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Psychosocial Notebook - IOM Publications - International ...

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<strong>Psychosocial</strong> <strong>Notebook</strong>, Volume 2, October 2001<br />

This rather superficial view of the early political activity that grew out of<br />

the climate of organized and systematic state violence enacted against the<br />

civilian population of Kosovo, nevertheless hides a plethora of stances and<br />

strategies. Within a short time, the political scene would witness the evolution<br />

of opposition to the regime, from a reliance on the rigid principles<br />

of the Kanun 1 (with its “eye for an eye” philosophy), to a highly sophisticated<br />

strategy where violence was made politically advantageous through<br />

the lens of the media.<br />

In this later change of strategy, a population unprotected by State law<br />

sought support in the power of the media. Such a powerful response to violence<br />

was created in the pen of the journalist and the eye of the camera,<br />

that, to some extent, media exposure provided an alternative to traditional<br />

vengeance. Meanwhile, the practice of consulting with the male head of a<br />

wronged family to elaborate a means of taking revenge against the perpetrators<br />

of violence committed within the circle of the close family (traditional<br />

mediation), proved ineffective and antiquated in the new circumstances.<br />

Kosovar Albanians began to learn the civilizing effect of transparency,<br />

everywhere exposing violence through images, recordings, eyewitness<br />

accounts, etc. For the first time in history, the long-violent<br />

Kosovar Albanian shamelessly sought and attained revenge by means of<br />

cameras, journalists, photo-reporters, foreign humanitarian workers, etc.<br />

Kosovar Albanians no longer hesitated to go naked, baring raw marks of<br />

violence in front of witnesses, neighbours and family members, ready to<br />

show that they had been wronged.<br />

One example of this can be taken from my own experience: one day, the<br />

Serbian police located a house, the basement of which the University of<br />

Pristina’s Philosophy Department had made into a makeshift lecture hall.<br />

At the beginning of a faculty meeting, the house was surrounded. We were<br />

all made to walk through the hallway under the batons, kicks, and fists of<br />

the police. As we were expelled from the house, we found another group<br />

of policemen there to meet us and finish the operation. Many colleagues<br />

were harmed. Was this not unscrupulous violence aimed at non-violent<br />

teachers, a challenge that demanded revenge? It happened, however, that<br />

the group of students watching this affront in silence from adjacent houses,<br />

and even the victimized teachers themselves, sought “healing” of these<br />

wounds not by seeking more violence, but by unravelling their story to a<br />

few journalists. I gained the impression that the presence of this small<br />

group of journalists was a gesture of sympathy and curiosity, as precisely<br />

at that time, fighting had erupted in Drenica and other places. Despite this,<br />

the interviewing and posing for photography went on with such theatrical<br />

ceremony that it was almost as if the beatings had not been degrading at<br />

all, but had somehow made us proud.<br />

81

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