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What Is a CD-ROM? Chapter <strong>13</strong><br />
689<br />
Although only a few dozen CD-ROM discs, or titles, were published by 1988, currently hundreds of<br />
thousands of individual titles exist, containing data and programs ranging from worldwide agricultural<br />
statistics to preschool learning games. Individual businesses, local and federal government<br />
offices, and large corporations also publish thousands of their own limited-use titles. As one example,<br />
the storage space and expense that so many business offices once dedicated to the maintenance of a<br />
telephone book library can now be replaced by two discs containing the telephone listings for the<br />
entire United States.<br />
CDs: A Brief History<br />
In 1979, the Philips and Sony corporations joined forces to co-produce the CD-DA (Compact Disc-<br />
Digital Audio) standard. Philips had already developed commercial laserdisc players, and Sony had a<br />
decade of digital recording research under its belt. The two companies were poised for a battle—the<br />
introduction of potentially incompatible audio laser disc formats—when instead they came to terms<br />
on an agreement to formulate a single industry-standard digital audio technology.<br />
Philips contributed most of the physical design, which was similar to the laserdisc format it had created<br />
with regards to using pits and lands on the disk that are read by a laser. Sony contributed the<br />
digital-to-analog circuitry, and especially the digital encoding and error-correction code designs.<br />
In 1980, the companies announced the CD-DA standard, which has since been referred to as the<br />
Red Book format (so named because the cover of the published document was red). The Red Book<br />
included the specifications for recording, sampling, and—above all—the 120mm (4.72-inch) diameter<br />
physical format you live with today. This size was chosen, legend has it, because it could contain all<br />
of Beethoven’s approximately 70-minute Ninth Symphony without interruption.<br />
After the specification was set, both manufacturers were in a race to introduce the first commercially<br />
available CD audio drive. Because of its greater experience with digital electronics, Sony won that race<br />
and beat Philips to market by one month, when on October 1, 1982 Sony introduced the CDP-101<br />
player and the world’s first CD recording—Billy Joel’s 52nd Street album. The player was first introduced<br />
in Japan and then Europe; it wasn’t available in the U.S. until early 1983. In 1984, Sony also<br />
introduced the first automobile and portable CD players.<br />
Sony and Philips continued to collaborate on CD standards throughout the decade, and in 1984 they<br />
jointly released the Yellow Book CD-ROM standard. It turned the CD from a digital audio storage<br />
medium to one that could now store read-only data for use with a computer. The Yellow Book used<br />
the same physical format as audio CDs but modified the decoding electronics to allow data to be<br />
stored reliably. In fact, all subsequent CD standards (usually referred to by their colored book binders)<br />
have referred back to the original Red Book standard for the physical parameters of the disc. With the<br />
advent of the Yellow Book standard (CD-ROM), what originally was designed to hold a symphony<br />
could now be used to hold practically any type of information or software.<br />
CD-ROM Technology<br />
Although identical in appearance to CD-DAs, CD-ROMs store data instead of (or in addition to) audio.<br />
The CD-ROM drives in PCs that read the data discs are almost identical to audio CD players, with the<br />
main changes in the circuitry to provide additional error detection and correction. This is to ensure<br />
data is read without errors because what would be a minor—if not unnoticeable—glitch in a song<br />
would be unacceptable as missing data in a file.<br />
A CD is made of a polycarbonate wafer, 120mm in diameter and 1.2mm thick, with a 15mm hole in<br />
the center. This wafer base is stamped or molded with a single physical track in a spiral configuration<br />
starting from the inside of the disc and spiraling outward. The track has a pitch, or spiral separation,<br />
of 1.6 microns (millionths of a meter, or thousandths of a millimeter). By comparison, an LP record