Recording Handbook - Hol.gr

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ec.audio.pro Issues pertaining to professional audio rec.audio.marketplace Buying and trading of consumer equipment rec.audio.tech Technical discussions about consumer audio rec.audio.opinion Everyone's $0.02 on consumer audio rec.audio.high-end High-end consumer audio discussions rec.audio.misc Everything else Please be sure to select the right newsgroup before posting. Here's a hypertext reference to an HTML file: rec.audio.pro FAQ (v2.14) **************************************** Archive-name: dsp-faq You can ftp the very latest version of this FAQ from: evans.ee.adfa.oz.au (131.236.30.24) in pub/dsp/dsp-faq.help, or from copernicus.Berkeley.EDU in dsp-faq.help.*. Q0: What is comp.dsp? Comp.dsp is a worldwide UseNet news group that is used to discuss various aspects of digital signal processing.. 114 114
**************************************** Archive-name: music/midi/bibliography ------------------------------------------------------------------------------ Version: $Id: bibliography,v 1.25 1994/09/08 12:24:00 piet Exp $ ------------------------------------------------------------------------------ This is a bibliography on sy [OOPS .. accidentally clipped and lost] .. structure into it, but not all books will fit into a single subject. NOTE: I haven't read these books, and the comments are from other people. On some of them I lost the original commentor's name. Sorry about that. If you have additions or correction to t [OOPS].. There is a more scientifically-oriented bibliography available in the Computer Music Journal archives, on the ftp sites mitpress.mit.edu /pub/Computer-Music-Journal/EdNotes or ccrma-ftp.stanford.edu /pub/Publications/cmj/EdNotes. Some references in this file that belong in that category will be removed in the future. A bibliography on alternate tunings can be found on ella.mills.edu in /ccm/tuning/papers/bibliography. **************************************** Archive-name: music/midi/archives 115 115
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1 Από το Web Site του Αν
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1. Sonic Fundamentals a. Loud vs. S
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5 The "sampling rate", or how many
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. Guitars, Basses and Things With S
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levels of your boxes and how you in
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11 physically replaying your moves,
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d. Harmonizers and Exciters Harmoni
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d. Computers Computers have become
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17 Here is where the capabilities o
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Unfortunately, Syquest is out of bu
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• II. Specifications. • III. Pi
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No mic is perfectly linear; the bes
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MICROPHONE PATTERNS These are polar
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solve the problem by mounting the m
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29 subtracted from the omni signal.
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Learning for yourself. Many student
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33 The attenuation provided by a fi
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EXPANSION Expansion is the opposite
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Warning: Send me any SPAM and I'll
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jeibisch@revolver.demon.co.uk (Jame
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Some changes between 0.4 and 0.41:
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Table of contents -----------------
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S3. Recording Techniques Q3.1 How d
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"So your best bet is to use whateve
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"DiY" - Do-it-yourself (music) "ind
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Q1.1 What is a 4-track machine? A 4
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Michael Parrott writes: "Note that
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The term "graphic" is used to descr
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Q1.1.4 What are balanced and unbala
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two guitars each get a track of the
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to a line level input and hear the
Page 63 and 64: Table of Features Note: this is way
Page 65 and 66: Price - Price is in U.S. dollars, m
Page 67 and 68: There is a brand missing from your
Page 69 and 70: good mic) and you're halfway there.
Page 71 and 72: "The $11.99 omni-directional ones (
Page 73 and 74: ak748@detroit.freenet.org (Daniel W
Page 75 and 76: comes with Quad is fully supported
Page 77 and 78: or ftp://ftp.winternet.com/users/df
Page 79 and 80: I was reading [about] SAW when I ca
Page 81 and 82: You require one track of the 4 for
Page 83 and 84: This audio output is plugged into t
Page 85 and 86: hits that frame. So, going back to
Page 87 and 88: Q1.8 How does an 8-track machine co
Page 89 and 90: psu02178@odin.cc.pdx.edu (Joshua Me
Page 91 and 92: Q2.2 What is reverb? benl@mojo.euro
Page 93 and 94: ack down. Similarly, a compressor c
Page 95 and 96: is, vocals don't need as much as a
Page 97 and 98: Companding is a two-stage process o
Page 99 and 100: sound becomes [dirty] when you repe
Page 101 and 102: Q3.1 How do I get a good sound? Dav
Page 103 and 104: Add lead guitar to one of the remai
Page 105 and 106: will@iglou.iglou.com (William M. Wi
Page 107 and 108: onto his Hi-Fi deck. I have to say,
Page 109 and 110: miked amps and put on another track
Page 111 and 112: everything at once and not making a
Page 113: Q4.1.2 What are some related FAQ li
Page 117 and 118: XCF.Berkeley.EDU has IP address 128
Page 119 and 120: DAT-Heads mailing list. ***********
Page 121 and 122: in the body of an email message (*n
Page 123 and 124: Currently, archives for GAJOOB Maga
Page 125 and 126: Everything in the tips was done usi
Page 127 and 128: http://www1.uniovi.es/musica/ LA FA
Page 129 and 130: Direct any further questions, comme
Page 131 and 132: Alfred Publishing Co., Inc. 16380 R
Page 133 and 134: e-create sounds you hear on hit rec
Page 135 and 136: that old manual you've been looking
Page 137 and 138: This version was completed 12/4/96.
Page 139 and 140: 139 Cons: It can be VERY expensive.
Page 141 and 142: 141 Studio time is fairly expensive
Page 143 and 144: lead guitar, then rhythm guitar and
Page 145 and 146: SECTION V: MIXING 5.1) What is the
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Recording Handbook - Hol.gr

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