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Writable CDs Chapter <strong>13</strong> 749<br />
disc before the frames are actually written. Technically, the wobble signal is frequency shift keyed<br />
with a carrier frequency of 22.05KHz and a deviation of 1KHz. The wobble uses changes in frequency<br />
to carry information.<br />
To complete the CD-R disc, an organic dye is evenly applied across the disc by a spin-coating process.<br />
Next, a gold reflective layer is then applied, followed by a protective coat of UV-cured lacquer to protect<br />
the gold and dye layers. Gold is used in CD-R discs to get the reflectivity as high as possible, and<br />
it was found that the organic dye tends to oxidize aluminum. Then, silk-screen printing is applied on<br />
top of the lacquer for identification and further protection. When seen from the underside, the laser<br />
used to read (or write) the disc first passes through the clear polycarbonate and the dye layer, hits the<br />
gold layer where it is reflected back through the dye layer and the plastic, and finally is picked up by<br />
the optical pickup sensor in the drive.<br />
The dye and reflective layer together have the same reflective properties as a virgin CD. In other<br />
words, a CD reader would read the groove of an unrecorded CD-R disc as one long land. To record on<br />
a CD-R disc, a laser beam of the same wavelength (780nm) as is normally used to read the disc, but<br />
with 10 times the power, is used to heat up the dye. The laser is fired in a pulsed fashion at the top of<br />
the ridge (groove), heating the layer of organic dye to between 482° and 572°F (250°–300°C). This<br />
temperature literally burns the organic dye, causing it to become opaque. When read, this prevents<br />
the light from passing through the dye layer to the gold and reflecting back, having the same effect of<br />
cancelling the laser reflection that an actual raised pit would on a normal stamped CD.<br />
Figure <strong>13</strong>.11 shows the CD-R media layers, along with the pre-groove (raised ridge from the laser perspective)<br />
with burned pits.<br />
Figure <strong>13</strong>.11 CD-R media layers.<br />
The drive reading the disc is fooled into thinking a pit exists, but no actual pit exists—there’s simply a<br />
spot of less-reflective material on the ridge. This use of heat to create the pits in the disc is why the<br />
recording process is often referred to as burning a CD. When burned, the dye changes from a reflective<br />
to a nonreflective state. This change of state is permanent and can’t be undone, which is why CD-R is<br />
considered a write-once medium.<br />
CD-R Capacity<br />
All CD-R drives can work with the standard 650MiB (682MB) CD-R media (equal to 74 minutes of<br />
recorded music), as well as the higher-capacity 700MiB (737MB) CD-R blanks(equal to 80 minutes of<br />
recorded music). The 80-minute discs cost only about 2 cents more than the 74-minute discs, so most<br />
would figure why not purchase only the higher-capacity media? Although the extra 55MB of storage<br />
can be useful and the cost difference is neglegible, the 80-minute discs can actually be harder to read<br />
on older CD-ROM and CD-DA drives, especially car audio units. This is because to get the extra<br />
55MB/6 minutes of capacity, the spiral track is wound a little more tightly, making them a bit more<br />
difficult read. If you’ll be using the discs for audio or interchange purposes and might be dealing with<br />
older equipment, you might want to stick with the 74-minute discs instead. If not, the 80-minute<br />
media will be just fine.