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Professional Quick Tips.pdf - For professionals - Cochlear Americas

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Turn<br />

on<br />

the music<br />

TM<br />

<strong>Quick</strong> <strong>Tips</strong> for<br />

optimizing a recipient's<br />

experience with music


• SmartSound TM<br />

2 allows personalized customization to meet a<br />

recipient’s specific needs in optimizing music enjoyment<br />

• <strong>Cochlear</strong>’s Music Program which consists of a combination<br />

of ADRO ® + Whisper TM<br />

is the first choice recommended for<br />

listening to live or recorded music via any audio source.<br />

C<br />

T<br />

Programming Rehabilitation<br />

• How Does a Music Program Work?<br />

Sound "boosted" by ADRO<br />

Sound reduced by ADRO<br />

• Biological Factors<br />

- Presence of residual hearing 1<br />

- Length of profound sensorineural<br />

hearing loss<br />

- Age<br />

- Patent cochlea with full insertion<br />

1 Gfeller, Kate, Oleson, Jacob, Knutson, John F, Breheny, Patrick, Driscoll, Virginia, Olszewski, Carol; Multivariate<br />

predictors of music perception and appraisal by adult cochlear implant users; JAAA 19(1):120-134 Feb 2008<br />

2 Gfeller, Kate, PhD, F.Wendell Miller Distinguished Professor; Piecing the Puzzle Together; June 2008<br />

www.cochlear.com<br />

Music: Whisper TM + ADRO ®<br />

C Maximum comfort level T Threshold of audibility<br />

Whisper<br />

Whisper lifts quieter<br />

sounds into the<br />

audible range<br />

ADRO<br />

ADRO boosts dynamic<br />

signals (e.g. bass beat +<br />

vocal) while reducing those<br />

which are more constant<br />

Counseling Adult Recipients on Factors<br />

that Can Influence Music Appreciation<br />

• Realistic Expectations<br />

- Set realistic expectations; music<br />

may not sound like it did before the<br />

recipient’s hearing loss.<br />

- Capabilities vary with respect to music.<br />

Even people with normal hearing<br />

have personal music preferences<br />

and varying abilities for music<br />

While the Music Setting is our first recommendation<br />

for recipients to enjoy music, we recognize that music<br />

perception and enjoyment is unique for each environment<br />

and each individual. Custom Sound TM Suite software offers<br />

you the flexibility to customize music programs to meet each<br />

individual’s needs. You can create multiple Music programs, and<br />

encourage recipients to try using different MAPs when listening<br />

to music to see what works best. A recipients MAP can easily<br />

be customized for their individual needs, for example:<br />

- When using an iPod or other accessory, adjust the accessory<br />

mixing ratio to 10:1. Remember, this will change the IIDR<br />

from 40 to 30 dB.<br />

- SmartSound Focus is an excellent choice for recipients who<br />

want to hear music and their dance partner<br />

- The default Music map incorporates Whisper + ADRO<br />

technology. Experiment with the other options in the Music<br />

environment as well: Autosensitivity TM + ADRO and ADRO.<br />

Each option works in slightly different ways.<br />

o Whisper + ADRO: Whisper boosts the level of soft<br />

signals without increasing loud sounds. The ADRO<br />

component then dynamically optimizes the level of signals<br />

in each channel.<br />

o ASC + ADRO: ASC minimizes the effects of noise in the<br />

changing acoustic environment, then ADRO dynamically<br />

optimizes the level of signals in each of up to 22 channels.<br />

o ADRO: An input processing algorithm designed to make<br />

soft sounds more audible while maintaining comfort for<br />

loud sounds in dynamic environments.<br />

• Listening Conditions<br />

- Recipients should avoid music played<br />

at a loud volume<br />

- Recipients should avoid listening<br />

conditions where there<br />

is a lot of echo or competing noise<br />

• Research suggests that with practice and training CI recipients do<br />

report improvements in music performance and enjoyment. 2<br />

- Ask an AV therapist for ideas.<br />

- Take a music class<br />

- Learn the scales<br />

• Practice, Practice, Practice. Patience, persistence, practice and<br />

a positive attitude will go a long way!<br />

• If the recipient wears a hearing aid in the unimplanted ear,<br />

encourage hearing aid use when listening to music as it can<br />

improve the sound quality.<br />

• Recipients should start by choosing familiar music like lullabies<br />

or the birthday song. Use simple melodies in the beginning and<br />

stay away from harmonized complex tones of classical music.<br />

• Encourage them to listen to some of their old favorites over<br />

and over and over again! Sound quality will improve over<br />

time. It’s a great idea to experiment with different types of<br />

music from classical, soft rock, pop, country, etc. Recipients<br />

can go to a music store to sample the music. Most music<br />

What Helps Children Enjoy Music<br />

• Listen in quiet environments with good acoustics<br />

• Keep the music volume down<br />

• Obtain the words to songs and teach them to the child<br />

before playing the music<br />

• Certain kinds of music or instruments may be more enjoyable<br />

• Try different kinds of music<br />

• Try different music activities:<br />

- Listening to music<br />

- Moving to music<br />

- Singing<br />

- Playing musical instruments<br />

• Watch how the child responds to music and take cues<br />

from them<br />

stores provide headsets that can be placed over the<br />

processor or an accessory can be plugged into their audio jack.<br />

- Many recipients enjoy country and rock due to the<br />

strong beat<br />

- <strong>Cochlear</strong> implants transmit rhythm (beat), timbre (tone),<br />

and lyrics effectively<br />

- Hearing individual notes and melodies are more challenging.<br />

• Encourage recipients to sample songs for free before<br />

purchasing them at the iPod iTunes website.<br />

• Understanding the lyrics will be difficult. Encourage recipients<br />

to have the lyrics in front of them to follow along. Lyrics can<br />

be printed from the internet by “googling” the song name.<br />

• Encourage recipients to have a partner “sing along” with the<br />

song so they can lip read and learn placement of lyrics.<br />

• Ask recipients to keep a log of their progress. It will give you<br />

an idea of what’s working, what’s not working, and how<br />

they are progressing.<br />

• Remind recipients to relax and have fun as they explore the<br />

world of music with their cochlear implant.<br />

Conclusions<br />

• Many children enjoy informal music activities (i.e., sing<br />

alongs, etc.)<br />

• Some children may ask for a formal music experience<br />

(i.e., taking lessons)<br />

• Capabilities vary with children<br />

• Know that certain activities and music styles may be difficult<br />

• If they enjoy it – regardless of their skill or ability – go for it!


Accessories<br />

• Adjustment of the mixing options for accessories.<br />

- Trial different ratios depending on patient preference<br />

• Try accessories that provide direct input<br />

- Nucleus Personal Audio Cable (PAC) to iPod or any<br />

MP3 player<br />

- Nucleus TV/HiFi Cable with stereos, TV, & computers<br />

- Silhouettes: Hatis, Noiz-Free, etc<br />

- Headphones<br />

Additional Resources<br />

• UW-CAMP: Order from website, $150.00 http://depts.washington.edu/<br />

ventures/UW_Technology/Express_Licenses/CAMP.php<br />

• Kimberly Sena, Jenny Rogers Kruse, Carol Olszewski and Kate Gfeller “Music<br />

Enjoyment and Activities for Children with <strong>Cochlear</strong> Implants.” CONTACT.<br />

2001, Vol 15, No 1-2, pg 11-14<br />

• Fujita, S. and Ito, J. (1999). Ability of nucleus cochlear implantees to<br />

recognize music. Annals of Otology, Rhinology and Laryngology<br />

108: 634-640.<br />

• Gfeller, K. (2001). Aural rehabilitation of music listening for adult cochlear<br />

implant recipients: Addressing learner characteristics. Music Therapy<br />

Perspectives, 19, 88-95<br />

• Gfeller KE, “Accommodating children who use cochlear implants in the<br />

music therapy or educational setting.” Music Therapy Perspective. 2000, Vol<br />

18, No 2, pg 122-130<br />

• Gfeller, KE, Mehr M, Witt S, “Aural rehabilitation of music perception<br />

and enjoyment of adult cochlear implant users.” Journal of Academy for<br />

Rehabilitative Audiology. 2001, Vol 34, pg 17-27<br />

• Gfeller, K., and Lansing, C. R. (1991). Melodic, rhythmic, and timbral<br />

perception of adult cochlear implant users. Journal Speech Hearing<br />

Research. 34, 916-920.<br />

• Gfeller, K. and Lansing C.R. (1992). Musical perception of cochlear implant<br />

users as measured by the primary measures of music audiation: An item<br />

analysis. Journal of Music Therapy, 29: 18-39.<br />

• Gfeller, K., Woodworth, G., Robin, D. A., Witt, S., and Knutson, J. F. (1997).<br />

Perception of rhythmic and sequential pitch patterns by normally hearing<br />

adults and adult cochlear implant users. Ear & Hearing, 18, 252-260.<br />

www.cochlear.com<br />

<strong>Cochlear</strong> <strong>Americas</strong><br />

13059 East Peakview Avenue<br />

Centennial, CO 80111 USA<br />

Tel: 1 303 790 9010<br />

Fax: 1 303 792 9025<br />

Toll Free: 1 800 523 5798<br />

• HOPE Music Series:<br />

- <strong>Tips</strong> for Improving Music Listening Skills<br />

- Nucleus Sound Processor Accessories Guide<br />

- Music and Implants: Piecing the Puzzle Together<br />

Author: Kate Gfeller, and F. Wendell Miller,<br />

Iowa <strong>Cochlear</strong> Implant Clinical Research Center,<br />

University of Iowa<br />

• Sound and Way Beyond<br />

• www.cochlearamericas.com/turnthemusicon<br />

Visit www.cochlear.com/hope to view all of our latest educational tools and materials<br />

Website: www.cochlearamericas.com/turnthemusicon<br />

FUN963 ISS1 JAN09<br />

Music Resources from <strong>Cochlear</strong><br />

• Gfeller, K., Knutson, J. F., Woodworth, G., Witt, S., and DeBus, B. (1998).<br />

Timbral recognition and appraisal by adult cochlear implant users and<br />

normal-hearing adults. Journal American Academy of Audiology, 9, 1-19.<br />

• Gfeller, K., Christ, A., Knutson, J. F., Witt, S., Murray, K. T., and Tyler, R. S.<br />

(2000). Musical backgrounds, listening habits, and aesthetic enjoyment of<br />

adult cochlear implant recipients. Journal American Academy of Audiology,<br />

11, 390-406.<br />

• Leal MC, Shin YJ, Laborde ML, Calmels MN, Verges S, Lugardon S, Andrieu<br />

S, Deguine O, Fraysse B. (2003). Music perception in adult cochlear implant<br />

recipients. Acta Otolaryngology, 123(7):826-35.<br />

• Mirza, S., Douglas, S. A., Lindsey, P., Hildreth, T., and Hawthorne, M. (2003).<br />

Appreciation of music in adult patients with cochlear implants: a patient<br />

questionnaire. <strong>Cochlear</strong> Implants International, 4 (2), 85-95.<br />

• Kong, Y-Y., Stickney G.S., Zeng F-G. (2005): Speech and melody recognition<br />

in binaurally combined acoustic and electric hearing. Journal of Acoustical<br />

Society of America, 117 (3), 1351-1361<br />

• Pijl, S., and Schwarz, D. W. F. (1995). Melody recognition and musical interval<br />

perception by deaf subjects with electrical pulse trains through single<br />

cochlear implant electrodes. Journal of Acoustical Society of America,<br />

98, 886-894.<br />

• Pijl, S., and Schwarz, D. W. F. (1995). Intonation of musical intervals by deaf<br />

subjects stimulated with single bipolar cochlear implant electrodes. Hearing<br />

Research, 89, 203-211.<br />

• Pijl, S. (1997). Labeling of musical interval size by cochlear implant patients<br />

and normally hearing subjects. Ear & Hearing, 18, 364-372.

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