Recording Handbook - Hol.gr

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We also help each other with ideas on equipment and how to use it. Join us! No cost or obligation... -- David Fiedler Internet:dragon@homerecording.com Phone:530/677-5870 USMail: Home<strong>Recording</strong>.com, PO Box 220, Rescue, CA 95672 ********************************************************************** gajoob@utw.com (by way of gajoob@utw.com (Bryan F. Baker)) writes: HOW TO RECEIVE THE DiY REPORT GAJOOB Magazine's DiY Report is available in a free electronic edition, e-mailed 2-3 times each month, and available by sending e-mail to: GAJOOB@UTW.COM. There is no automated list server set-up, so just send a regular e-mail message telling me you want to subscribe to the list and you'll start receiving with the very next mailing. You may request a free sample copy of the paper edition of the DiY Report, which is published in conjunction with the electronic edition (information is identical in both editions). BACK ISSUE ARCHIVES 122 122
Currently, archives for GAJOOB Magazine's DiY Report can be found on the World Wide Web (complete with hypertext links), courtesy of DiY artist Philip Riley, at: http://www.math.duke.edu/~priley/ GAJOOB MAGAZINE's DiY REPORT INTRODUCTION Established in September 1994, GAJOOB Magazine's DiY Report is published 2-3 times each month and contains news of outlets for DiY artists, such as compilation projects in the works, collaborations, radio shows, publications, distributors and others. The DiY Report also contains listings and reviews of the latest DiY releases (including your own!), whether it's a homemade cassette offered to the general public or a larger run of CD's. There are also discussions of relevant topics, including a letters section, articles offering tech advice and interviews with DiY artists talking about their craft. There is also some coverage of indie bands as the distinction between purely DiY and "indie" becomes more and more blurred. ********************************************************************** DAT-heads concerns itself with Digital Audio Tape decks, with an emphasis on their use for the recording and distribution of live music, as done by the followers of the Grateful Dead, Phish, and others. To subscribe to DAT-heads, send a message to: 123 123
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1 Από το Web Site του Αν
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1. Sonic Fundamentals a. Loud vs. S
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5 The "sampling rate", or how many
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. Guitars, Basses and Things With S
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levels of your boxes and how you in
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11 physically replaying your moves,
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d. Harmonizers and Exciters Harmoni
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d. Computers Computers have become
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17 Here is where the capabilities o
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Unfortunately, Syquest is out of bu
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• II. Specifications. • III. Pi
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No mic is perfectly linear; the bes
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MICROPHONE PATTERNS These are polar
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solve the problem by mounting the m
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29 subtracted from the omni signal.
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Learning for yourself. Many student
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33 The attenuation provided by a fi
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EXPANSION Expansion is the opposite
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Warning: Send me any SPAM and I'll
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jeibisch@revolver.demon.co.uk (Jame
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Some changes between 0.4 and 0.41:
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Table of contents -----------------
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S3. Recording Techniques Q3.1 How d
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"So your best bet is to use whateve
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"DiY" - Do-it-yourself (music) "ind
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Q1.1 What is a 4-track machine? A 4
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Michael Parrott writes: "Note that
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The term "graphic" is used to descr
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Q1.1.4 What are balanced and unbala
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two guitars each get a track of the
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to a line level input and hear the
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Table of Features Note: this is way
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Price - Price is in U.S. dollars, m
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There is a brand missing from your
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good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
Page 107 and 108: onto his Hi-Fi deck. I have to say,
Page 109 and 110: miked amps and put on another track
Page 111 and 112: everything at once and not making a
Page 113 and 114: Q4.1.2 What are some related FAQ li
Page 115 and 116: ***********************************
Page 117 and 118: XCF.Berkeley.EDU has IP address 128
Page 119 and 120: DAT-Heads mailing list. ***********
Page 121: in the body of an email message (*n
Page 125 and 126: Everything in the tips was done usi
Page 127 and 128: http://www1.uniovi.es/musica/ LA FA
Page 129 and 130: Direct any further questions, comme
Page 131 and 132: Alfred Publishing Co., Inc. 16380 R
Page 133 and 134: e-create sounds you hear on hit rec
Page 135 and 136: that old manual you've been looking
Page 137 and 138: This version was completed 12/4/96.
Page 139 and 140: 139 Cons: It can be VERY expensive.
Page 141 and 142: 141 Studio time is fairly expensive
Page 143 and 144: lead guitar, then rhythm guitar and
Page 145 and 146: SECTION V: MIXING 5.1) What is the
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