACTING GAJOOB 128 128
Direct any further questions, comments or job offers to: E-MAIL: gajoob@utw.com (preferred) or gajoob@aol.com Postal enquiries, submissions, Baby Ruth candy bars and the perfect cup of coffee (or the perfect coffee cup) can be sent to: GAJOOB Magazine, PO Box 3201, Salt Lake City, Utah 84110. 2. IMPROVIJAZZATION NATION. A writeup from GAJOOB DiY: ZZAJ PRODUCTIONS " . . . publishes (e-mail) periodic "updates" on new releases, recording activity at our "In The Shadow" studios & various other info regarding D.I.Y. activities throughout the world. If you "do" I.Y., or know of folks who do, drop me an e-mail. IF you want the list, please specifically ASK for it in your e-mail. We also have information about our 'zine, IMPROVIJAZZATION NATION, which reviews D.I.Y. tapes of ALL genres, as well as some limited, short pieces of poetry. Let us HEAR from you, ok?" [Rotcod Zzaj, Editor, IMPROVIJAZZATION NATION 'zine, & perpetrator of Zzaj Productions; SNAIL: 5308 65TH Ave SE, Lacey, WA 98513; EMAIL: rotcod@halcyon.com] 3. Home & Studio <strong>Recording</strong> - ?? 4. Sound on Sound - A home recording magazine in the United Kingdom. benl@mojo.europe.dg.com (Ben Last) writes: 129 129
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1 Από το Web Site του Αν
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1. Sonic Fundamentals a. Loud vs. S
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5 The "sampling rate", or how many
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. Guitars, Basses and Things With S
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levels of your boxes and how you in
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11 physically replaying your moves,
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d. Harmonizers and Exciters Harmoni
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d. Computers Computers have become
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17 Here is where the capabilities o
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Unfortunately, Syquest is out of bu
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• II. Specifications. • III. Pi
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No mic is perfectly linear; the bes
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MICROPHONE PATTERNS These are polar
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solve the problem by mounting the m
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29 subtracted from the omni signal.
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Learning for yourself. Many student
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33 The attenuation provided by a fi
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EXPANSION Expansion is the opposite
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Warning: Send me any SPAM and I'll
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jeibisch@revolver.demon.co.uk (Jame
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Some changes between 0.4 and 0.41:
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Table of contents -----------------
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S3. Recording Techniques Q3.1 How d
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"So your best bet is to use whateve
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"DiY" - Do-it-yourself (music) "ind
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Q1.1 What is a 4-track machine? A 4
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Michael Parrott writes: "Note that
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The term "graphic" is used to descr
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Q1.1.4 What are balanced and unbala
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two guitars each get a track of the
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to a line level input and hear the
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Table of Features Note: this is way
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Price - Price is in U.S. dollars, m
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There is a brand missing from your
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good mic) and you're halfway there.
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"The $11.99 omni-directional ones (
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ak748@detroit.freenet.org (Daniel W
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comes with Quad is fully supported
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Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
Page 107 and 108: onto his Hi-Fi deck. I have to say,
Page 109 and 110: miked amps and put on another track
Page 111 and 112: everything at once and not making a
Page 113 and 114: Q4.1.2 What are some related FAQ li
Page 115 and 116: ***********************************
Page 117 and 118: XCF.Berkeley.EDU has IP address 128
Page 119 and 120: DAT-Heads mailing list. ***********
Page 121 and 122: in the body of an email message (*n
Page 123 and 124: Currently, archives for GAJOOB Maga
Page 125 and 126: Everything in the tips was done usi
Page 127: http://www1.uniovi.es/musica/ LA FA
Page 131 and 132: Alfred Publishing Co., Inc. 16380 R
Page 133 and 134: e-create sounds you hear on hit rec
Page 135 and 136: that old manual you've been looking
Page 137 and 138: This version was completed 12/4/96.
Page 139 and 140: 139 Cons: It can be VERY expensive.
Page 141 and 142: 141 Studio time is fairly expensive
Page 143 and 144: lead guitar, then rhythm guitar and
Page 145 and 146: SECTION V: MIXING 5.1) What is the
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